Big changes are on the horizon for YOUR Chillpak Hollywood Hour! This week’s show begins with Dean and Phil discussing them. Then, they shift gears into a wide array of topics including: Unexpected events at local screenings of One Battle After Another, the variable frame rates of the silent era, a movie that had wildly different endings depending on in what country you saw it, a documentary about the making of The Night of the Hunter, the fragility of darkness in the Atacama Desert, the lack of planning or funding for the forthcoming Cultural Olympiad (the arts programming that is supposed to be part of the 2028 Olympics in Los Angeles), the death of R&B great D’Angelo, and the story of the fictional band Eddie and the Cruisers.

This week, another “audio collage” of two different conversations recorded at different times, both exploring different facets of comedy. First Dean and Phil convene to compare notes on the new reboot of The Naked Gun – what it did right, what could have been done better and what good things its success (especially with young people) might portend! Another recent release, Riff Raff gets reviewed, and the importance of sketch and improv training for actors gets discussed. Then, your friends in podcasting take a deep dive into The Beatles’ movies directed by Richard Lester: A Hard Day’s Night and Help! A whole lot of deep concepts and legendary cinematic figures get explored as a result! In the final half hour of this epic installment, frequent contributor to the show, and comedy impresario, Marc Hershon and Phil discuss recent, disturbing news from the world of television, before discussing a Marc Maron comedy special, how authenticity might be having a moment, how young people seem to have good B.S. detectors, and several of Marc’s formative comedy influences.

Dean Haglund turned 60 this past week and on the occasion, Phil Leirness and (friend of show and composer of numerous themes songs) Jon Lawlor met up with Dean via Zoom to discuss the importance of celebrating birthdays. They also celebrated the incredible life and hilarious artistry of the great Tom Lehrer. This led into a discussion of the gents’ all time biggest comedy influences. Finally, they discussed the fact that two of the films hailed as the best of 2025 both deal with recovery from sexual trauma and why that might make sense for where we are as a culture right now. Afterwards, Lily Holleman joined the festivities to go in-depth with Phil about one of those two films.

Your friends in podcasting have returned from travel adventures and have tales about art galleries in the nation’s capital and jazz clubs in the Big Easy. You will learn more about they year 1874, and more about the Marigny District of New Orleans, than you have ever heard before on this show! Much of this week’s episode involves movie box office news, movie award news, and movie reviews. In fact, two current releases and one recent release get deep-dive analyses: Conclave, Anora, and Longlegs.

It’s April Fools’ Day, and what better way to celebrate than by spending an hour enjoying the spirited, irreverent conversation of two fools who have been changing the way people listen to the internet since May of 2007? This week, Dean and Phil discuss the stand-up comedy of Ali Wong, the performance artistry of Laurie Anderson, the beauty of the Fox Theatre in Detroit, the Orpheum Theatre in DTLA, the significance of the Tower Theatre just down the street from the Orpheum, and the Apple Store it now houses. They dig into “True Detective: Night Country”, and celebrate the great Japanese suspense picture Woman in the Dunes, marveling at the fascinating life of its director, Hiroshi Teshigahara. Two Francis Coppola epics, one disastrous, one just completed, both go under the microscope, and in “Celebrity Deaths”, two all-time great actors get remembered.

This week, after a cold open involving Pee Wee Herman and David Hasselhoff, Dean and Phil discuss Dean’s travel plans, a big 30th anniversary “X-Files” convention and the latest news involving the Hollywood labor battles. Then Dean offers up another suggestion of a vintage television series you might want to avail yourself of while no new series are being produced. An all-music edition of “Celebrity Deaths” will focus on a groundbreaking Chinese American performer, a beloved bass player, an influential punk rock star, and a chart-topping singer. Then, Dean and Phil celebrate the enduring comedic legacy of true cinematic genius Jacques Tati, discussing his life, his career, his artistry and two of his most beloved films. Phil then asks Dean to weigh in on why the exceptionally funny Dungeons & Dragons: Honor Among Thieves lost so much money. A show that starts out creepy, albeit hilarious, ends that way as well!

Rabbit, Rabbit! Welcome to May and welcome to the final show of year 15 of YOUR Chillpak Hollywood Hour where Dean and Phil get the ball rolling by discussing the obituary fictional character Dame Edna wrote for her creator prior to his death. Phil remembers the legendary playwright Robert Patrick and he and Dean ponder the life – not the legacy – of the woman who falsely accused Emmett Till. Then, in “Celebrity Deaths”, the towering artistry and humanity of Harry Belafonte gets discussed, as does Belafonte’s friendship with Sidney Poitier. The latest in the pending Writer’s Strike gets analyzed. Facts surrounding three movies discussed last week get revealed, the 1996 classic Irma Vep starring the incomparable Maggie Cheung gets revisited, and the countdown to the end of Netflix results in analysis of both Sean Baker’s Red Rocket and Mike Mills’ C’mon C’mon. Finally, the concluding seasons of “Succession” and “Barry” get hailed.

Recorded late last week from a certain “historic building in downtown Los Angeles”, this episode begins with Phil doffing his cap about what Dean got right in discussing Sarah Polley’s Women Talking a few weeks back AND wagging his finger at what Dean got wrong while discussing Netflix’s “Wednesday” this past week. Phil then hails Joel de la Fuente (of “Man in the High Castle” and most recently “The Mysterious Benedict Society”) as his favorite actor. At that point, Dean and Phil switch gears for a show ten years in the making, analyzing the just-released, decennial Sight and Sound poll of all-time greatest films! What Dean and Phil were expecting and what surprised them leads to what promises to be an ongoing conversation about re-contextualization and the importance of learning how works of art resonate with different groups and different cultures.

During this week’s cold open, Dean and Phil finish up their discussion of Marlon Brando and Jack Lemmon, offering up some final movie recommendations. Phil is back after a lengthy trip to the east coast and he returns with tales of a Shakespeare Theater production about Leonardo Da Vinci and thoughts inspired by Hurricane Ian about how human beings become fixated on the statistically anomalous and he also shares with Dean the exciting way in which their former podcasting home – the Eastern Columbia Building – had a starring role in the new season of Amazon’s fashion competition show “Making the Cut”. Loyal listener Maurice Terenzio checks in with a thought-provoking email that brings the conversation back to Marlon Brando before the return of Lawsuit of the Week focuses Dean and Phil’s attention onto the ill-fated Alec Baldwin western Rust. Celebrity Deaths begins by bringing the conversation once again back to Marlon Brando (!) with a remembrance of activist and artist Sacheen Littlefeather. Many other notables get remembered as well, including an Oscar-winning actress, a comedic “love goddess”, a comic book artist who dazzled live audiences, and a chart-topping rapper-turned-reality star. Finally, two movies get reviewed: the current whodunit theatrical release See How They Run and the 2020 Netflix offering from Charlie Kaufman, I’m Thinking of Ending Things.

Since it is Valentine’s Day, it’s only fitting that Dean and Phil are offering up a show that is nothing less than a love letter to movies, movie-going AND great comedic acting on television! In addition to a great story about Howard (“Dr. Johnny Fever”) Hesseman that involves the legendary Jack (“Dragnet”) Webb, and analysis of a handful of nominated films, shows and performances, Dean and Phil also engage in free-wheeling discussion about how we judge film and TV, how these works are consumed and what awards shows need to be moving forward. All that, plus a legend of visual effects and the Queen of Italian Cinema both get remembered in “Celebrity Deaths”.