Dean and Phil get the ball rolling by discussing the most “fun” (?) cities in California. Then they discuss the role film critics play as we emerge from a pandemic. The quality and box office fortunes of The French Dispatch, The Eternals, Last Night in Soho, Dune, Venom: Let There Be Carnage and No Time to Die get analyzed and discussed. Phil sings the praises of a great Japanese film, a legendary Japanese actor, and a charismatic Japanese pop star. Dean sings the praises of Benedict Cumberbatch and his new film about a famous artist. Phil sings the praises of Mike White’s satirical “The White Lotus” and tackles the controversy surround Dave Chappelle’s “The Closer” from a much different angle. Finally, Dean intrigues Phil with his description of Channing Tatum’s Amazon Prime series “Comrade Detective”.
Saturday was International Ghost Hunting Day and Dean was at the forefront of it. Phil has been thinking a great deal about Buster Keaton, his influence, and other films and filmmakers that might have influenced the making of his beloved Wings of Desire. Phil asks Dean about legendary actress Ruta Lee, and an episode of “The Twilight Zone” in which she starred. One of the greatest banjo players of all time, a giant of reggae, and a founding member of a chart-topping UK pop band all get remembered in “Celebrity Deaths”. In the return of “What We’re Reading”, Dean discusses an artist who was once the most popular in Amsterdam and who has fallen into obscurity. This leads into a fascinating discussion about communicating with the future. Phil is reading a novel that explores two different timelines in the marshes and on the coastline of North Carolina in the 1950s and 60s. Dean and Phil then re-visit last week’s Emmy Awards and do an analytical deep dive into the furor surrounding “Ted Lasso” season 2 and the concept of “public ownership” before reviewing season 1 of “Hacks”. Finally, we want to wish our sponsor, Empire State Gas, Many Happy Returns! Thanks for sponsoring us all these years. You’ve got great gas!
Dean and Phil follow up on last week’s awesome show by discussing more about “Hollywood accounting” and how in show biz the “bottom line” is often NOT the bottom line! Last week, while discussing the box office struggles of the brand new In the Heights, Dean and Phil were inspired to look back at two dance films based on the same craze that opened on the same day many years ago, one of which boasted a music score from Phil’s frequent collaborator, Greg De Belles. Greg composed the score for Phil’s Karl Rove, I Love You and for Dean and Phil’s The Truth Is Out There and The Lady Killers. Greg died on Friday, and Dean and Phil speak of their immensely talented friend. Of course, the box office struggles continue, so Dean and Phil discuss how a Pixar movie might have been able to change everything. That leads into a deep dive into Disney +, the movie Soul, the miniseries “WandaVision” and the episodic series “The Mandalorian”. There is also a lot of talk about painting, from the advice given by the great Leigh McCloskey to the thematic approach of the Barbizon school of artists and the brilliance of Julian Schnabel’s Van Gogh film At Eternity’s Gate. Finally, Dean and Phil celebrate the careers of an Oscar-nominated character actor and a beloved sitcom actor and director.
This week’s show begins with an email from a listener in Ireland about dialect coaches and “Hollywood accounting”. After that, Dean and Phil analyze the box office struggles of the brand new In the Heights and this inspires them to look back at two song and dance films that opened on the same day many years ago, both based on the same dance craze. It also inspires them to look ahead to big blockbuster hopefuls coming out this month as well as smaller “smart house” movies all looking for some post-pandemic domestic box office love. The Angelina Jolie vehicle Those Who Wish me Dead gets reviewed. Casting news for “John Wick 4”, the Marvel MCU and “Indiana Jones 5” gets discussed. Phil follows up on his discussion of “The Undoing” by singling out two actors (and their characters) who make the show ultimately worthwhile(ish). Dean offers up an English-language Netflix series shot in Sweden as a viewing recommendation, he regales with tales of the art work he has been creating, and he reveals another of his all-time favorite episodes of “The X-Files”. Finally, Dean and Phil compare notes on their travel plans for the summer before playing an entire four-round “Steven Seagal” edition of their Vintage Movie Ad game!
Phil is back in Los Angeles. Dean is at home in Birmingham, Michigan, and they are unpacking the mysteries of Dean’s sleep schedule, a California town called “Chowchilla” and the US Government report on UFOs. The subject of paranoia gets get a deep dive analysis. Another of Dean’s favorite episodes of “The X-Files” gets revealed. HBO’s “Mare of Easttown” gets reviewed through comparisons with such other recent HBO procedurals as “True Detective” and “The Undoing”. Movies are back, box office is promising, and Dean and Phil celebrate the success of two new horror movies, before offering up a classic 2016 horror film from South Korea. This leads into remembrances of a major (and controversial) figure in the emergence of Korean cinema of the 21st Century, who died of Covid-19 in December. The rise and fall of a legendary attorney gets discussed in “Celebrity Deaths”, as does the legacy of one the great songwriters of the 1970’s and 1980’s. Finally, your friends in podcasting will play another couple rounds of their new Vintage Movie Ad game, this week featuring action stars of the 80’s and 90’s!
