From the ridiculous to the sublime, from the heartfelt to the hilarious, prepare to point the compass of your brain to a journey on the map of the entire infinite during this week’s installment of YOUR Chillpak Hollywood Hour! Phil shares heartfelt thoughts about “Star Trek” and “Star Trek: Discovery” and then, he and Dean have a ball unpacking the desire on the part of an Oklahoma Lawmaker to declare a “Bigfoot hunting season” in his state! Two of the greatest actresses of all time get celebrated, as Phil shares touching remembrances of Cicely Tyson and hilarious first-hand accounts of Cloris Leachman. Dean has championed filmmaker Christopher Nolan for conveying different perceptions of time before, and longtime listeners of this show will remember that the very first time Dean and Phil welcomed a guest, it was the late, great Philip Newby who wanted to discuss how time gets depicted in movies. So be warned, as Dean and Phil discuss 2020’s Tenet, it gets mind-blowing! And when they get into celebrating one of Alfred Hitchcock’s most underrated masterpieces, the show becomes a master class on the subjects of suspense and tension!
It’s all classic comedy, classic television and classic movies on this week’s show! The truly legendary Carl Reiner gets celebrated. Then, Dean and Phil compare the years in film 1982 and 1974 with 1962 to see which year they think was the best year ever for movies!
Phil’s unexpected need to spend summer away from Los Angeles took another turn on Friday when his father died. On this week’s show, he shares memories of his dad. He and Dean also celebrate the lives of the director of numerous box office blockbusters, a giant in animated filmmaking, a legendary comic book artist, and an influential novelist. They will discuss a couple great television series that may be worth your time. Finally, they champion the absurdist cinema of Roy Andersson. From the heartfelt to the absurd, we trust there will be something for everyone on this week’s installment of YOUR Chillpak Hollywood Hour!
From the inner space of quiet, self-quarantine lockdowns, to the outer space of “Star Trek: Picard”, Dean Haglund and Phil Leirness take you on quite the journey this week! It starts with their latest observations about themselves and others in the wake of another week of isolation. Sadness, quiet and dehumanization are on the thematic menu! They then compare notes on their respective Easter celebrations, which leads to a discussion of a couple of classic musicals: 1934’s Fred Astaire-Ginger Rogers vehicle The Gay Divorcee and 1948’s seasonal staple Easter Parade, starring Astaire and Judy Garland. The recent, modern classic, Uncut Gems gets championed by Phil, who tries to get Dean to overcome his trepidation surrounding Adam Sandler performances (and yet, Dean once championed You Don’t Mess With the Zohan, so go figure!). The second half of the show consists of Dean and Phil comparing the years in cinema 1973 and 1974, discussing all the notable films from those two halcyon years, in hopes of determining which year might challenge 1962 as the greatest year in cinema. Finally, your friends in podcasting beam up to the La Sirena to discuss and debate what went right and what went wrong in season one of “Star Trek: Picard”, a show so successful that a big-screen movie version is already in the planning stages.
In the first half of this week’s show, Dean Haglund and Phil Leirness celebrate the lives of several show biz luminaries who shuffled off the mortal coil these past few weeks. They also analyze the list of the 10 best films of the decade according to the legendary Cahiers du Cinema, especially their top choice. Finally, Dean and Phil reveal a newfound opponent to the Department of Justice’s plan to end the Paramount Consent Decree. Then, after a commercial break, your friends in podcasting welcome to the program, lifelong broadcaster and educator Alex Lewczuk of the University of Lincoln in the UK, Siren FM, and Southside Broadcasting. He discusses the past and present of sci-fi, as well as the importance of futurism.
This week’s show is a little more than one day late, but we think it proves worth the wait! Dean gets things started with a “Live Event of the Week” review of Madonna in concert (in Chicago) and a preview of his own Halloween night improv episode of “The X-Files” (in Detroit). In “Celebrity Deaths” the lives and accomplishments of a giant of the U.S. Congress, a country music radio legend, a television creator and a sitcom star are remembered. This leads to a brief discussion of two current television series that are absolute crushing it (the second of which is a must-see for fans of “The X-Files” and which leads to an appraisal of the tone shifts in “The Lone Gunmen”)! A short while back, Dean and Phil dipped their toes into the National Basketball Association’s strained relationship with China and posited that rough days could be ahead for Hollywood in its never-ending quest to open the Middle Kingdom. And that was before Quentin Tarantino got involved! So, this topic gets re-visited and re-examined before Dean and Phil launch into an all-out analysis of the restored “classic”, The Cotton Club Encore.
This week’s installment of YOUR Chillpak Hollywood Hour is a 75 minute, globe-trotting, space-faring, time-traveling adventure. 12 years ago this week, your friends in podcasting were discussing San Diego Comic-Con and “Star Trek”. This week, they are STILL discussing Comic-Con and “Star Trek”! They are also discussing the 50th anniversary of the Moon landing, great space movies, the Emmy nominations, great comedy shows, racism, freedom of speech and binge-watching. If you are going to be in Detroit this week, why not see Dean perform his live improv episode of “The X-Files”?
The Academy Award nominations were announced this week and of the eight films nominated for Best Picture, only five ranked highly with critics (“Roma”, “The Favourite”, “Black Panther”, “BlacKkKlansman” and to a far lesser degree, “A Star is Born”). Only one Best Picture nominee finished in the top ten at the box office (“Black Panther”, which was the biggest hit of the year) and only one other even finished in the top 25 at the Box Office (“Bohemian Rhapsody”). What does it all mean? Only that it’s Dean and Phil’s turn! Your friends in podcasting count down their respective Top Ten Films of 2019 during this week’s 88 minute installment of YOUR Chillpak Hollywood Hour!
This week, we promise that Dean will NOT spend half the show working on home construction while on the microphone! He will regale us with tales of his final iprov comedy performance in Sydney prior to his move back to the USA. Then, your friends in podcasting discuss “Comedians in Cars Getting Coffee”, NBC’s “The Good Place”, Patrick Stewart’s return to “Star Trek”, Q Anon (no, not the villain in “Star Trek: The Next Generation” – at least we think not) before turning their attention to movies. Such releases as Marvel’s Ant-Man and the Wasp the elephant documentary Love & Bananas, the coming-of-age Eighth Grade, the sci-fi mind-bender The Endless, the award hopeful Leave No Trace and the early Denis Villeneuve films Incendies and Enemy all get discussed.
After last week’s outstanding episode, your friends in podcasting keep the movie talk going as they remember Robby Muller, the late great “Master of Light”, perhaps the most important cinematographer in independent cinema over the final 30 years of the 20th Century. Dean and Phil then discuss what it means on those rare occasions when critics like a movie far more than audiences do. It’s common for audiences to like a film more than critics, but who is to blame when critics love a film and audiences HATE it? Your friends in podcasting answer that question before shifting gears into an incredible “Live Event of the Week”. They welcome special guest Zac Greenberg, the composer of The Bradbury Tattoos: A Rock Opera, which premieres this month in Cincinnati courtesy of a National Endowment of the Arts Grant. Based on four Ray Bradbury short stories from “The Illustrated Man (including “Kaleidoscope”, which Dean once starred in on-stage in Los Angeles as part of Sci-Fest L.A.), this sci-fi spectacular promises to be a production like no other! Oh, and make sure to stay tuned following the closing music and announcements for a sensational Easter egg!