After a cold open wherein Phil gives everyone the lay of the land, outtakes from last week’s show are picked up off the cutting room floor, dusted off and used, revealing an obviously drunken Dean and (a perhaps tipsy) Phil continuing their discussion of commuter trains before delving into Project Hail Mary and a couple of vintage James Bond films. Then, after a midpoint musical interlude that allows Dean and Phil to become sober as judges, good pal Jon Lawlor joins the conversation for analysis of the Live Nation and Ticketmaster court case and the pending Warner Bros.-Paramount merger. During the show, Phil learns the difference between a Japanese bathhouse and the Alamo Drafthouse, and the difference between the words “vacillate” and “oscillate”.

This week’s show begins with Dean and Phil discussing the World Baseball Classic and sharing (and answering) an email from a loyal listener who wanted to celebrate the recent 25th Anniversary of Dean’s series “The Lone Gunmen”. Recorded on Sunday morning before the Oscars (and before the big “Firefly” announcement), the bulk of the discussion surrounds what Dean and Phil are looking for at Hollywood’s big night. They discuss how talented filmmaker and entertaining video host Ryan Casselman might just have devised scientific formulae for “decoding” Oscar voting. The controversy surrounding Timothée Hal Chalamet’s comments regarding ballet and opera get full analysis. Then, five films go under the microscope, including two by classic thriller director Henri-Georges Clouzot, two tales of nuclear paranoia from Oscar-winner Kathryn Bigelow, and the multi-Oscar-winning 1983 classic Tender Mercies.

After comparing notes on their forthcoming respective travel plans, Dean and Phil roll up their sleeves and discuss the 25th anniversary of “The Lone Gunmen” series. Then, in what will be a multi-week exploration, they begin to delve into Time Out’s list of the 100 Greatest Movie Theaters in the World that are still in operation. The movie business is foremost on their minds these days, and they pose some of the big, perplexing questions regarding the possibly sinister and definitely nonsensical merger of Paramount with Warner Bros. Then, because it’s STILL awards season, they tackle the really odd, almost desperate nature of the recent SAG-AFTRA “Actor Awards” on Netflix. As a bonus, you will learn what the following phrases uttered by Dean Haglund in this episode actually mean: “We made the Ramones cry!” and “funky, artisanal whatever”.

Phil is in Montecito, California. Dean is ALMOST back into his house in Birmingham, Michigan. They got together via the magic of podcasting (and zoom) to discuss: The week that was for “Cobra Kai” star Martin Kove, the latest company splits for “Legacy Media” conglomerates, and California’s now official increase in the annual Film & TV Tax Credit funding. Wes Anderson and The Phoenician Scheme, Apple and their F1 and Fountain of Youth, the Indiana Jones films, Bong Joon Ho and Mickey 17, and the “Mission: Impossible” films all get deep dive analyses as well.

Dean and Phil have quite the array of topics to discuss, including a recent Marvel film, a Neil Simon comedy from the 1970s, all the big award-winners at the recent Cannes Film Festival, and a director’s cut of Chris Carter’s The X-Files: I Want to Believe. Both the Australian and the American versions of “Laid” get discussed, and art, architecture, history and more get discussed in the return of “What We Are Reading”. Two beloved television stars and a legendary comedian get remembered in “Celebrity Deaths”. Finally, good pal of the show Marc Hershon drops by to offer up two new television show recommendations that both sound awesome!

Phil is back from Fort Worth, Texas, and has a Logan’s Run location story to share with Dean. Phil also regales Dean with the story behind a delicious cocktail at the Grand Hotel in Oslo (named in “honor” of pop icon Madonna). Dean and Phil try to make sense of Jon Voight’s plans to “save” Hollywood and how the President seized on those plans while probably misunderstanding them completely and/or intentionally. Meanwhile, “Sinners” might end up affecting real change in the film business and your friends in podcasting will discuss how. One of the all-time great actors, William Holden, and one of the all-time great actresses, Barbara Stanwyck, get discussed through the prism of two films: Executive Suite and Stella Dallas, and THE all-time greatest film (according to the 2022 Sight and Sound poll) also gets analyzed. This film is celebrating its 50th anniversary and so the conversation turns to other films of the era, including, perhaps, the greatest of all Francis Coppola films (and no, we’re not talking about The Godfather Part II).

Following what many people seem to feel was the longest January on record, your friends in podcasting return to get February off to a good start, freewheeling their way through a variety of topics, including the closing of the most odd airport in the world, the reasoning behind Quentin Tarantino’s move into live stage work, a listener’s response to Dean and Phil’s dismissal of Oscar Best Picture nominee A Complete Unknown, and the influence David Lynch had on great Canadian filmmaker Guy Maddin. Dean and Phil take a deep dive into two films that figure prominently on many year-end Top Ten lists (Hundreds of Beavers and The People’s Joker) and they discuss two films that are NOT eligible for inclusion on their own lists (La Chimera and Midway). Finally, good friend of show Marc Hershon drops by to share a disturbing story about a screenwriting AI and to suggest two recent television shows.

In a cold open, this week’s show begins where last week’s show left off, with Phil delighting Dean with some surprising facts about the late comedic genius Tommy Smothers. After that, Dean and Phil dive into “Awards Season” news, offering up thoughts on the recent Emmy Awards, the forthcoming Oscar nominations, and on how viewing of awards shows might change in the years to come. Suffice it to say, your friends in podcasting and broadcasting have both bones to pick and things they hope to see. Speaking of “see”, Phil saw The Zone of Interest in the recently remodeled and re-opened movie theater where he was married. Dean saw the highly acclaimed romantic comedy from Finland, Fallen Leaves, and explains why he did not enjoy it. He also takes the time to explain why Phil does not enjoy the all-time classic screwball comedy Bringing Up Baby! Dean and Phil also weigh in on their thoughts regarding Alec Baldwin (once again) getting charged with involuntary manslaughter for the on-set death of cinematographer Halyna Hutchins. All that, plus Phil turns “Celebrity Deaths” into a game, quizzing Dean on his cultural literacy, and there is a crackerjack production meeting on the air!

It’s Happy Birthday to Dean Haglund and boy has he been celebrating! On this week’s show, you will hear all about his celebrations. You will also hear about his road trip to upstate New York. And you will hear about a very bizarre social calendar for Phil! The latest news in the writers and actors strikes gets discussed, as does the controversy surrounding “waivers” being granted to certain productions. Dean offers up at least one more television series from the past you might want to avail yourself of while you wait for new seasons of your current favorites. Phil sings the praises of “Star Trek: Picard” Season 3 and Season 1of “Shrinking”. Last week, Dean revealed what he thinks of as Robert De Niro’s 5 greatest performances. Phil follows up with a couple of alternative picks this week. Finally, the surprising box office performance (failure?) of Mission: Impossible – Dead Reckoning Part One gets analyzed, and the film’s strengths get celebrated and missteps get dissected.

Welcome to an excellent installment of your Chillpak Hollywood Hour that begins with tales of springtime before a couple of great soapbox moments courtesy of the “sensitivity editing” of Agatha Christie and newspaper headline treatments of black men in the media. An actress who starred in many beloved projects, a screenwriter behind crowd-pleasing movies, a singer in a legendary doo-wop band and the designer responsible for the way Phil smelled throughout his teens and twenties (!) all get remembered in “Celebrity Deaths”. Dean champions Cocaine Bear, Elizabeth Banks, and the return of Nicolas Cage (not that he went anywhere). Phil regales with amazing original casting choices for a couple of popular recent films before launching into an appreciation of the fable-making on display in John Wick: Chapter 4.