Welcome to a show 19 years in the making! Special guest co-host Jon Lawlor and special guests Erynn Petrulis, Yoshi Kato, Lily Holleman, and Marc Hershon join the festivities and help Dean and Phil celebrate this milestone event! Topics include movie-going here and in Japan, improvisation in jazz and in deejaying, performance art, laserdiscs, and the guests’ earliest memories of both Dean and Phil and of YOUR Chillpak Hollywood Hour. Jon Lawlor is the purveyor of numerous Chillpak theme songs throughout the years, as well as the co-host of the Chillpak Hollywood Presents shows “The Art Life” and “Celebrity Deaths”. Erynn Petrulis is an accomplished performer and musician whose persona “Kalinda” records on a major label. Yoshi Kato is a well-respected music journalist, and one of the true authorities on jazz. Lily Holleman is a brilliant actress and comedic stage performer. Marc Hershon is a branding expert, veteran podcaster and podcast reviewer, longtime professional in both the television and comedy industries, and star of the Chillpak Hollywood Presents show “Television with Marc Hershon”.

After a cold open wherein Phil gives everyone the lay of the land, outtakes from last week’s show are picked up off the cutting room floor, dusted off and used, revealing an obviously drunken Dean and (a perhaps tipsy) Phil continuing their discussion of commuter trains before delving into Project Hail Mary and a couple of vintage James Bond films. Then, after a midpoint musical interlude that allows Dean and Phil to become sober as judges, good pal Jon Lawlor joins the conversation for analysis of the Live Nation and Ticketmaster court case and the pending Warner Bros.-Paramount merger. During the show, Phil learns the difference between a Japanese bathhouse and the Alamo Drafthouse, and the difference between the words “vacillate” and “oscillate”.

Dean Haglund is back in Los Angeles and he and Phil Leirness went up to the rooftop studio high atop the historic neighborhood of Los Feliz to get their drink on and to record this episode all about travel, commuter trains and movies. Dean sings the praises of Waymo, tells tales of getting “upgraded” during his flights, and says the word “bathhouse” way too many times for Phil’s liking or comfort. Phil discusses a potato chip brand he really enjoys and shares the cocktail recipe for a “Manhattan Noir”. In between, the film noir classic Odds Against Tomorrow, the current Japanese movie Exit 8, and the Japanese classics Spirited Away and Shall We Dance? all receive deep-dive discussion. The great Harry Belafonte and the brilliant Koji Yakusho are both celebrated, and Dean explains a bit about Noetic Science as depicted in Dan Brown’s The Secret of Secrets.

After almost 19 years of “changing the way you listen to the internet”, your friends in podcasting are about to change the way they continue to … change the way you listen to the internet! They discuss their plans on this week’s absolutely excellent show. Dean discusses a big improv performance he gave this weekend and goes deep into explaining the improv game “crime endowment”. In the long-awaited return of “Celebrity Deaths”, iconic rock guitarist Ace Frehley, and all-time great actress Diane Keaton get remembered. During those celebrations, Dean and Phil take a detour into a deep dive analysis of people dying from falls. A little-known 1973 film about the JFK assassination gets discussed, as does whether we can ever truly know history in general, and JFK assassination history in particular. Finally a rather terrible documentary about beloved actor John Candy gets reviewed.

After a cold open wherein Phil sets the stage, the show gets started in mid-conversation as frequent contributor Jon Lawlor shares some of his thoughts about Aziz Ansari’s Good Fortune. The topic then turns to Paul Thomas Anderson’s 2002 film Punch-Drunk Love with particular emphasis paid to the way Anderson used music while shooting the film. This leads to Dean explaining the ways on-set music would be used in the silent film era, and how something called “click tracks” would be used in animation. In 2022 the great actor Stellan Skarsgard suffered a stroke and yet has been able to continue acting. The ways this has been achieved get discussed. The current heist picture The Mastermind from master filmmaker Kelly Reichardt is foremost in Phil’s thoughts, specifically why, despite universal critical praise, the film is being mostly hated by moviegoers, most of whom have seen it in multiplexes. Phil also shares with Dean and Jon the new set of questions he asks himself, and answers in writing, each night before bed.

