Dean files one last report from Detroit before spending the rest of the year in L.A. What does he hope to accomplish while he is there, what has he been working on and how is a certain graphic novel coming along? Not only will you find out on this week’s show, you will also learn about the (tongue-in-cheek?) Turlock-based detective series Phil has conceived! Of course, Dean and Phil have several serious show biz and culture-related topics to cover as well, from current box office news to an overlooked Sean Connery film that is a true gem, from a Netflix riff on Sherlock Holmes to an Apple TV+ workplace sitcom starring Jason Sudeikis. In “Celebrity Deaths”, they will remember a true behind-the-camera titan of live television, a groundbreaking Broadway performer-turned-TV show creator, and the co-creator of one of the most beloved animated shows of all time. Plus, Dean and Phil will continue their discussion on taking things too seriously in the “public square”.
Phil shares some of his Los Angeles adventures from the past week. Dean shares his latest adventures in painting. Phil celebrates the daily joy of David Lynch reading the weather report. Dean and Phil update on the latest in the battle between two different actors’ union, and on the battle between the Writers Guild and the most powerful agencies in Hollywood. They discuss season 4 of “Fargo” and the work of “X-Files” veteran Daniel Sackheim on “Lovecraft Country”. Phil questions Dean about the comments from comic book legend Alan Moore on the cultural blight that superheroes, superhero comics and superhero movies have become. Several performers and writers get remembered in “Celebrity Deaths”. Dean and Phil bring back “What We’re Reading” and celebrate their all-time favorite bookstores!
Phil is going to be spending the week in Los Angeles, but first, while still in Turlock (get those “Lord Turlock” cocktails as the Chillpak Drinking Game is definitely ON!), he connects with Dean Haglund in Detroit to discuss militias, violence, terror, fascism, cats, Broadway, the deaths of Eddie Van Halen and Johnny Nash, the careers of Bea Arthur and Hal Linden, and the battle brewing between two actors unions! What other show tackles such a wide array of topics? Don’t answer. Just enjoy the fact that YOUR Chillpak Hollywood Hour DOES!
Your friends in podcasting reconvene to celebrate the lives of three performers (one a beloved star of Broadway, another a musical star of television, and the third a movie star who was part of one of Hollywood’s most celebrated marriages), a roboticist, a news magazine host, an iconic designer, and several truly heroic Civil Rights activists. Dean and Phil then roll up their sleeves to analyze why it is that Netflix episodic series are so often delightful and charming, while so many Netflix original movies are listless and perfunctory. And, oh, yeah, they also discuss why good manners might just be the cure for a lot of the troubles that seem to plague the modern world.
It’s all classic comedy, classic television and classic movies on this week’s show! The truly legendary Carl Reiner gets celebrated. Then, Dean and Phil compare the years in film 1982 and 1974 with 1962 to see which year they think was the best year ever for movies!
Phil Leirness is joined by music journalist (and friend of the show) Yoshi Kato, who briefly fills in for a tardy Dean Haglund, to discuss the lives and legacies of six notables from the world of music in “Celebrity Deaths”, as well as to set the table concerning a later discussion of Asian Pacific American Heritage month and the 1961 film Flower Drum Song. Dean then arrives just in time to remember a prolific character actor, the decorated police officer who played Eddie Haskell on TV’s “Leave it to Beaver”, and the great Fred Willard. Dean and Phil then answer an email from a loyal listener about an upcoming Michael Bay film set in the world of Covid-19. This leads to a fascinating discussion and argument before attention is turned to the ramping up of film and TV production and the announcement that the Venice Film Festival will go ahead as planned this September. Dean then sings the praises of two different television series, Phil sings the praises of two classic movies about gambling. Then the conversation turns to the careers of Sessue Hayakawa, one of the first heartthrobs of the silver screen, the hilarious and brilliant Jack Soo, and the tragically overlooked Reiko Sato.
No broken finger can keep Dean Haglund from joining Phil Leirness for another brand new installment of YOUR Chillpak Hollywood Hour! This week, your friends in podcasting talk about what they miss because of Covid-19 (and are certain to be missing for the rest of this year at least). Dean and Phil then explain why there might not be many new movies or television shows for a long while. They will, however, discuss several recent titles like Cats, Alita: Battle Angel and It Chapter Two as well as several under-appreciated, vintage gems like John Frankenheimer’s Seconds, Samuel Fuller’s The Crimson Kimono and the jazz adaptation of “Othello” All Night Long. Plus, Phil has harsh criticism for a couple beloved musicals from the 1950s! In “Lawsuit of the Week”, Dean and Phil discuss a courtroom victory for Jerry Seinfeld. Then, following a mea culpa from Dean about an error made on last week’s show, the Chillpak Morgue opens for “Celebrity Deaths” where a glass ceiling-shattering broadcaster and a world-class independent filmmaker and director of top television are remembered. Finally, Phil shares a story about perhaps the greatest phrase ever uttered before death.
From the inner space of quiet, self-quarantine lockdowns, to the outer space of “Star Trek: Picard”, Dean Haglund and Phil Leirness take you on quite the journey this week! It starts with their latest observations about themselves and others in the wake of another week of isolation. Sadness, quiet and dehumanization are on the thematic menu! They then compare notes on their respective Easter celebrations, which leads to a discussion of a couple of classic musicals: 1934’s Fred Astaire-Ginger Rogers vehicle The Gay Divorcee and 1948’s seasonal staple Easter Parade, starring Astaire and Judy Garland. The recent, modern classic, Uncut Gems gets championed by Phil, who tries to get Dean to overcome his trepidation surrounding Adam Sandler performances (and yet, Dean once championed You Don’t Mess With the Zohan, so go figure!). The second half of the show consists of Dean and Phil comparing the years in cinema 1973 and 1974, discussing all the notable films from those two halcyon years, in hopes of determining which year might challenge 1962 as the greatest year in cinema. Finally, your friends in podcasting beam up to the La Sirena to discuss and debate what went right and what went wrong in season one of “Star Trek: Picard”, a show so successful that a big-screen movie version is already in the planning stages.
From killer bees to climate change to record setting sales prices for Hollywood mansions, it seems like the whole word has gone mad! Fortunately, your friends in podcasting embrace their own madness just enough to help make sense of a world gone wild! This week, Dean and Phil will also discuss this weekend’s big cinematic release, The Call of the Wild, and a 3D musical film from 1953! They will also remember groundbreaking music, stage and screen performers. All that, plus a bunch of laughs.
Because Phil hosted “Leif Erikson Day 1953” at Friendship Auditorium in Los Angeles on Sunday night, he took a much needed day off on Monday. And so, this week’s installment of YOUR Chillpak Hollywood Hour is one day late … Your friends in podcasting reconvene and compare notes on their respective “Live Events of the Week”, including upcoming comedy shows everyone in the Detroit area can enjoy at Go Comedy! Phil also reveals details of a party he attended in the actual Salem’s Lot house! In “Celebrity Deaths”, Dean and Phil remember the “King of Confetti”, an opera soprano, an unsung blues artist, a punk rock icon, a pioneering actress of stage and screen, and a delightful character TV performer. After a discussion of a little-known Buster Keaton classic “talkie”, the subject shifts to comic book movies. Martin Scorsese’s (perceived) indictment of such movies, Cynthia Erivo’s (sure to be Oscar-nominated) portrayal of Harriet Tubman and Todd Phillips’ Joker, a fascinating mess of a psychological period piece and villain origin story, all get analyzed.