Dean Haglund is back in Los Angeles and he and Phil Leirness went up to the rooftop studio high atop the historic neighborhood of Los Feliz to get their drink on and to record this episode all about travel, commuter trains and movies. Dean sings the praises of Waymo, tells tales of getting “upgraded” during his flights, and says the word “bathhouse” way too many times for Phil’s liking or comfort. Phil discusses a potato chip brand he really enjoys and shares the cocktail recipe for a “Manhattan Noir”. In between, the film noir classic Odds Against Tomorrow, the current Japanese movie Exit 8, and the Japanese classics Spirited Away and Shall We Dance? all receive deep-dive discussion. The great Harry Belafonte and the brilliant Koji Yakusho are both celebrated, and Dean explains a bit about Noetic Science as depicted in Dan Brown’s The Secret of Secrets.

Phil gets things started by singing the praises of “The Lowdown” (and its emotional intelligence), and of Marc Hershon, who had this Sterlin Harjo-created Ethan Hawke-starring series on his list of the best television of 2025. Some casting news (regarding season 4 of “The White Lotus”) has Phil greatly enthusiastic. Then, for the first time in ages, but as they used to do on the regular back in the day, Dean and Phil analyze the long four-day weekend’s domestic box office, paying particular attention to the lack of performance by (the supposedly excellent) 28 Days Later: The Bone Temple and the milestone achieved by bona fide movie star Timothée Chalamet. Then, the conversation about IMDB’s list of the 20 most anticipated movies of 2006 picks up where it left off last week. The incredible achievement Sentimental Value pulled off at the European Film Awards gets placed in a historic perspective. Two movies get reviewed: Dean wags his finger at the Edgar Wright remake The Running Man and Phil doffs his cap to Bi Gan’s masterful Resurrection. This week’s show is EXCELLENT, but don’t take our word for it – just hit “play”!

Our first installment of 2026 finds your friends in podcasting discussing why the President of the United States is so insistent on there being another Rush Hour movie from director Brett Ratner. Then, Dean and Phil delve into the two final “Mission: Impossible” movies, both 2023’s Mission: Impossible – Dead Reckoning Part One and 2025’s Mission: Impossible – The Final Reckoning. Then, they delve deep into the strengths and weaknesses of Guillermo del Toro’s Netflix film version of Frankenstein. Finally, just in time for Twelfth Night, they go thru a whole lot of seasonal fare, both movies and television specials, including “Pee-wee’s Playhouse Christmas Special”, the Rankin-Bass “Frosty the Snowman”, The Muppets Christmas Carol, and Stanley Kubrick’s The Shining.

After a cold open wherein Phil sets the stage, the show gets started in mid-conversation as frequent contributor Jon Lawlor shares some of his thoughts about Aziz Ansari’s Good Fortune. The topic then turns to Paul Thomas Anderson’s 2002 film Punch-Drunk Love with particular emphasis paid to the way Anderson used music while shooting the film. This leads to Dean explaining the ways on-set music would be used in the silent film era, and how something called “click tracks” would be used in animation. In 2022 the great actor Stellan Skarsgard suffered a stroke and yet has been able to continue acting. The ways this has been achieved get discussed. The current heist picture The Mastermind from master filmmaker Kelly Reichardt is foremost in Phil’s thoughts, specifically why, despite universal critical praise, the film is being mostly hated by moviegoers, most of whom have seen it in multiplexes. Phil also shares with Dean and Jon the new set of questions he asks himself, and answers in writing, each night before bed.