Big changes are on the horizon for YOUR Chillpak Hollywood Hour! This week’s show begins with Dean and Phil discussing them. Then, they shift gears into a wide array of topics including: Unexpected events at local screenings of One Battle After Another, the variable frame rates of the silent era, a movie that had wildly different endings depending on in what country you saw it, a documentary about the making of The Night of the Hunter, the fragility of darkness in the Atacama Desert, the lack of planning or funding for the forthcoming Cultural Olympiad (the arts programming that is supposed to be part of the 2028 Olympics in Los Angeles), the death of R&B great D’Angelo, and the story of the fictional band Eddie and the Cruisers.

This week’s episode picks up where last week’s show left off with a deep dive into Charles Laughton’s 1955 masterpiece The Night of the Hunter the ending to which Dean greatly misunderstood. In fact, a special guest stops by to help explain the ending and to discuss the film through the prisms of expressionism, surrealism and absurdism. Then, Dean, Phil, and (frequent collaborator) Jon Lawlor discuss several filmmaking and film distribution and film marketing topics pertaining to Paul Thomas Anderson’s One Battle After Another. In 1964, the United Nations produced four movies for television. One of them featured an all-star cast and a script by Rod Serling. Carol for Another Christmas gets discussed. Finally, the recent conversation the gents had about Carl Theodore Dreyer’s The Passion of Joan of Arc inspired a thoughtful email from a loyal listener.

In what might be our longest episode ever, but is certainly an epic installment in any event, your friends in podcasting delve into the potential new relevancy of late night television, the frightening potential merger of Paramount/CBS/Skydance with Warner Bros/Discovery, and the power of TikTok (and other social media platforms) in turning this year’s Superman into a box office hit. Four of the all-time great films (Carl Thodore Dreyer’s 1928 The Passion of Joan of Arc, Luis Bunuel’s 1961 Viridiana, Jean Vigo’s 1934 L’Atalante, and Charles Laughton’s 1955 The Night of the Hunter) receive deep-dive analyses. With pal of the show Jon Lawlor adding support, the influence of Robert Redford’s training as a painter on his work as an actor and filmmaker gets discussed as does Burt Bacharach’s (terrible) music score for (the great) Butch Cassidy and the Sundance Kid.

Because Phil is on the road, tending to family matters, this week’s show was pre-recorded last week and much of the episode is dedicated to discussing two icons: The historic landmarked Mayan Theatre in downtown Los Angeles closed its doors for good on September 14, and the great leading man, filmmaker, and supporter of the arts and the environment, Robert Redford, left the stage on September 16. Dean and Phil do a deep dive into Redford’s career and accomplishments and put his 1974 starring vehicle The Great Gatsby under the microscope. This leads to a discussion of lead characters, often seen as heroes, who suffer the delusions caused by their own fantasies. Such characters include Holly Martins in The Third Man and Rick in Casablanca. The dangers of fantasy prove the perfect segue way to Phil’s thoughts upon finally having watched James Gunn’s Superman. Then to wrap up this jumbo installment of YOUR Chillpak Hollywood Hour, the devilishly haunting, and rather delightfully macabre 1964 suspense picture from Japan, Onibaba gets celebrated.

Phil is hitting the road, but before doing so, he recorded a great deal of material for the next two installments of YOUR Chillpak Hollywood Hour! This week, he and Marc Hershon discuss the following television series: “Your Friends and Neighbors”, “The Studio”, “Alien: Earth”, “Chief of War”, “Peacemaker”, and “Code of Silence”. Dean reveals whether or not he is participating in a Winnipeg-themed art show, and talks about why any nostalgia he has for the city where he grew up is gone. Then, good pal of the show, purveyor of excellent theme songs, and frequent on-air contributor, Jon Lawlor finally weighs in on Spike Lee’s Highest 2 Lowest answering a longtime loyal listener’s question about the movie’s use of music.