Dean is back from Amsterdam and he and Phil have a lot to discuss! Dean has advice on travel, and has stories about Vermeer, Rembrandt and Heineken. Phil has stories about TCM host (and Czar of Noir) Eddie Muller, and stories about stepping down from his roles at the famed Los Angeles Breakfast Club. Dean and Phil discuss the possible forthcoming writer’s strike in Hollywood and in “Celebrity Deaths” remember the inventor of the game Settlers of Catan, the Oscar-winning production designer of the “Star Wars” and “Indiana Jones” films, an Oscar-nominated character actor and a cartoonist beloved by several generations of fans.
This week’s show begins with a round of Dean and Phil’s vintage movie ad game before becoming a preview of April events to which Dean and Phil are looking forward. From there, the show seques into a discussion of the latest news surrounding the Rust on-set shooting trial as well as the latest news involving the ever-expanding on-screen universes of John Wick and Blade Runner, during which Phil questions whether the USA can ever rid itself of gun violence when we so profoundly enjoy fictional depictions of such violence. Two cinematic classics by the great French director René Clément get discussed (one a 1960 adaptation of The Talented Mr. Ripley and the other a 1970 Lewis Carroll and Alfred Hitchcock-inspired film that turned Charles Bronson into the biggest global box office draw), and a circus film from Carol Reed gets celebrated, along with the body of work by its star, Burt Lancaster. In “Celebrity Deaths”, the original Wednesday Addams, the co-creator of “Sesame Street”, and the star of “James at 15” and “Salem’s Lot” all get remembered. Finally, your friends in podcasting and broadcasting commemorate the 12th anniversary of THE “comedy soundcast soundcast” Succotash!
After last week’s outstanding episode, your friends in podcasting keep the movie talk going as they remember Robby Muller, the late great “Master of Light”, perhaps the most important cinematographer in independent cinema over the final 30 years of the 20th Century. Dean and Phil then discuss what it means on those rare occasions when critics like a movie far more than audiences do. It’s common for audiences to like a film more than critics, but who is to blame when critics love a film and audiences HATE it? Your friends in podcasting answer that question before shifting gears into an incredible “Live Event of the Week”. They welcome special guest Zac Greenberg, the composer of The Bradbury Tattoos: A Rock Opera, which premieres this month in Cincinnati courtesy of a National Endowment of the Arts Grant. Based on four Ray Bradbury short stories from “The Illustrated Man (including “Kaleidoscope”, which Dean once starred in on-stage in Los Angeles as part of Sci-Fest L.A.), this sci-fi spectacular promises to be a production like no other! Oh, and make sure to stay tuned following the closing music and announcements for a sensational Easter egg!