Last week, Dean and Phil discussed the ten films nominated for the Best Picture Oscar, the ten films released in 2022 that earned the most revenue at the domestic U.S. box office, and the ten (or twelve) or so films the critics have come to consensus on as the best of the year. This week, it’s Dean and Phil’s turn! They will revel their Top Tens, as they count down what might be the films they consider the best, the most groundbreaking, the most important, or just their favorites of the year. 

Recorded late last week from a certain “historic building in downtown Los Angeles”, this episode begins with Phil doffing his cap about what Dean got right in discussing Sarah Polley’s Women Talking a few weeks back AND wagging his finger at what Dean got wrong while discussing Netflix’s “Wednesday” this past week. Phil then hails Joel de la Fuente (of “Man in the High Castle” and most recently “The Mysterious Benedict Society”) as his favorite actor. At that point, Dean and Phil switch gears for a show ten years in the making, analyzing the just-released, decennial Sight and Sound poll of all-time greatest films! What Dean and Phil were expecting and what surprised them leads to what promises to be an ongoing conversation about re-contextualization and the importance of learning how works of art resonate with different groups and different cultures.

After another hilarious cold open, Dean and Phil briefly discuss the actors George C. Scott and William Shatner, the time their careers intersected, and how memory might have played a role in their careers. Then, it’s a deep dive into the careers of two of the most accomplished screen stars of the 2nd half of the 20th Century: Marlon Brando and Jack Lemmon! Some of the greatest movies, filmmakers and writers take their turns in the spotlight, as do several overlooked or under-appreciated gems!

Dean and Phil start the show by answering a question they posed last week about The NeverEnding Story. A question about Dean’s painting leads into a deep-dive discussion about scheduling, energy management, and the time of transition in which we all find ourselves. In “Celebrity Deaths”, a character actor-turned-acting instructor gets remembered, as does a true renaissance man known primarily for playing gangsters! Olivia Newton-John’s career also gets examined at great length, including her starring role in a 1970 science-fiction film and how history could have been different had that film been a hit. Phil is more than a little bit grumpy about a “Live Event of the Week” and he and Dean wonder if Amadeus might be the most mediocre movie ever to win Best Picture. Mediocrity itself is discussed as a business model, and Netflix is in the crosshairs!

Dean and Phil knew they were going to be celebrating the career of the great actor and star James Caan on this week’s show and then the floodgates opened, with many beloved character actors exiting the stage, so after a brief and hilarious cold open, Season 3 Episode 23 begins with “Celebrity Deaths”. Then, the whole concept of “celebration” as a lost “art” gets explored, before your friends in podcasting use it as a springboard to discuss several current television series and a handful of truly brilliant performances. The big screen will not be ignored either, as the cinematic output of Edgar Wright gets examined through the prism of his recent ghost story (Last Night in Soho) and a baseball comedy classic from the 1970s gets revisited.

This week, Dean and Phil discuss a limited television series about the making of “The Godfather”, Season 3 of Amazon’s “The Boys”, the new AMC series “Dark Winds”, and whether Dean was ever in an episode of “Lonesome Dove”. Phil’s travels to Turlock get talked about, as do lava rocks, the recent planetary alignment, Lily’s final week as president of The Los Angeles Breakfast Club, safety (or “warning”) art, and Braille Institute’s Braille Challenge. Your friends also respond to emails, tweets and texts from loyal listeners like you (yes, you!), pertaining to such topics as Kim Novak, the oft-discussed Skidoo, Jean Harlow, whether last week’s episode was a paid advertisement, and “Celebrity Deaths”.

Dean starts the show by talking about shoveling his driveway. Phil talks about location scouting and chasing trains. Then, they roll up their sleeves and in “Celebrity Deaths”, they remember 8 actors and 1 legendary studio exec turned producer who was responsible for some of the greatest and most beloved films of the past 45 years. Speaking of great films, two of this year’s fascinating and inspiring nominees for Best International Film will get appraised. So, will the franchise prequel A King’s Man. This weekend’s Directors Guild Award-winner, Jane Campion, gets the last word with an epic takedown of Sam Elliott in the wake of his unfortunate commentary while a guest on Marc Maron’s podcast.

On this week’s episode, Dean and Phil pick up right where they left off last week when they were discussing the SAG Award winners. Specifically, they will analyze what the foreign-language “Squid Game” winners tell us about the ways Americans in general (and younger generations in particular) consume their entertainment and their openness to subtitles. This conversation continues with a review of the multiple Academy Award-nominated Norwegian film The Worst Person in the World. Other nominated films get reviewed, including Coda, and the 1961 classic Judgment at Nuremberg gets reappraised. The box office triumph of The Batman and what it might mean for movie-going gets examined. An awards season controversy and what it means for the Best Picture odds of The Power of the Dog get dissected. Dean offers up a BBC Series recommendation. Finally, in “Celebrity Deaths”, one author, three musicians, and the “Freddy Krueger of Magic” get remembered.

You might not know the name Don Phillips, but you will definitely know the names of many the performers whose careers he launched as a casting director, and the films with which he was involved. He is one of four cultural titans that Dean and Phil remember in “Celebrity Deaths” on this week’s show, including a poet and founder of the mythopoetic men’s movement, an iconic Broadway composer, and a trombonist who received the highest honor ever bestowed on jazz musicians. Dean will update us on the latest in his bout with Covid-19, his travel plans, his live ghost hunts and his “Hellacious Renovations”. Phil will regale us with his birthday adventures, his deep dive into historic movie locations, and his exploration of the Manzanar “War Relocation Center”. Several movies will get analyzed as well, including a Kurosawa classic ripe for a modern-day remake, a film noir with a claim to the best dialogue of any movie ever, and a current box office hit that begs the question, “Does bustin’ make Dean & Phil feel good?”

Your friends in podcasting are celebrating 100 episodes of broadcasting! That’s right, this is their 100th episode since moving their franchise to Odysy Radio! Dean and Phil celebrate this milestone by sharing personal stories of on-set safety in the wake of the emerging details behind the fatal shooting on the set of Rust. They discuss society’s need for “instant eulogies” in the wake of another friend’s death. They discuss the latest news on the big-screen Dune and review the latest from Wes Anderson. All that, plus the return of the “Live Event of the Week”! Finally, Clint Eastwood is celebrating 50 years as a filmmaker, and Dean and Phil get in on the action by “programming” a “Directed by Clint Eastwood” film festival – 5 double features you might want to watch!