In what might be our longest episode ever, but is certainly an epic installment in any event, your friends in podcasting delve into the potential new relevancy of late night television, the frightening potential merger of Paramount/CBS/Skydance with Warner Bros/Discovery, and the power of TikTok (and other social media platforms) in turning this year’s Superman into a box office hit. Four of the all-time great films (Carl Thodore Dreyer’s 1928 The Passion of Joan of Arc, Luis Bunuel’s 1961 Viridiana, Jean Vigo’s 1934 L’Atalante, and Charles Laughton’s 1955 The Night of the Hunter) receive deep-dive analyses. With pal of the show Jon Lawlor adding support, the influence of Robert Redford’s training as a painter on his work as an actor and filmmaker gets discussed as does Burt Bacharach’s (terrible) music score for (the great) Butch Cassidy and the Sundance Kid.

In another episode featuring now regular contributor Jon Lawlor (longtime purveyor of excellent Chillpak Hollywood Hour theme songs), Dean tells stories of his ongoing trip back to his hometown of Winnipeg and the workshopping of a theatrical play that was the reason for his trip. He also reveals details of what may, or may not, be a Winnipeg-themed art collection he will be (or might not be) showing at a forthcoming Hamilton, Ontario, art show! Jon and Phil compare notes on the live stage show (“Viva Los Feliz”) in which they both performed last week. Then, the focus turns to Spike Lee’s latest “joint”, a remake of an Akira Kurosawa classic itself based on a novel by Ed McBain (aka Evan Hunter). Particular attention is paid to the cinematography and the music. Finally, it’s time for more Superman discussion, as a longtime, brilliant listener takes Dean and Jon to task for what they “missed” in their scathing reviews of one of this year’s most beloved, and most talked about movies. Oh, and Star Wars: The Force Awakens takes quite a few strays in the process!

This week’s show begins with a cold open wherein Dean and Phil discuss Phil’s 4th wedding anniversary, 100 years of Disney, and 16 years of Chillpak, while also celebrating the life and cultural legacy of Burt Bacharach. Dean then reveals his plans to see 80 for Brady (!) before he and Phil compare notes on Pearl, the sequel to X. Phil then sings the praises of a little-known noir-ish detective story starring Lucille Ball and directed by Douglas Sirk, and the jazzy 1966 exercise in style, Tokyo Drifter. After that, it’s time to open the Chillpak morgue for a handful of truly fascinating “Celebrity Deaths” as screen icon Raquel Welch, Award-winning director Hugh Hudson, former child star Austin Majors, and one of the greatest production designers of all time, Eugene Lee, get remembered.

Phil is in Turlock. Dean is “Motor City adjacent”. Special guest Page Branson is in Baltimore. Between the three of them, they have a wide array of topics covered: Memorial Day, the Tulsa Race Massacre, Amazon’s purchase of MGM, the deaths of beloved actor Gavin MacLeod and singing star B.J. Thomas, the forthcoming declassification of government UFO files, another of Dean’s favorite episodes of “The X-Files”, awesome new video games and anime, race relations, Brood X Cicadas, vintage movie ads, and more! It’s funny, it’s heartfelt, it’s disturbing. It’s YOUR Chillpak Hollywood Hour!