The best thing about being podcast-only (again) is that for the first time in years, Dean and Phil can produce shows of whatever length tickles their fancy. Indeed, this week’s Chillpak Hollywood Hour gives you more than 10% more “hour”! The show begins with a cold open, wherein Phil reveals that he is not the only filmmaker who gets upset when other filmmakers don’t follow the rules they themselves have set up for a particular movie. In this instance, it’s Quentin Tarantino taking a much-loved modern horror classic to task. Then, Phil briefly revisits his recent travels to Catalina and Dean’s forthcoming travel plans, revealing that Dean has added a NYC trip to the mix in order to see a little-known, conceptual gem of a gallery. Phil previews where he will be spending Independence Day this year, and how a re-watch of Jim Jarmusch’s early classic Mystery Train has him jazzed to visit Memphis (and Graceland!) again this November. Standing ovations at Cannes, the impending financial train wreck that is Kevin Costner’s multi-part big-screen Horizon: An American Saga, and Denis Villeneuve’s Dune: Part Two all get discussed. Phil then reveals the latest news regarding a potential defamation lawsuit against Netflix and “Baby Reindeer” and explains why he is willing to now give the show and its creators the benefit of the doubt. After discussing the brilliance of actor Dabney Colemna and how Phil once ruined a birthday party for the 9 to 5 star, the “Funniest Man in America” and a groundbreaking recording engineer get remembered before “Celebrity Deaths” turns into a quiz testing Dean’s cultural/show biz literacy. Finally, after a brief musical interlude, Dean re-joins the festivities, this time from London, where he files a “boots on the ground” report. Phil concludes by previewing next week’s show, including an extraordinary adventure he took to the Integratron!

This week’s show is a bit of a pastiche, cut together from snippets of different conversations Dean and Phil have had these past couple weeks. So, after a hilarious “audio check” cold open, if you hear references to topics not yet covered, don’t worry, it all weaves together wonderfully by the end in what might just be one of our best shows of the year! Phil discusses the forthcoming Netflix reboot of Beverly Hills Cop and the (unwanted by the producers) role he might play in it, and whether its filming location means he lives closer to Detroit than Dean does! The subject of “soft tissue” and the importance of stretching and yoga get discussed in the wake of Phil learning about what it means to “pop a rib”. The reason firefighters carry axes gets explained. The graphic design creative explosion that was the late 70s and early 80s is the subject of a gallery exhibit at the Pacific Design Center and it leads Dean to reminisce. When he was in London, did Dean experience the magic of the Elizabeth Line? And did he get to England through the worst itinerary ever? And what exactly did he get wrong when describing the Billy Wilder failure Kiss Me Stupid? These questions all get answered and the great improv comic turned successful character actor Mike Hagerty gets remembered in “Celebrity Deaths”. And if that weren’t enough, Phil takes the time to interview Russ Haslage about his career in radio, the “wonder” of Subspace, and the history of the fine works by The Federation (and how YOU can help)!

Dean and Phil discuss Martin Luther King Day, share three messages from loyal listeners like you (yes, YOU!), reveal a handful of new nicknames for Phil, and analyze three recent cinematic releases. They also celebrate the lives and legacies of several music legends, a couple of beloved sitcom stars, and a true Hollywood icon.