During this week’s cold open, Dean and Phil finish up their discussion of Marlon Brando and Jack Lemmon, offering up some final movie recommendations. Phil is back after a lengthy trip to the east coast and he returns with tales of a Shakespeare Theater production about Leonardo Da Vinci and thoughts inspired by Hurricane Ian about how human beings become fixated on the statistically anomalous and he also shares with Dean the exciting way in which their former podcasting home – the Eastern Columbia Building – had a starring role in the new season of Amazon’s fashion competition show “Making the Cut”. Loyal listener Maurice Terenzio checks in with a thought-provoking email that brings the conversation back to Marlon Brando before the return of Lawsuit of the Week focuses Dean and Phil’s attention onto the ill-fated Alec Baldwin western Rust. Celebrity Deaths begins by bringing the conversation once again back to Marlon Brando (!) with a remembrance of activist and artist Sacheen Littlefeather. Many other notables get remembered as well, including an Oscar-winning actress, a comedic “love goddess”, a comic book artist who dazzled live audiences, and a chart-topping rapper-turned-reality star. Finally, two movies get reviewed: the current whodunit theatrical release See How They Run and the 2020 Netflix offering from Charlie Kaufman, I’m Thinking of Ending Things.
As the holidays approach, it’s the season of self-congratulation in Hollywood, where awards are being handed out and award shows are being planned. Dean and Phil weigh in on the controversy surrounding the Academy’s choice of Oscar hosts, and where they go from here. A filmmaker who never won major awards, but who left an enduring legacy, is remembered in “Celebrity Deaths”. Steve Coogan is a comedic actor (writer and producer) who is a source of contention between Dean and Phil. Your friends in podcasting roll up their sleeves and analyze his gifts and review his two 2018 big-screen releases: Ideal Home and Stan & Ollie. This leads into a terrific discussion of pathos and of the enduring film catalog of Laurel and Hardy.