In the first half of this week’s show, Dean and Phil discuss the latest controversial news surround filmmakers Joss Whedon and Woody Allen and ask how do we separate the art from the artist? And should we? After that, a Motown great, a rap great, the Godfather of salsa, a groundbreaking singer and DJ, and a pioneer of jazz fusion all get remembered in “Celebrity Deaths”. The second half of the show is part 2 of the roundtable discussion that began last week, where special guests Marc Hershon and Suli McCullough compare notes with Dean about pursuing careers in comedy. On this week’s agenda are the topics of the pandemic and how it has and will change professional comedy, and the importance of pain in comedy.
On this week’s show, a Back to the Future actress, a legendary comic who helped launch the careers of numerous other comics, a game show legend, and a comedic actress who was one of Mel Brooks’ favorites all get remembered in “Celebrity Deaths”. Your friends in podcasting will pick up last week’s conversation comparing Superhero movies to westerns, extending the comparison to television. They will further dig down into the danger of taking anything too seriously, as well as the danger of “fast food”, as they examine the ways we consume information, entertainment, and express our political preferences. Then, after the break, Dean and Phil will discuss two new Sacha Baron Cohen films and two Bill Murray films. Finally, in “What We’re Reading”, Dean will discuss ice cream and Phil will discuss published works by two ladies in his life!
This week’s show picks up where last week’s left off, with Dean and Phil discussing their favorite Canadian films of all time, including a title by one of the most brilliant filmmakers working today. Then, your friends in podcasting celebrate the life and career of another towering filmmaker in “Celebrity Deaths” before focusing on three noted writers, which in turn, inspires the return of “What We’re Reading”.
No broken finger can keep Dean Haglund from joining Phil Leirness for another brand new installment of YOUR Chillpak Hollywood Hour! This week, your friends in podcasting talk about what they miss because of Covid-19 (and are certain to be missing for the rest of this year at least). Dean and Phil then explain why there might not be many new movies or television shows for a long while. They will, however, discuss several recent titles like Cats, Alita: Battle Angel and It Chapter Two as well as several under-appreciated, vintage gems like John Frankenheimer’s Seconds, Samuel Fuller’s The Crimson Kimono and the jazz adaptation of “Othello” All Night Long. Plus, Phil has harsh criticism for a couple beloved musicals from the 1950s! In “Lawsuit of the Week”, Dean and Phil discuss a courtroom victory for Jerry Seinfeld. Then, following a mea culpa from Dean about an error made on last week’s show, the Chillpak Morgue opens for “Celebrity Deaths” where a glass ceiling-shattering broadcaster and a world-class independent filmmaker and director of top television are remembered. Finally, Phil shares a story about perhaps the greatest phrase ever uttered before death.
As they begin their 14th year of changing the way you listen to the internet, Dean Haglund and Phil Leirness have never seen times quite like these. As if shelter-in-place quarantines and global pandemics weren’t enough, now we’ve got murder hornets?! This week, your friends in podcasting will try to make sense of both, while also remembering several of the notable people who died this past week. They will celebrate one of the women upon whom A League of the Their Own was based, a beloved character actor from TV’s “Scrubs”, a golden age of TV’s private eye sidekick, a legendary poet who helped launch the counterculture beat generation, and one of the truly indelible soul voices of the 1970’s. In fact, it’s been a particularly troubling time for lovers of music, and in “Celebrity Deaths”, Dean and Phil will also remember a Was (Not Was) vocalist, a co-founder of Kraftwerk, a chart-topping Jamaican ska singer, one of the true fathers of rock n’ roll, a great Mexican protest singer, and an illusionist who headlined one of the most successful shows in the history of Los Vegas. Dean will also provide an update on his long-awaited graphic novel, and he and Phil will compare notes on all the movies – new and old, foreign and domestic – they have been devouring during lockdown, including the Back to the Future movies, Star Wars: The Rise of Skywalker, film noirs (films noir?!), and a couple Japanese classics, as well as a new Netflix series Dean is “maybe” finding interesting. Irreverent, insightful, and insightful, it’s what long-time listeners have come to expect!