In what might be a first, Dean will offer up both a point and a counterpoint (all on his own) about the merits and deficits of Charles Laughton’s The Night of the Hunter. Then, Phil will discuss the long career of the great cinematic surrealist Luis Buñuel and take a deep dive into one particular masterpiece of his, the 1950 Los Olividados (“The Young and the Damned”). Buñuel’s famous collaborations with Catherine Deneuve will lead Phil and Dean to discuss this legendary star’s almost unparalleled status as the “face” of 1960s cinema. Jacque Demy’s singular The Umbrellas of Cherbourg gets celebrated as a result. If Ms. Deneuve was NOT the face of global cinema at that time, then that title belonged to the late, great Claudia Cardinale, who gets remembered in “Celebrity Deaths”.

This week’s episode picks up where last week’s show left off with a deep dive into Charles Laughton’s 1955 masterpiece The Night of the Hunter the ending to which Dean greatly misunderstood. In fact, a special guest stops by to help explain the ending and to discuss the film through the prisms of expressionism, surrealism and absurdism. Then, Dean, Phil, and (frequent collaborator) Jon Lawlor discuss several filmmaking and film distribution and film marketing topics pertaining to Paul Thomas Anderson’s One Battle After Another. In 1964, the United Nations produced four movies for television. One of them featured an all-star cast and a script by Rod Serling. Carol for Another Christmas gets discussed. Finally, the recent conversation the gents had about Carl Theodore Dreyer’s The Passion of Joan of Arc inspired a thoughtful email from a loyal listener.

Our last show before our 18th Anniversary is also our last show to be recorded via Skype! It’s also an action-packed 72 minutes that boasts the return of “Lawsuit of the Week”, where Dean and Phil get down and dirty discussing the Paramount merger with Skydance, the fate of CBS’ long-running “60 Minutes”, DEI initiatives, the FCC and Trump advisor Stephen Miller. Several films get discussed in depth, including Easter Parade, Diary of a Mad Housewife and Meshes of the Afternoon – each of which leads to discussions about husband-wife creative teams. In “Live Event(s) of the Week”, the delightful TCM host Ben Mankiewicz and the super-talented “Medicine Woman” Veronica Osorio both get celebrated. “Celebrity Deaths” this week is a lightning round quiz edition featuring remembrances of a game show host, a child star, a TV cowboy, a Canadian movie director, an Emmy Award-winning dramatic actress who starred in and co-created one of the most legendary dramas of all time, a Tony-winning composer and lyricist, a rock drummer, and a neo-expressionist painter. Finally, Dean discusses the Seth Rogen-starring Apple TV+ series “The Studio”.

This week’s episode finds Dean Haglund and Phil Leirness in fine form, discussing this year’s Oscar-winning animated feature Flow, how it was made, and why actual cats might be enjoying it! The “Lawsuit of the Week” returns, and it is a rather astounding one involving a once Oscar-nominated filmmaker. Phil and Dean both relate to a recent Substack post by one of Phil’s favorite journalists entitled, “We Are Schrödinger’s Cat”. You will find out why. Dean learns some very cool things about the Helsingør locale where he was married, including about a (rather legendary, though rarely-seen) version of Hamlet entirely shot there and about the World War II “underground railroad” operation run through there! The Scandinavian countries are very much on Phil’s mind. Dean and Phil discuss how high those countries rank on the list of “happiest” countries and how low the USA ranks. Two recent Scandinavian horror films (this past year’s Oscar-nominated The Girl with the Needle and the 2021 supernatural thriller The Innocents) both get reviewed, and the world’s first open-air museum, the Norsk Folkemusuem, gets described. Finally, Phil tips his hat to the success of the just-completed season 3 of “The White Lotus”, while Dean grabs his popcorn and pours his wine and sits down to start season 1!

Later this week, your friends in podcasting depart for Europe. Last night, the Oscars were held. Last week, one of their dear friends celebrated his 81st birthday, another friend had a brain tumor removed, and another friend died. So, you will forgive Dean and Phil if this isn’t the most polished installment of YOUR Chillpak Hollywood Hour. It IS epic in length, and it is full of the heartfelt, the insightful, the irreverent and even the inspiring. Dean reveals that planning a home renovation a few months before getting married might have been a mistake. The winners of last night’s awards get analyzed both for their historical context and for what they say about the art and commerce of motion pictures right now. Actors Gene Hackman and Michelle Trachtenberg, screenwriter and producer Roberto Orci, singers Robert John and David Johansen, and chess champion Boris Spassky get remembered in “Celebrity Deaths”.

What do the movies The Brutalist, The Substance, Red Rooms and Anora have in common? They all made BOTH Dean AND Phil’s lists of the Top Ten Films of 2024! The Critics have all had their say, the Academy of Motion Pictures Arts and Sciences have announced their nominations for the Best in Cinema 2024, and on this week’s show, your friends in podcasting finally have their say. Learn what other films made their lists as they count down their Top Ten from the cinematic year just past!

For what it’s worth, awards season in Hollywood is firmly upon us and on this week’s show, your friends in podcasting examine the top ten 2024 releases at the U.S. box office, the top ten films according to critics, and the ten films selected by the Academy of Motion Picture Arts and Sciences for the Best Picture Oscar nominations. They analyze the surprises, the snubs and the meaning behind the Oscar nominations, before taking a deep dive into Gladiator II, Wicked: Part One and A Complete Unknown. And speaking of the Academy, Phil had a terrible experience at an Academy Museum screening – so terrible, he might never return. He fills Dean in on the details and they share memories of a colleague about whose death in 2020 they just learned.

Your friends in podcasting have a great deal on their minds … Cold weather in the nation’s capital, the hell of home renovations, fire and long-term unhealthful air and the Olympics in Los Angeles … And they discuss it all on this week’s show. They also remember the late David Lynch, suggesting that no artist has ever loved Los Angeles more than he did. They discuss the latest in the Justin Baldoni-Blake Lively (and now Ryan Reynolds!) lawsuits, and this leads to a discussion of the “abuser’s playbook”. The programming glories of the Detroit Film Theater (at the Detroit Institute of Arts) and the Renzo Piano-designed Academy Museum (at the L.A. County Museum of Art) get celebrated and lead to a discussion about “old school” wide-screen filmmaking, and big screen “pacing”, as well as cyber punk and yacht rock! Finally, analysis will be directed onto the Directors Guild and Producers Guild awards nominations and what they portend for this week’s Oscar nominations. Oh, yeah, and the show opens with an epic Dean Haglund meltdown!

Dean will be heading to Los Angeles this week and plans to deal with a “haunted vacuum”? Paramount Pictures (and its parent company) are for sale. Dean and Phil discuss the ramifications of this. Many great films premiered in competition at the recent Cannes Film Festival. Dean and Phil examine the award-winners. A film festival favorite available now on Netflix is Richard Linklater’s dark romantic comedy Hit Man. Dean and Phil discuss it. Then, they take a deep dive look at three “art house” films of recent vintage and use that dive as the vehicle for exploring the function, importance and failure of critics. The films in question are Joanna Hogg’s ghost story The Eternal Daughter and Jane Schoenbrun’s coming-of-age psychodramas We’re All Going to the World’s Fair and the current theatrical release I Saw the TV Glow.