After a cold open wherein Phil sets the stage, the show gets started in mid-conversation as frequent contributor Jon Lawlor shares some of his thoughts about Aziz Ansari’s Good Fortune. The topic then turns to Paul Thomas Anderson’s 2002 film Punch-Drunk Love with particular emphasis paid to the way Anderson used music while shooting the film. This leads to Dean explaining the ways on-set music would be used in the silent film era, and how something called “click tracks” would be used in animation. In 2022 the great actor Stellan Skarsgard suffered a stroke and yet has been able to continue acting. The ways this has been achieved get discussed. The current heist picture The Mastermind from master filmmaker Kelly Reichardt is foremost in Phil’s thoughts, specifically why, despite universal critical praise, the film is being mostly hated by moviegoers, most of whom have seen it in multiplexes. Phil also shares with Dean and Jon the new set of questions he asks himself, and answers in writing, each night before bed.

With Dean in the “Zone of Totality” for Monday’s solar event taking place over much of the contiguous USA, will this week’s show ECLIPSE all those that have come before?! Decide for yourself as your friends in podcasting & broadcasting discuss a great story about how people getting stuck in an elevator changed history, discuss D.W. Giffith’s Intolerance, discuss Kelly Reichardt’s 2006 breakthrough Old Joy, discuss French actor Marcel Dalio, discuss Christopher Nolan’s proposed big screen version of “The Prisoner”, discuss the “renaissance man” artistry of Hiroshi Teshigahara, discuss the poem that inspired “Game of Thrones” AND Ghostbuters: Frozen Empire, discuss the terrific new horror film Late Night with the Devil and the delightful surrealist classic Céline and Julie Go Boating. All that plus “SCTV” great Joe Flaherty gets remembered in “Celebrity Deaths”.

This week’s show gets started with Dean providing an update on his graphic novel and a review of “Star Trek: Discovery” Season 3. Phil then shares a message from a loyal listener about their film The Truth is Out There. This leads to further discussion about such topics as conspiracy theories, cults, fear, how to recognize the truth, and “alienation of affection”. In “Celebrity Deaths”, Dean and Phil remember one of the greatest writers of television mysteries and an iconic voice of the British Invasion. Dean and Phil share a new review of their dark comedy feature film The Lady Killers and celebrate the fact that now everyone in the world can see it! Finally, a whole bunch of movies get discussed and reviewed, including Spike Lee’s critically-acclaimed Da 5 Bloods, Kelly Reichardt’s award-winning First Cow and a disappointing Tom Hanks western from director Paul Greengrass. Graphic novels, sci-fi TV, great new movies, conspiracy theories, celebrity deaths and more, all in one hour!

With how much ground your friends in podcasting cover on this week’s show, you’ll forgive them going almost eight minutes overtime, won’t you? The show starts with a “Live Event of the Week” as Phil regales Dean with tales of his 49th birthday celebrations on a day that involved marionettes, Norse mythology and the oldest restaurant in Hollywood. Then, for the first time in ages, Dean and Phil discuss what they’re reading. After that, it’s onto “Celebrity Deaths” which contains a correction of a correction from last week, as well as remembrances of a former teen idol, a jazz great, a country music great, a gospel great and two award-winning actors. Then, a few more thoughts about the latest news involving toxic masculinity, the United States Senate and “Whataboutism” before Dean and Phil roll up their sleeves to discuss almost a dozen movies, including both the 1974 and 2017 versions of Murder on the Orient Express, Orson Welles’ 1952 Othello, Kelly Reichardt’s Certain Women, and this year’s award hopefuls Last Flag FlyingCall Me By Your Name,Lady BirdMudboundHostiles and The Disaster Artist.