Phil is back from Fort Worth, Texas, and has a Logan’s Run location story to share with Dean. Phil also regales Dean with the story behind a delicious cocktail at the Grand Hotel in Oslo (named in “honor” of pop icon Madonna). Dean and Phil try to make sense of Jon Voight’s plans to “save” Hollywood and how the President seized on those plans while probably misunderstanding them completely and/or intentionally. Meanwhile, “Sinners” might end up affecting real change in the film business and your friends in podcasting will discuss how. One of the all-time great actors, William Holden, and one of the all-time great actresses, Barbara Stanwyck, get discussed through the prism of two films: Executive Suite and Stella Dallas, and THE all-time greatest film (according to the 2022 Sight and Sound poll) also gets analyzed. This film is celebrating its 50th anniversary and so the conversation turns to other films of the era, including, perhaps, the greatest of all Francis Coppola films (and no, we’re not talking about The Godfather Part II).

Phil is in Los Angeles, Dean is back in home in Detroit (or its environs) and normalcy is restored on this week’s show. Dean offers up his final thoughts about Lisbon, shares the status of his ongoing home renovations, and weighs in on the in-flight movies he availed himself of: John Woo’s remake of his own The Killer and a zombie dog horror film from South Korea. Phil weighs in on a once-great television series that has jumped the shark and a great spy film from Steven Soderbergh that is meeting with box office failure. The state of the box office, film distribution, and what can be done to fix all of it gets analyzed. Then, in “Celebrity Deaths” two great character actors, two chart-topping music-makers, a heavyweight champion turned grillmaster, and a philanthropist who championed architecture all get remembered.

The best thing about being podcast-only (again) is that for the first time in years, Dean and Phil can produce shows of whatever length tickles their fancy. Indeed, this week’s Chillpak Hollywood Hour gives you more than 10% more “hour”! The show begins with a cold open, wherein Phil reveals that he is not the only filmmaker who gets upset when other filmmakers don’t follow the rules they themselves have set up for a particular movie. In this instance, it’s Quentin Tarantino taking a much-loved modern horror classic to task. Then, Phil briefly revisits his recent travels to Catalina and Dean’s forthcoming travel plans, revealing that Dean has added a NYC trip to the mix in order to see a little-known, conceptual gem of a gallery. Phil previews where he will be spending Independence Day this year, and how a re-watch of Jim Jarmusch’s early classic Mystery Train has him jazzed to visit Memphis (and Graceland!) again this November. Standing ovations at Cannes, the impending financial train wreck that is Kevin Costner’s multi-part big-screen Horizon: An American Saga, and Denis Villeneuve’s Dune: Part Two all get discussed. Phil then reveals the latest news regarding a potential defamation lawsuit against Netflix and “Baby Reindeer” and explains why he is willing to now give the show and its creators the benefit of the doubt. After discussing the brilliance of actor Dabney Colemna and how Phil once ruined a birthday party for the 9 to 5 star, the “Funniest Man in America” and a groundbreaking recording engineer get remembered before “Celebrity Deaths” turns into a quiz testing Dean’s cultural/show biz literacy. Finally, after a brief musical interlude, Dean re-joins the festivities, this time from London, where he files a “boots on the ground” report. Phil concludes by previewing next week’s show, including an extraordinary adventure he took to the Integratron!

Dean and Phil discuss the death of a genuine L.A. icon, the changes sweeping thru Phil’s beloved neighborhood, the “right” time to move, a TCM podcast about Peter Bogdanovich, his film Saint Jack, workplace safety on the films of Roger Corman and more thoughts on the recent releases The Last Duel and Nightmare Alley. All that, plus they celebrate the lives and legacies of a Nashville broadcasting giant, the “singer of the millennium”, a rock music superstar, three actors, a beloved comedian, a groundbreaking fashion maverick, and two historic figures from the world of sports.

It’s Halloween season, so this week, Dean and Phil will get into the spooky spirit of things by celebrating “All of the Them Witches” – programming a dream film festival of witch-themed double-features! Of course, there is a ton of spooky, unsettling and downright terrifying show biz news for them to cover as well, including the potential resolution of the IATSE conflict with the AMPTP prior to almost all film and television productions getting shut down, the messy publicity slaughterhouse that continues to ensue following Dave Chappelle’s “The Closer” and Netflix CEO Ted Sarandos’ response to it, and a little bit of “inside” info regarding Marvel’s Black Widow. All that, plus really good box office news and a pioneering animator, a chart-topping bassist, and a best-selling YA novelist get remembered in “Celebrity Deaths”.

