This week’s episode picks up where last week’s show left off with a deep dive into Charles Laughton’s 1955 masterpiece The Night of the Hunter the ending to which Dean greatly misunderstood. In fact, a special guest stops by to help explain the ending and to discuss the film through the prisms of expressionism, surrealism and absurdism. Then, Dean, Phil, and (frequent collaborator) Jon Lawlor discuss several filmmaking and film distribution and film marketing topics pertaining to Paul Thomas Anderson’s One Battle After Another. In 1964, the United Nations produced four movies for television. One of them featured an all-star cast and a script by Rod Serling. Carol for Another Christmas gets discussed. Finally, the recent conversation the gents had about Carl Theodore Dreyer’s The Passion of Joan of Arc inspired a thoughtful email from a loyal listener.

Your friends in podcasting have a great deal on their minds … Cold weather in the nation’s capital, the hell of home renovations, fire and long-term unhealthful air and the Olympics in Los Angeles … And they discuss it all on this week’s show. They also remember the late David Lynch, suggesting that no artist has ever loved Los Angeles more than he did. They discuss the latest in the Justin Baldoni-Blake Lively (and now Ryan Reynolds!) lawsuits, and this leads to a discussion of the “abuser’s playbook”. The programming glories of the Detroit Film Theater (at the Detroit Institute of Arts) and the Renzo Piano-designed Academy Museum (at the L.A. County Museum of Art) get celebrated and lead to a discussion about “old school” wide-screen filmmaking, and big screen “pacing”, as well as cyber punk and yacht rock! Finally, analysis will be directed onto the Directors Guild and Producers Guild awards nominations and what they portend for this week’s Oscar nominations. Oh, yeah, and the show opens with an epic Dean Haglund meltdown!