This week, you will hear your friends in podcasting discussing an ill-fated screening of Spaceballs, the 4th of July, patriotism, fireworks and the seminal band, Earth, Wind and Fire. In “Celebrity Deaths”, actor-singer Aki Aleong, journalist Bill Moyers, televangelist Jimmy Swaggert, actor Michael Madsen, and actor Julian McMahon all get remembered. Dean and Phil go back and forth singing the praises of the Netflix comedy-mystery limited series “The Residence” and take a deep dive into the 4th “Mission: Impossible” movie (“Ghost Protocol”). YOUR mission, should you choose to accept it …

This week’s episode finds Dean Haglund and Phil Leirness in fine form, discussing this year’s Oscar-winning animated feature Flow, how it was made, and why actual cats might be enjoying it! The “Lawsuit of the Week” returns, and it is a rather astounding one involving a once Oscar-nominated filmmaker. Phil and Dean both relate to a recent Substack post by one of Phil’s favorite journalists entitled, “We Are Schrödinger’s Cat”. You will find out why. Dean learns some very cool things about the Helsingør locale where he was married, including about a (rather legendary, though rarely-seen) version of Hamlet entirely shot there and about the World War II “underground railroad” operation run through there! The Scandinavian countries are very much on Phil’s mind. Dean and Phil discuss how high those countries rank on the list of “happiest” countries and how low the USA ranks. Two recent Scandinavian horror films (this past year’s Oscar-nominated The Girl with the Needle and the 2021 supernatural thriller The Innocents) both get reviewed, and the world’s first open-air museum, the Norsk Folkemusuem, gets described. Finally, Phil tips his hat to the success of the just-completed season 3 of “The White Lotus”, while Dean grabs his popcorn and pours his wine and sits down to start season 1!

Later this week, your friends in podcasting depart for Europe. Last night, the Oscars were held. Last week, one of their dear friends celebrated his 81st birthday, another friend had a brain tumor removed, and another friend died. So, you will forgive Dean and Phil if this isn’t the most polished installment of YOUR Chillpak Hollywood Hour. It IS epic in length, and it is full of the heartfelt, the insightful, the irreverent and even the inspiring. Dean reveals that planning a home renovation a few months before getting married might have been a mistake. The winners of last night’s awards get analyzed both for their historical context and for what they say about the art and commerce of motion pictures right now. Actors Gene Hackman and Michelle Trachtenberg, screenwriter and producer Roberto Orci, singers Robert John and David Johansen, and chess champion Boris Spassky get remembered in “Celebrity Deaths”.

For what it’s worth, awards season in Hollywood is firmly upon us and on this week’s show, your friends in podcasting examine the top ten 2024 releases at the U.S. box office, the top ten films according to critics, and the ten films selected by the Academy of Motion Picture Arts and Sciences for the Best Picture Oscar nominations. They analyze the surprises, the snubs and the meaning behind the Oscar nominations, before taking a deep dive into Gladiator II, Wicked: Part One and A Complete Unknown. And speaking of the Academy, Phil had a terrible experience at an Academy Museum screening – so terrible, he might never return. He fills Dean in on the details and they share memories of a colleague about whose death in 2020 they just learned.

Dean is back from Japan. He will speak about his trip on this week’s show. Phil is grieving the death of his sister. He has some thoughts about her and about grief and about two wishes he has that he will share. If you would like to read about Phil’s sister, he included a tribute to her influence on him in “Haunted”, the most recent essay he published for his The Voice of Los Feliz Substack. Dean and Phil will discuss a wild grab bag of other topics as well, including the city of Glendale, California, improv comedy shows, the ongoing brilliance of “The Simpsons” and the enduring (and growing?) legacy of the British filmmaking team The Archers (Michael Powell and Emeric Pressburger). Finally, a lightning round of quizzes for Dean will comprise this week’s “Celebrity Deaths”.

This week’s episode finds Phil in the “DMV” (DC-Maryland-Virginia) area and Dean safely ensconced back in Michgan. Phil quizzes Dean about Renaissance man Martin Mull, iconic Winnipeg musician and broadcaster Ray St. Germain, two Oscar-winning composers, and an Oscar-nominated documentarian. Dean and Phil also sing the praises of perhaps the greatest actor to NEVER get nominated for an Oscar! Such streaming fare as “Tulsa King”, Season 4 of “The Boys”, “Ripley”, Season 2 of “Tokyo Vice”, and Richard Linklater’s Hit Man all get reviewed as well.