Pop quiz: What do an Oscar-winning writer-editor, four dead actors, the story of how William Shatner became a star, 3 hilarious movie ads from the 1980s, anti-trust lawsuits pitting writers against actors, the Screen Actors Guild Awards, the Independent Spirit Awards, a graphic novel, and the brother of presidential assassin James Wilkes Booth have in common? They are all a part of this week’s episode of YOUR Chillpak Hollywood Hour!
A lot of post-production work went into making this one of our best shows of the year! Dean regales with stories of drinking and jury duty, Phil remembers dear friend and true iconoclast Konrad Monti. Dean and Phil discuss Amazon’s “The Boys” (a show Dean might have actually influenced!) and the dire future of movie-going in the wake of James Bond and “Black Widow” being pushed again, which led to the 2nd largest U.S. theater chain closing, while the first largest still hasn’t fully re-opened! A terrific, and highly musical “Celebrity Deaths” involves celebrations of a great jazz musician (and subject of an awesome Netflix documentary), songwriter-singer-turned-actor Mac Davis, and 70’s-pop-queen-turned-therapist Helen Reddy! Finally, we transport you back to a certain rooftop in the historic L.A. neighborhood of Los Feliz for the conclusion of Dean and Phil’s ruminations on what filmmakers might make the list of their all-time favorites.
This week’s brand new show is a whole lot of fun, with a cold open (about Dean’s former website), a special guest appearance (from Siren FM’s Alex Lewczuk), a discussion about why certain movies (especially in the “Star Trek” universe) seem like movies, whereas others seem like TV episodes, a review of Doctor Sleep, a celebration of Stanley Kubrick, an analysis of an all-time great movie monologue delivered by a powerhouse actress (Nicole Kidman), and a remembrance of actor-producer Kirk Douglas, along with a thoughtful conversation about the messy business of appraising legacies.
In many ways, this week’s show is a sequel to last week’s episode #534, with the promised celebration of Jeanne Moreau’s life and career, an email from a listener about Tom Jones’ “The Young New Mexican Puppeteer” and more from the British Film Institute List of “the 50 films you should see by the age of 14”.
Unlike most sequels, however, this show is even more irreverent, insightful and informative than last week’s!
The festivities commence with a clip of Dean on Australian television telling a (bestiality?) joke, and then after a special opening (a tribute to Glen Campbell), Dean comes out guns blazing, ranting about the internet speeds of his adopted land. After Phil calms him down, they discuss the news of David Letterman’s new show, they urge people to save the Salem Cinema (a jewel of the Pacific Northwest), they talk about an interview they did with the late Jim Marrs and they continue their discussion about the “death of discernment”, this time focusing on an appalling memo crafted by a then member of the National Security Council.
From there, it’s onto “Celebrity Deaths”, where, in addition to the Femme Fatale of the French New Wave and Glen Campbell, your friends in podcasting remember a Tony-winning star of Broadway’s “The Music Man”, the star of an early television western series turned right-wing anti-government activist, and the man inside the Godzilla costume.
Finally, Dean and Phil discuss a 1982 Australian western, a 1954 western that influenced the likes of Sergio Leone and Sam Peckinpah, the original King Kong, and the Will Rogers comedy Life Begins at 40.
Is Phil the love child of Patrick McGoohan and Remington Steele? Is Dean the love child of Kirk Douglas and Glenn Close? Probably, but that’s only the tip of the iceberg this week. Dean talks about the Podcast and New Media Expo in Ontario (California, not Canada). Some new releases are debated. Then Phil makes a shocking revelation about this crazy town. It’s a stinking pool of what? What’s that Phil? No, it can’t be true!