This week, in honor of the spooky season, you will find your friends in podcasting and broadcasting in fine form, discussing one of Dean’s favorite horror films, the Swedish silent classic Haxan, and because nothing is spookier it seems than AI, they also discuss the recent sci-fi epic The Creator, and this summer’s Mission: Impossible entry. Phil predicted what he think is going to happen in the coming hours/days regarding the actors’ strike, and he and Dean take time to remember an iconic sitcom star from the 1970s, an iconic sitcom star of the 1990s, a star of TV’s “Lost in Space”, a groundbreaking, glass-ceiling shattering disc jockey, an action movie legend, and the man who created Nevada’s third most popular gambling and resort destination.
This week’s show begins with a cold open about Spanish film star Carmen Sevilla. It continues with Dean and Phil previewing an email from a loyal listener (that they will answer on NEXT week’s show). The email involves the ongoing Writer’s Guild strike and Dean and Phil use it as a springboard to discussing the latest labor negotiation news in Hollywood and to ponder the question “Is Ryan Murphy (once again) the worst person in the world?” Last week, the life and career of Oscar-winner Glenda Jackson was celebrated. This week, Phil reveals tidbits from her final (?) still-to-be-released movie, The Great Escaper (starring Michael Caine). After that, Dean and Phil offer up remembrances of three more great stars of the silver (and small) screen: Julian Sands, Frederic Forrest, and Treat Williams. The second half of the show is all about Indiana Jones (and “The Dial of Destiny”), Akira Kurosawa (and two of his independent films), and the Martin Scorsese classic Raging Bull.
We hope you enjoyed last week’s special episode celebrating the cinematic legacies of two of Hollywood’s greatest actor/producers – Kirk Douglas and Burt Lancaster. This week is part 2 of that conversation, and covers the years 1960-1990. Some great movies, some horrible but (unintentionally) hilarious movies, and some fascinating stories of acting and filmmaking will get discussed.
This week, year 17 gets underway in style with the first part of a special two-part theme show where Dean and Phil discuss the cinematic legacies of two of the biggest stars of all time: Kirk Douglas and Burt Lancaster. This episode focuses on these famous actor-producers’ careers though the year 1960. And it also involves discussions of many other notable screen artists, from filmmakers like Billy Wilder, to performers like Barbara Stanwyck. So keep those chosen “watchlists” and/or “queues” handy as you will doubtless learn about a title or two (or a dozen) of movies you will want to enjoy or re-visit!
Rabbit, Rabbit! Welcome to May and welcome to the final show of year 15 of YOUR Chillpak Hollywood Hour where Dean and Phil get the ball rolling by discussing the obituary fictional character Dame Edna wrote for her creator prior to his death. Phil remembers the legendary playwright Robert Patrick and he and Dean ponder the life – not the legacy – of the woman who falsely accused Emmett Till. Then, in “Celebrity Deaths”, the towering artistry and humanity of Harry Belafonte gets discussed, as does Belafonte’s friendship with Sidney Poitier. The latest in the pending Writer’s Strike gets analyzed. Facts surrounding three movies discussed last week get revealed, the 1996 classic Irma Vep starring the incomparable Maggie Cheung gets revisited, and the countdown to the end of Netflix results in analysis of both Sean Baker’s Red Rocket and Mike Mills’ C’mon C’mon. Finally, the concluding seasons of “Succession” and “Barry” get hailed.
Welcome to an excellent installment of your Chillpak Hollywood Hour that begins with tales of springtime before a couple of great soapbox moments courtesy of the “sensitivity editing” of Agatha Christie and newspaper headline treatments of black men in the media. An actress who starred in many beloved projects, a screenwriter behind crowd-pleasing movies, a singer in a legendary doo-wop band and the designer responsible for the way Phil smelled throughout his teens and twenties (!) all get remembered in “Celebrity Deaths”. Dean champions Cocaine Bear, Elizabeth Banks, and the return of Nicolas Cage (not that he went anywhere). Phil regales with amazing original casting choices for a couple of popular recent films before launching into an appreciation of the fable-making on display in John Wick: Chapter 4.
This week’s show begins with “What We’re Reading” and continues by asking such big questions as: Is the John Wick franchise the best action franchise ever? Is “Andor” the best iteration of Star Wars ever? Is “Severance” one of the best television series ever? Was there anything memorable from last week’s Oscar telecast? Are the prosecutors in the Alec Baldwin Rust shooting case arriving to work each day in a clown car? Was comic strip “Dilbert” a victim of cancel culture? Are the edited versions of the James Bond novels coming out an effort to get ahead of cancel culture or a shameless money grab? Both? Is Peacock’s “Poker Face” Rian Johnson’s remake of “Columbo” or “The Fugitive”? Or both? All that gets discussed and three popular actors get remembered in “Celebrity Deaths”.
This week’s show begins with a cold open wherein Dean and Phil discuss Phil’s 4th wedding anniversary, 100 years of Disney, and 16 years of Chillpak, while also celebrating the life and cultural legacy of Burt Bacharach. Dean then reveals his plans to see 80 for Brady (!) before he and Phil compare notes on Pearl, the sequel to X. Phil then sings the praises of a little-known noir-ish detective story starring Lucille Ball and directed by Douglas Sirk, and the jazzy 1966 exercise in style, Tokyo Drifter. After that, it’s time to open the Chillpak morgue for a handful of truly fascinating “Celebrity Deaths” as screen icon Raquel Welch, Award-winning director Hugh Hudson, former child star Austin Majors, and one of the greatest production designers of all time, Eugene Lee, get remembered.
Your friends in podcasting and broadcasting start the show with a “cold open” about some greats of Italian cinema and the genius of Jennifer Coolidge and the cinematographer of “The White Lotus”. Then, after Phil regales with tales of a one-day, 650 mile road trip to Turlock and back, Dean and Phil spend the bulk of the show doing a deep dive into analyzing the year in movies 2022. They take the 10 nominees for the Best Picture Oscar and compare/contrast that list with both the critics’ choices for the top dozen or so films of the year and the top ten box office releases of the year. What emerges is an analysis of the present, and perhaps the near future of moviemaking and movie-going.
This week’s show begins with Phil trying to surprise Dean with details of a very famous person who lived in what is now Dean’s hometown of Birmingham, Michigan, and then, Phil tries to stump Dean with a vintage movie ad (from 55 years ago!). Then, because they have been falling behind in discussing “Celebrity Deaths”, Dean and Phil will open the Chillpak morgue to discuss the huge amount of notables who shuffled off their mortal coils in the past week! In part 2, Dean and Phil discuss Ingmar Bergman’s Persona, the latest awards season news (including the SAG, DGA and Producers Guild nominations), and then they conclude with reviews of several films including The Kitchen Brigade, After Yang, Crimes of the Future and Bones and All.