Tomorrow is Canada Day and the end of the week is Independence Day in the USA. Your friends in podcasting have thoughts about celebrating. They have thoughts about Team Canada’s big win in the World Cup. They have thoughts about why very few of the listeners to this podcast are in Canada! Phil got back from the Carolinas and has stories about being the “Guest of the Day” in Charlotte, North Carolina (the Queen City), and about beaches and alligator encounters in Kiawah Island, South Carolina (the Lowcountry). Dean asks Phil about Bill Murray’s baseball team in Charleston and Phil regales with tales of Carolina Day and America250. Turning to show business, the gents celebrate the best box office year at the movies since 2019 and glean some important lessons from that success, lessons they fear may be lost on the industry, but which certainly seem to be lost on the press covering the industry. Particular focus gets put on the just-opening, and already disastrous Supergirl and on Sam Raimi’s 2026 “survivor horror thriller film”, Send Help.

Phil was actually worried he and Dean wouldn’t have enough to discuss to fill this week’s show and wow was his worry unfounded! The gentlemen get the conversational ball rolling with the return of “What We’re Reading” wherein four quite fascinating and quite disparate works get covered, leading to in-depth discussion about such topics as painting watercolors, epistolary novels, the comedic genius of Norm Macdonald, and life in Austria-Hungary of the early 1900s. All the major prizewinners at Cannes 2026 get discussed, and the early summer U.S. box office gets celebrated. Then, however, the tone turns darker, as the need for a full-on boycott of Paramount and its properties gets expressed, and the ramifications of waiting for the Warner Bros. merger to launch said boycott get explored. Dean saw The Sheep Detectives and shares his thoughts. Phil watched the classic 1945 film noir Detour and spills the dirt on its director’s fall from grace, hails the film as a must-watch for aspiring filmmakers, and regales Dean with a delightful fact about the career of the film’s lead actress, Ann Savage.

Because Phil is on the road, tending to family matters, this week’s show was pre-recorded last week and much of the episode is dedicated to discussing two icons: The historic landmarked Mayan Theatre in downtown Los Angeles closed its doors for good on September 14, and the great leading man, filmmaker, and supporter of the arts and the environment, Robert Redford, left the stage on September 16. Dean and Phil do a deep dive into Redford’s career and accomplishments and put his 1974 starring vehicle The Great Gatsby under the microscope. This leads to a discussion of lead characters, often seen as heroes, who suffer the delusions caused by their own fantasies. Such characters include Holly Martins in The Third Man and Rick in Casablanca. The dangers of fantasy prove the perfect segue way to Phil’s thoughts upon finally having watched James Gunn’s Superman. Then to wrap up this jumbo installment of YOUR Chillpak Hollywood Hour, the devilishly haunting, and rather delightfully macabre 1964 suspense picture from Japan, Onibaba gets celebrated.

Phil is hitting the road, but before doing so, he recorded a great deal of material for the next two installments of YOUR Chillpak Hollywood Hour! This week, he and Marc Hershon discuss the following television series: “Your Friends and Neighbors”, “The Studio”, “Alien: Earth”, “Chief of War”, “Peacemaker”, and “Code of Silence”. Dean reveals whether or not he is participating in a Winnipeg-themed art show, and talks about why any nostalgia he has for the city where he grew up is gone. Then, good pal of the show, purveyor of excellent theme songs, and frequent on-air contributor, Jon Lawlor finally weighs in on Spike Lee’s Highest 2 Lowest answering a longtime loyal listener’s question about the movie’s use of music.

