Welcome to Year 20 (“the year we get it right!”). On this, their overall 988th installment, Dean and Phil really put the “Hollywood” into “Chillpak Hollywood Hour” with showbiz news, analysis, previews and reviews. It starts with a discussion of the long-running series “Supernatural”. Then in the “Lawsuit of the Week” the supposed end of the It Ends With Us lawsuits gets discussed. The surprising details of the SAG-AFTRA deal with the AMPTP get analyzed and the fact that it (most likely) means no labor stoppage for the next four years gets celebrated. Some fascinating rules changes for next year’s Oscars get dissected, and some seemingly terrific, but certainly intriguing, news regarding Greta Gerwig’s “Narnia” movie for Netflix gets hailed. The Cannes film festival gets previewed. As does the American Cinematheque’s Bleak Week festival. Finally, two current theatrical releases get hailed as modern masterworks and the plans for a new episode of “Deep Dive” get finalized.

Dean and Phil share seasonal decoration news, holiday plans, and Christmas travel tales. Then, Phil tells a hilarious story about an awards screening he attended. Wake Up Dead Man (“A Knives Out Mystery”) gets a deep dive analysis which leads into a new way of discussing the issues surrounding Netflix’s pending purchase of Warner Bros. Media. After that, the Netflix films Jay Kelly and Carry-On get reviewed before a soon-to-be-theatrically-released awards hopeful gets reviewed. Finally, a classic 1949 film noir and an underrated 1961 comedic gem from Billy Wilder get celebrated.

In what might be our longest episode ever, but is certainly an epic installment in any event, your friends in podcasting delve into the potential new relevancy of late night television, the frightening potential merger of Paramount/CBS/Skydance with Warner Bros/Discovery, and the power of TikTok (and other social media platforms) in turning this year’s Superman into a box office hit. Four of the all-time great films (Carl Thodore Dreyer’s 1928 The Passion of Joan of Arc, Luis Bunuel’s 1961 Viridiana, Jean Vigo’s 1934 L’Atalante, and Charles Laughton’s 1955 The Night of the Hunter) receive deep-dive analyses. With pal of the show Jon Lawlor adding support, the influence of Robert Redford’s training as a painter on his work as an actor and filmmaker gets discussed as does Burt Bacharach’s (terrible) music score for (the great) Butch Cassidy and the Sundance Kid.

The first show of 2025 find Dean and Phil in good form and discussing a wide array of topics including the landscape and geography of NY’s Central Park, nature photography, the It Ends With Us controversy and lawsuit, and the near future of motion picture distribution both theatrically and via streaming. The truncated nature of this year’s mad dash Awards Season will get analyzed before the Netflix series “Man on the Inside” gets reviewed. Then, your friends in podcasting roll up their sleeves to re-examine Netflix’s 2018 film The Christmas Chronicles and offer their thoughts on the Ralph Fiennes-Juliet Binoche starrer The Return as well as the brilliant Nickel Boys and the reviled (and misunderstood?) Joker: Folie a Deux. Finally, thoughts regarding the suicide of filmmaker Jeff Baena are offered and Ralph Fiennes closes the show by being very “demure”.

Welcome to one of our most cinematic episodes of the year! Dean and Phil talk nothing but movies, doing deep dive analyses of the new Dave Bautista action-comedy vehicle (and tax dodge?) The Killer’s Game, the current Tim Burton-directed smash hit Beetlejuice Beetlejuice, the Michael Keaton-starring vehicle and directorial effort Knox Goes Away, the recent “thriller in six chapters” Strange Darling, this year’s box office disaster The Fall Guy, a 1968 film undone by director Richard Lester’s cynicism (Petulia), and an all-too overlooked classic from director Joseph Losey and leading man Alain Delon (Mr. Klein). Finally, Phil regales Dean with a real-life unsolved murder that involved the late, great Delon.

 

Spring has sprung in the Northern Hemisphere and the entertaining and insightful conversation is in full bloom on this week’s episode! The Daptone Records recording artists The Budos Band and that jewel of Los Angeles theaters, the Fonda Theatre, get celebrated in “Live Event of the Week”. Then, Dean and Phil reveal what television series they’ve been watching with extra special attention paid to the Alan Tudyk-starring “Resident Alien” and the Jeff Bridges-starring “The Old Man”. Things then turn to the big screen as Phil hails the greatness of the Detroit Film Theatre, Dean reviews Ghostbusters: Frozen Empire and Phil puts the entire Ghostbusters franchise and history under the microscope for analysis. Finally, a Japanese inventor who changed leisure activities the world over, and a groundbreaking filmmaker who launched an enduring cinematic franchise both get remembered in “Celebrity Deaths”.

This week’s show begins with a mea culpa to those of you who actually listen to the show in podcast form. After that, your friends in podcasting and broadcasting follow up on last week’s “What We’re Reading” with amazing tales of the Knights of Malta and of the great artist Caravaggio’s time in Malta. Then the Hall & Oates “Lawsuit of the Week” gets revisited and clarified, before loyal listener Maurice Terenzio sets Dean straight on a lawsuit that involved puppetry giants Sid & Marty Krofft. In “Celebrity Deaths”, a groundbreaking pianist, a groundbreaking soap opera actress, a trailblazing television producer, an Oscar nominated French Actress, and a beloved American movie star all get remembered. And because awards season in Hollywood is now in full swing, two new television series get described and appraised.

This week’s show covers a lot of ground thematically AND geographically! The death of João Donato takes us to Brasil and the era of bossa nova. The death of Dianne Feinstein takes us back to San Francisco of 1978. The death of Jane Birkin inspires discussion of her daughters, fashion, Hercule Poirot, Dirk Bogarde, and Jim Thorpe, Pennsylvania! And the death of Sir Michael Gambon inspires Phil to get up on his soapbox railing against those who think of the great actor as “Dumbledore”! The charms of Savannah, Dean’s ongoing battle with Covid after-effects, the end of the Writer’s Strike, and murder mystery dinners are all on the menu as well!