In what might be a first, Dean will offer up both a point and a counterpoint (all on his own) about the merits and deficits of Charles Laughton’s The Night of the Hunter. Then, Phil will discuss the long career of the great cinematic surrealist Luis Buñuel and take a deep dive into one particular masterpiece of his, the 1950 Los Olividados (“The Young and the Damned”). Buñuel’s famous collaborations with Catherine Deneuve will lead Phil and Dean to discuss this legendary star’s almost unparalleled status as the “face” of 1960s cinema. Jacque Demy’s singular The Umbrellas of Cherbourg gets celebrated as a result. If Ms. Deneuve was NOT the face of global cinema at that time, then that title belonged to the late, great Claudia Cardinale, who gets remembered in “Celebrity Deaths”.

This week’s episode picks up where last week’s show left off with a deep dive into Charles Laughton’s 1955 masterpiece The Night of the Hunter the ending to which Dean greatly misunderstood. In fact, a special guest stops by to help explain the ending and to discuss the film through the prisms of expressionism, surrealism and absurdism. Then, Dean, Phil, and (frequent collaborator) Jon Lawlor discuss several filmmaking and film distribution and film marketing topics pertaining to Paul Thomas Anderson’s One Battle After Another. In 1964, the United Nations produced four movies for television. One of them featured an all-star cast and a script by Rod Serling. Carol for Another Christmas gets discussed. Finally, the recent conversation the gents had about Carl Theodore Dreyer’s The Passion of Joan of Arc inspired a thoughtful email from a loyal listener.

In what might be our longest episode ever, but is certainly an epic installment in any event, your friends in podcasting delve into the potential new relevancy of late night television, the frightening potential merger of Paramount/CBS/Skydance with Warner Bros/Discovery, and the power of TikTok (and other social media platforms) in turning this year’s Superman into a box office hit. Four of the all-time great films (Carl Thodore Dreyer’s 1928 The Passion of Joan of Arc, Luis Bunuel’s 1961 Viridiana, Jean Vigo’s 1934 L’Atalante, and Charles Laughton’s 1955 The Night of the Hunter) receive deep-dive analyses. With pal of the show Jon Lawlor adding support, the influence of Robert Redford’s training as a painter on his work as an actor and filmmaker gets discussed as does Burt Bacharach’s (terrible) music score for (the great) Butch Cassidy and the Sundance Kid.

Our last show before our 18th Anniversary is also our last show to be recorded via Skype! It’s also an action-packed 72 minutes that boasts the return of “Lawsuit of the Week”, where Dean and Phil get down and dirty discussing the Paramount merger with Skydance, the fate of CBS’ long-running “60 Minutes”, DEI initiatives, the FCC and Trump advisor Stephen Miller. Several films get discussed in depth, including Easter Parade, Diary of a Mad Housewife and Meshes of the Afternoon – each of which leads to discussions about husband-wife creative teams. In “Live Event(s) of the Week”, the delightful TCM host Ben Mankiewicz and the super-talented “Medicine Woman” Veronica Osorio both get celebrated. “Celebrity Deaths” this week is a lightning round quiz edition featuring remembrances of a game show host, a child star, a TV cowboy, a Canadian movie director, an Emmy Award-winning dramatic actress who starred in and co-created one of the most legendary dramas of all time, a Tony-winning composer and lyricist, a rock drummer, and a neo-expressionist painter. Finally, Dean discusses the Seth Rogen-starring Apple TV+ series “The Studio”.

With Dean in the “Zone of Totality” for Monday’s solar event taking place over much of the contiguous USA, will this week’s show ECLIPSE all those that have come before?! Decide for yourself as your friends in podcasting & broadcasting discuss a great story about how people getting stuck in an elevator changed history, discuss D.W. Giffith’s Intolerance, discuss Kelly Reichardt’s 2006 breakthrough Old Joy, discuss French actor Marcel Dalio, discuss Christopher Nolan’s proposed big screen version of “The Prisoner”, discuss the “renaissance man” artistry of Hiroshi Teshigahara, discuss the poem that inspired “Game of Thrones” AND Ghostbuters: Frozen Empire, discuss the terrific new horror film Late Night with the Devil and the delightful surrealist classic Céline and Julie Go Boating. All that plus “SCTV” great Joe Flaherty gets remembered in “Celebrity Deaths”.

Next Monday, your friends in broadcasting and podcasting will return with a brand new “live” show that will catch you up on all the news of the season. This week, it’s part two of the road trip adventure Dean and Phil recorded on Friday December 9 when they drove from downtown Los Angeles to Montecito and back. The Sight and Sound poll of the greatest films ever made, the #16 film on that poll, surrealism, dream logic, and the works of Luis Bunuel and Salvador Dali are the topics that open the proceedings. Then, after a shift to the (very loud) Summerland Beach Café, Phil tackles two films making a lot of Top Ten Lists this year: the donkey adventure tale EO and the latest from auteur Robert Eggers, The Northman. Please bare with the difficult audio, for soon Dean and Phil will be back in the car, riding alongside the sparkling blue Pacific and discussing the Netflix series “1899”, the improv collaborations of Jonathan Winters and Robin Williams, and whole lot of casting “what-ifs”. There is also analysis of a law-change benefiting sexual assault survivors, and a fascinating “trash talk” interaction in the National Basketball Association. Hop in and buckle up!

Since it is Valentine’s Day, it’s only fitting that Dean and Phil are offering up a show that is nothing less than a love letter to movies, movie-going AND great comedic acting on television! In addition to a great story about Howard (“Dr. Johnny Fever”) Hesseman that involves the legendary Jack (“Dragnet”) Webb, and analysis of a handful of nominated films, shows and performances, Dean and Phil also engage in free-wheeling discussion about how we judge film and TV, how these works are consumed and what awards shows need to be moving forward. All that, plus a legend of visual effects and the Queen of Italian Cinema both get remembered in “Celebrity Deaths”.

It’s all classic comedy, classic television and classic movies on this week’s show! The truly legendary Carl Reiner gets celebrated. Then, Dean and Phil compare the years in film 1982 and 1974 with 1962 to see which year they think was the best year ever for movies!