After their most drunken episode ever, this week’s show finds Dean back in the Detroit suburb of Birmingham and Phil in the Los Feliz neighborhood of Los Angeles. Thanks to an email from a loyal listener and frequent collaborator, they will be revisiting a discussion of Wu Tang Clan from two weeks ago. And thanks to developing news, they will follow up on last week’s discussion of the movement to remove tributes to D.W. Griffith’s legacy in Hollywood. There will be further analysis on the state of the box office in the U.S. and there will be reviews of two new movies: The comedic DC comic book actioner “The Suicide Squad” and a feature documentary about AND photographed by Val Kilmer. Yet another “Night Court” star will get remembered in “Celebrity Deaths”, along with the actress daughter of an iconic filmmaker, an award-winning folk music star, and a beloved cast member of TV’s “Sherlock”. Plus, we still have many celebrity death memories (of a Clint Eastwood collaborator, a legendary voice actor, and a best-selling sci-fi author) recorded during last week’s red wine bacchanal that we include at the end of this week’s show!

Phil is back from exploring the east coast of the USA. Dean has been in Los Angeles, celebrating his birthday. You can join them poolside atop a certain “historic building in downtown Los Angeles” for big laughs, a lot of wine, and attempted conversations about Dean’s birthday, the joys of Maine, an awesome bookstore, the influence Jack Benny had a on a great law professor, the movement to tear down a possibly racist monument in Hollywood, Dean’s new show about haunted house renovations, Scarlett Johansson’s lawsuit against Disney and “sexy Joe Namath”.

Following a “cold open” all about another of Dean’s all-time favorite episodes of “The X-Files”, Dean and Phil open their mailbag to answer questions from listeners like you (yes, YOU!). One email concerns why actor Nicholas Lea never appeared on the spin-off series “The Lone Gunmen” and whether Dean would ever join the internet service “Cameo”. Another is from friend of the show Yoshi Kato, who can’t quite remember whether his friends in podcasting have ever done a show about their favorite movie musicals. They have. And episode #497 is once again available for listening pleasure! Finally, loyal listener and good buddy, Greg Vincent, asks a very compelling question about Blade Runner 2049. Dean offers up a brief review of A Quiet Place Part II, Phil offers up a surprisingly glowing review of Birds of Prey (and the Fantabulous Emancipation of One Harley Quinn) before launching into an analysis of the head-scratching financial reality of the D.C. Extended Universe. Finally, “The Mod Squad” star Clarence Williams III and 80s “video vixen” Tawny Kitaen get remembered in “Celebrity Deaths”.

From the inner space of quiet, self-quarantine lockdowns, to the outer space of “Star Trek: Picard”, Dean Haglund and Phil Leirness take you on quite the journey this week! It starts with their latest observations about themselves and others in the wake of another week of isolation. Sadness, quiet and dehumanization are on the thematic menu! They then compare notes on their respective Easter celebrations, which leads to a discussion of a couple of classic musicals: 1934’s Fred Astaire-Ginger Rogers vehicle The Gay Divorcee and 1948’s seasonal staple Easter Parade, starring Astaire and Judy Garland. The recent, modern classic, Uncut Gems gets championed by Phil, who tries to get Dean to overcome his trepidation surrounding Adam Sandler performances (and yet, Dean once championed You Don’t Mess With the Zohan, so go figure!). The second half of the show consists of Dean and Phil comparing the years in cinema 1973 and 1974, discussing all the notable films from those two halcyon years, in hopes of determining which year might challenge 1962 as the greatest year in cinema. Finally, your friends in podcasting beam up to the La Sirena to discuss and debate what went right and what went wrong in season one of “Star Trek: Picard”, a show so successful that a big-screen movie version is already in the planning stages.

Those of you who have been longtime listeners know that Dean Haglund and Phil Leirness have a lot of practice in trying to make sense of a world seemingly gone wild, and having witnessed them do that for almost 13 years on YOUR Chillpak Hollywood Hour, you know that they can bring insight, irreverence and the inspirational no matter the circumstances. On this week’s show, they will discuss how they had apparently been preparing to be on lockdown for a year or more, what they have witnessed in the wake of Covid-19’s rapid spread and what’s right about it all. They will discuss the potential future impacts on movies and television. They will discuss what they have been watching of late. They will remember a great comedic TV actor, an Oscar-nominated actor, a ground-breaking radio host, and a trailblazing playwright. Oh, yeah, and they have a fascinating discussion analyzing the marketing of a Matthew McConaughey movie that bombed in 2019!