In another episode featuring now regular contributor Jon Lawlor (longtime purveyor of excellent Chillpak Hollywood Hour theme songs), Dean tells stories of his ongoing trip back to his hometown of Winnipeg and the workshopping of a theatrical play that was the reason for his trip. He also reveals details of what may, or may not, be a Winnipeg-themed art collection he will be (or might not be) showing at a forthcoming Hamilton, Ontario, art show! Jon and Phil compare notes on the live stage show (“Viva Los Feliz”) in which they both performed last week. Then, the focus turns to Spike Lee’s latest “joint”, a remake of an Akira Kurosawa classic itself based on a novel by Ed McBain (aka Evan Hunter). Particular attention is paid to the cinematography and the music. Finally, it’s time for more Superman discussion, as a longtime, brilliant listener takes Dean and Jon to task for what they “missed” in their scathing reviews of one of this year’s most beloved, and most talked about movies. Oh, and Star Wars: The Force Awakens takes quite a few strays in the process!

This was not the show we expected to be bringing you this week, but all of a sudden, during their “side project” (“The Art Life” with friend of show Jon Lawlor), Dean started holding court about the current box office smash Superman. Suffice it to say, Dean had THOUGHTS! So, we bring you what ensued, a free-wheeling discussion not only of the James Gunn-directed blockbuster, but a discussion of DC comics’ history, of the character’s history, and of the lost art of behind-the-scenes documentary looks at the making of movies as promotional materials. Somehow, the conversation turns to Rob Zombie and his House of 1000 Corpses, to a “holy grail” of cinema for Phil that proved to be a guilty non-pleasure, Ashanti, and to Noah Hawley’s new Alien: Earth television series. All that, plus the Stallone film Dean walked out of, the horrible movie Nic Cage’s son starred in, why Iron Man turned out to be so good, the problem with reboots, and more!

After their most drunken episode ever, this week’s show finds Dean back in the Detroit suburb of Birmingham and Phil in the Los Feliz neighborhood of Los Angeles. Thanks to an email from a loyal listener and frequent collaborator, they will be revisiting a discussion of Wu Tang Clan from two weeks ago. And thanks to developing news, they will follow up on last week’s discussion of the movement to remove tributes to D.W. Griffith’s legacy in Hollywood. There will be further analysis on the state of the box office in the U.S. and there will be reviews of two new movies: The comedic DC comic book actioner “The Suicide Squad” and a feature documentary about AND photographed by Val Kilmer. Yet another “Night Court” star will get remembered in “Celebrity Deaths”, along with the actress daughter of an iconic filmmaker, an award-winning folk music star, and a beloved cast member of TV’s “Sherlock”. Plus, we still have many celebrity death memories (of a Clint Eastwood collaborator, a legendary voice actor, and a best-selling sci-fi author) recorded during last week’s red wine bacchanal that we include at the end of this week’s show!

Dean Haglund spent part of his birthday recording this episode of YOUR Chillpak Hollywood Hour and it turns out to be a very special, very personal installment for your friends in podcasting. Sure, they talk about a whole bunch of movies, including Mission: Impossible – FalloutHotel ArtemisSorry to Bother YouEat Me and The Breaker Upperers, and they celebrate John Waters’ Hairspray at 30. Of course, they also discuss the latest news regarding the James Gunn and Chris Hardwick controversies and weigh in on the ramifications surrounding the accusations leveled at longtime CBS head honcho Les Moonves. All that plus disturbing news surrounding two L.A. icons and the show biz disruptor that is (was?) MoviePass. What makes the episode truly unforgettable and personal, however, will have to remain a secret to all but those who listen to this week’s show. Which you can do NOW wherever good podcasts can be found!

Dean starts off this week’s show with a full report of his Detroit adventures. Then Phil weighs in on all of this weekend’s sad happenings in his beloved City of Angels. Then, your friends in podcasting roll up their sleeves to remember one of the most famous disc jockeys of all time, and to weigh in on the ever-evolving controversy surround Guardians of the Galaxy director James Gunn. Then it’s back to the big screen as Dean and Phil discuss a silent masterpiece, a black and white musical, another comedy from India, the poster for and the CGI on display in Ant-Man and the Wasp and another sequel, Sicario: Day of the Soldado.

All in all, this week’s episode is 70 minutes of big, globetrotting fun, so buckle up.