Dean came back from PhileFest with a case of the Covid-19 and rumors about the forthcoming reboot of “The X-Files”. Phil questions him about both! Phil also asks about a potential guest on a forthcoming show, before sharing a story of how Ann Arbor, Michigan was named for a family member. Last week’s discussion of some great contemporary Japanese cinema leads to a follow-up about Japan’s entry into this year’s Academy Awards before another cinematic follow-up involves great films made in secrecy. A long overlooked, spooky classic from the 1970s gets celebrated and the latest, rather disturbing news from the Hollywood picket lines gets discussed. Finally, in “Celebrity Deaths”, a game show legend, a multiple Emmy Award-winning actor, a chart-topping singer, and two stand-up comedians get remembered.
We hope you enjoyed last week’s special episode celebrating the cinematic legacies of two of Hollywood’s greatest actor/producers – Kirk Douglas and Burt Lancaster. This week is part 2 of that conversation, and covers the years 1960-1990. Some great movies, some horrible but (unintentionally) hilarious movies, and some fascinating stories of acting and filmmaking will get discussed.
Rabbit, Rabbit! Welcome to May and welcome to the final show of year 15 of YOUR Chillpak Hollywood Hour where Dean and Phil get the ball rolling by discussing the obituary fictional character Dame Edna wrote for her creator prior to his death. Phil remembers the legendary playwright Robert Patrick and he and Dean ponder the life – not the legacy – of the woman who falsely accused Emmett Till. Then, in “Celebrity Deaths”, the towering artistry and humanity of Harry Belafonte gets discussed, as does Belafonte’s friendship with Sidney Poitier. The latest in the pending Writer’s Strike gets analyzed. Facts surrounding three movies discussed last week get revealed, the 1996 classic Irma Vep starring the incomparable Maggie Cheung gets revisited, and the countdown to the end of Netflix results in analysis of both Sean Baker’s Red Rocket and Mike Mills’ C’mon C’mon. Finally, the concluding seasons of “Succession” and “Barry” get hailed.
Dean is back in Los Angeles and Phil picks him up at the Eastern Columbia and they take to the mean streets of Los Angeles at the outset of this week’s show! Topics discussed include Dean’s experiences with the late character actor Tom Sizemore, the live-streamed Chris Rock special on Netflix, and the disappearance of the great actor Julian Sands. Then, Phil is joined (via zoom) by Yoshi Kato to discuss the career and legacy of jazz great Wayne Shorter, and later, Phil is joined (via zoom) by Marc Hershon, who shares a great story about the late comedian-turned-actor Richard Belzer. After that, and after several cocktails in Hollywood (!), it’s back into the car for a return trip to the Eastern Columbia where Phil stumps Dean with a very interesting trivia question pertaining to the relevancy of the Oscars. This leads to Dean and Phil deciding (for the first time) to not do any Oscar-related show this year, though they do establish one way in which the Academy Awards probably do matter culturally.
This week’s show begins with Phil trying to surprise Dean with details of a very famous person who lived in what is now Dean’s hometown of Birmingham, Michigan, and then, Phil tries to stump Dean with a vintage movie ad (from 55 years ago!). Then, because they have been falling behind in discussing “Celebrity Deaths”, Dean and Phil will open the Chillpak morgue to discuss the huge amount of notables who shuffled off their mortal coils in the past week! In part 2, Dean and Phil discuss Ingmar Bergman’s Persona, the latest awards season news (including the SAG, DGA and Producers Guild nominations), and then they conclude with reviews of several films including The Kitchen Brigade, After Yang, Crimes of the Future and Bones and All.
Dean is getting into the spirit of Halloween, Phil is dressing up in steam punk to judge a fashion show, and they are both curious about Jim Thorpe PA, and they talk about all of this! The death of Nikki Finke inspires a celebration and analysis of the Deadline Hollywood website that was her creation and a discussion of a recent headline on the site about ageism in Hollywood. In “Celebrity Deaths”, Phil rants about people claiming anyone is “best known for” a particular work before he and Dean celebrate the lives and legacies of actress Angela Lansbury, actor Robbie Coltrane, author Peter Straub, groundbreaking disc jockey Art Laboe, and significant Hollywood matriarch Eileen Ryan. There is much discussion of the greatest film directors of all time (according to a 2002 Sight and Sound poll) before Dean and wrap things up where they began with Halloween-themed movie viewing.
