Despite being recorded later than we like, and despite one of your friends in podcasting definitely “playing hurt”, this installment certainly proves to be a delight. Much hilarity starts the show, in no small part thanks to an email from a loyal listener like you (yes, YOU!), before Dean and Phil get into a fascinating conversation about the court-approved settlement terms for the merger of Paramount/Skydance and Warner Bros. Discovery. The “Live Event of the Week” returns, thanks to the launch of Phil’s own monthly stage show! He and Dean discuss, and Phil reveals he busted up his ankle falling down a flight of stairs many weeks back. Dean has begun his homework for the next “Deep Dive” into (neo) noir, and has thoughts about François Truffaut’s 1960 New Wave crime drama Shoot the Piano Player. Finally, since “spooky season” has begun, Phil does an in-depth comparison of John Carpenter’s 1982 The Thing and Ridley Scott’s 1979 Alien.

Your friends in podcasting have a great deal on their minds … Cold weather in the nation’s capital, the hell of home renovations, fire and long-term unhealthful air and the Olympics in Los Angeles … And they discuss it all on this week’s show. They also remember the late David Lynch, suggesting that no artist has ever loved Los Angeles more than he did. They discuss the latest in the Justin Baldoni-Blake Lively (and now Ryan Reynolds!) lawsuits, and this leads to a discussion of the “abuser’s playbook”. The programming glories of the Detroit Film Theater (at the Detroit Institute of Arts) and the Renzo Piano-designed Academy Museum (at the L.A. County Museum of Art) get celebrated and lead to a discussion about “old school” wide-screen filmmaking, and big screen “pacing”, as well as cyber punk and yacht rock! Finally, analysis will be directed onto the Directors Guild and Producers Guild awards nominations and what they portend for this week’s Oscar nominations. Oh, yeah, and the show opens with an epic Dean Haglund meltdown!