Following what many people seem to feel was the longest January on record, your friends in podcasting return to get February off to a good start, freewheeling their way through a variety of topics, including the closing of the most odd airport in the world, the reasoning behind Quentin Tarantino’s move into live stage work, a listener’s response to Dean and Phil’s dismissal of Oscar Best Picture nominee A Complete Unknown, and the influence David Lynch had on great Canadian filmmaker Guy Maddin. Dean and Phil take a deep dive into two films that figure prominently on many year-end Top Ten lists (Hundreds of Beavers and The People’s Joker) and they discuss two films that are NOT eligible for inclusion on their own lists (La Chimera and Midway). Finally, good friend of show Marc Hershon drops by to share a disturbing story about a screenwriting AI and to suggest two recent television shows.

For what it’s worth, awards season in Hollywood is firmly upon us and on this week’s show, your friends in podcasting examine the top ten 2024 releases at the U.S. box office, the top ten films according to critics, and the ten films selected by the Academy of Motion Picture Arts and Sciences for the Best Picture Oscar nominations. They analyze the surprises, the snubs and the meaning behind the Oscar nominations, before taking a deep dive into Gladiator II, Wicked: Part One and A Complete Unknown. And speaking of the Academy, Phil had a terrible experience at an Academy Museum screening – so terrible, he might never return. He fills Dean in on the details and they share memories of a colleague about whose death in 2020 they just learned.