This weekend, Dean and Phil got together in-person on the “American Riviera” for a fascinating discussion inspired by a loyal listener like you (yes, YOU!). The conversation involves the importance of awards not only recognizing and rewarding great work, but also rewarding the great stories surrounding the making of that work! Somehow that inspires Phil to reappraise the entire filmography of James Mason. That great Belgian sleuth, Hercule Poirot, gets more time in the spotlight, as Dean and Phil take a little more time giving both a doff of the cap and a wag of the finger to Kenneth Branagh’s Death on the Nile and Phil, who took the time during the week to unearth the final Peter Ustinov performance as Agatha Christie’s protagonist, has some thoughts about Appointment with Death from the infamous Cannon Film Group. Finally, in a riff on their usual “Celebrity Deaths” section, Dean and Phil discuss three non-celebrity friends who died recently.
Dean and Phil follow up on last week’s awesome show by discussing more about “Hollywood accounting” and how in show biz the “bottom line” is often NOT the bottom line! Last week, while discussing the box office struggles of the brand new In the Heights, Dean and Phil were inspired to look back at two dance films based on the same craze that opened on the same day many years ago, one of which boasted a music score from Phil’s frequent collaborator, Greg De Belles. Greg composed the score for Phil’s Karl Rove, I Love You and for Dean and Phil’s The Truth Is Out There and The Lady Killers. Greg died on Friday, and Dean and Phil speak of their immensely talented friend. Of course, the box office struggles continue, so Dean and Phil discuss how a Pixar movie might have been able to change everything. That leads into a deep dive into Disney +, the movie Soul, the miniseries “WandaVision” and the episodic series “The Mandalorian”. There is also a lot of talk about painting, from the advice given by the great Leigh McCloskey to the thematic approach of the Barbizon school of artists and the brilliance of Julian Schnabel’s Van Gogh film At Eternity’s Gate. Finally, Dean and Phil celebrate the careers of an Oscar-nominated character actor and a beloved sitcom actor and director.
Your friends in podcasting follow up on last week’s conversation about how the response to hatred and violence directed at the AAPI community might shape the current movie awards season and in the second half of the show, they welcome a great friend, journalist and member of the AAPI community, Yoshi Kato, who weighs in on a year of hate crimes, as well as a year of pandemic and the toll it has taken on the music business and on the business of writing about the music business! He also weighs in on Dean’s Doberman, the Paramount Network and both his favorite and least favorite superhero movies! In the show’s first half, Dean discusses a new Korean sci-fi film, and Phil discusses a classic German sci-fi miniseries! There are also 4 vintage movie ads discussed in connection with four “celebrity deaths” as the careers of two great performers, one leading French filmmaker, and a best-selling, award-winning novelist get celebrated.
Because he’s been driving all over California, Phil tackles the insane, apocalyptic weather racking the Golden State, and Dean updates on the building of his steam room and his graphic novel (both of which are long-awaited) on this week’s installment of YOUR Chillpak Hollywood Hour. The madness of America is addressed through the oddly appropriate lens of Martin Scorsese’s The Last Temptation of Christ and speaking of Scorsese, his mentor, John Cassavetes is very much a subject of discussion, from his directing of the under-seen classic The Killing of a Chinese Bookie to his acting in such crowd-pleasers as the 1964 version of The Killers and The Dirty Dozen. And one of the “Dozen”, the great music star-turned-actor Trini Lopez gets remembered in “Celebrity Deaths”. Robert Altman’s penultimate film, The Company, receives some fascinating analysis. And speaking of fascinating analysis, somehow a discussion of TV’s “Columbo” and “Law and Order: Criminal Intent” allow Dean and Phil to figure out once and for all why the Back to the Future sequels are so bad! At the close, your friends in podcasting preview next week’s show when they will be discussing the series nominated for the Emmy in the “Best Comedy” category and the dire circumstances threatening SAG-Aftra in the wake of the union’s health plan implosion.