A true prodigy, singer-songwriter EmiSunshine earned national attention before she was ten years old. Now, still shy of her sixteenth birthday, EmiSunshine is a skillful and soulful purveyor of the music genre known as Americana. After playing one of her brand new tunes, Dean Haglund interviews her in the first half of this week’s show and she even shares a ghost story! In the second half of the show, Dean reviews Leigh Whannell’s The Invisible Man and Phil shares with Dean a hilarious story about a mutual friend’s adventures in screenwriting. Finally, Dean and Phil celebrate the peerless cinematic legacy of the great Max Von Sydow. Something for everyone? We like to think so!
This week’s epic, 80 minute long show begins with an hilarious update about Phil’s medical adventures before the return of “Live Event of the Week”, where classical music, Dean’s forthcoming live comedy show, and a sordid chapter of the Los Angeles Breakfast Club’s history get discussed. Then, the Chillpak Morgue is opened as character actress Sylvia Miles, heiress Gloria Vanderbilt and Jim Pike, lead singer of famed 60’s vocal group The Lettermen, are remembered in “Celebrity Deaths”. And speaking of “Lettermen”, David Letterman has returned to Netflix with season 2 of his series “My Next Guest …” Phil raves about an episode featuring Ellen DeGeneres, on that boasts a cameo by Clint Eastwood, which gets Phil thinking about Clint’s acting career. HIs films Where Eagles Dare and The Bridges of Madison County get discussed. And those are far from the only movies Dean and Phil discuss. They re-examine the classic Hong Kong actioner The Killer on its 30th anniversary. They also analyze the recent box office failures of several previously unassailable cinematic franchises and offer suggestions of what franchise producers and studios can learn from the success of the Marvel Cinematic Universe, as well as from the John Wick and James Bond series of films.
Phil is back from Washington, D.C. with stories of the 75th anniversary of D-Day, Civil War Re-enactments, and high school baccalaureates. Dean is back from X-Fest 2, which was like a high school reunion for him, “X-Files” style. He has tales of being reunited with his fellow “Lone Gunmen” with “Spender”, with “Krycek” and with Frank Spotnitz. He also discusses Legos and his graphic novel as well as future plans to explore Chicago. Then, actress-singer-producer-activist Chase Masterson joins Phil for part 1 of their conversation.
Dean previews this weekend’s X-Fest convention all about “The X-Files”, and discusses the latest on his streaming comedy series “Gravity Hole”. In “Celebrity Deaths”, Dean and Phil celebrate the great singer Leon Redbone, the last of the Mohawk code talkers from World War II, and the socialite whose conviction and subsequent acquittal of murder formed the basis of the Oscar-winning Reversal of Fortune. Phil hips Dean to the breaking news about the Canadian genocide of indigenous women, and they commiserate over the latest mass shooting in the USA. They share an email about the (non-existent) Bowling Green Massacre. They assess the current state of movies in theaters, on HBO, via Netflix, and more, especially through the prism of reviewing two new comedies, a western revival, and one of the longest-developing projects in recent Hollywood history. Because next week’s show might be a mostly a pre-recorded interview, this week’s show is an extra 12 minutes long, offers something for almost everyone, and is jam-packed full of podcasty goodness!
In many ways, this week’s show is a sequel to last week’s episode #534, with the promised celebration of Jeanne Moreau’s life and career, an email from a listener about Tom Jones’ “The Young New Mexican Puppeteer” and more from the British Film Institute List of “the 50 films you should see by the age of 14”.
Unlike most sequels, however, this show is even more irreverent, insightful and informative than last week’s!
The festivities commence with a clip of Dean on Australian television telling a (bestiality?) joke, and then after a special opening (a tribute to Glen Campbell), Dean comes out guns blazing, ranting about the internet speeds of his adopted land. After Phil calms him down, they discuss the news of David Letterman’s new show, they urge people to save the Salem Cinema (a jewel of the Pacific Northwest), they talk about an interview they did with the late Jim Marrs and they continue their discussion about the “death of discernment”, this time focusing on an appalling memo crafted by a then member of the National Security Council.
From there, it’s onto “Celebrity Deaths”, where, in addition to the Femme Fatale of the French New Wave and Glen Campbell, your friends in podcasting remember a Tony-winning star of Broadway’s “The Music Man”, the star of an early television western series turned right-wing anti-government activist, and the man inside the Godzilla costume.
Finally, Dean and Phil discuss a 1982 Australian western, a 1954 western that influenced the likes of Sergio Leone and Sam Peckinpah, the original King Kong, and the Will Rogers comedy Life Begins at 40.