Welcome to part one of a two-part installment of YOUR Chillpak Hollywood Hour wherein Dean and Phil will discuss the best in cinema of the year 2023. This is no ordinary “Top Ten” show. Ultimately, dozens of films and just as many topics will get explored. This week’s show actually begins with discussion of atmospheric rivers, of spreading a loved one’s ashes, of comparisons between the original Cape Fear and the Martin Scorsese remake, and the beloved athlete-turned-actor Carl Weathers gets remembered. Then, before setting their sights on the cinematic year that was, your friends in podcasting (and broadcasting) examine something last week’s guest (Luke Y. Thompson) said about what an all-time great year for movies 1999 was. It turns out he could not have been more right, and so Dean and Phil wonder, when looking back at 2023 many years hence, will it be as impressive as 1999 is now in the rearview mirror? That serves at the springboard into discussions of Wim Wenders, editing, Imax, and such films as Anselm, Perfect Days, Napoleon, Cocaine Bear, A Haunting in Venice, Oppenheimer and Mission: Impossible – Dead Reckoning Part One. And, of course, the best thing about this week’s show is that it is “to be continued …”!
Welcome to a truly great episode and it all starts with an alternately touching and hilarious cold open! In “Celebrity Deaths”, Dean and Phil remember a jazz music pioneer, an actor who was an important influence on Dean, and a versatile, prolific, Oscar-winning filmmaker. Last week’s Oscar nominations get analyzed, as does the ensuing anger surrounding supposed “snubs”. After the break, the great film critic Luke Y. Thompson joins the fun, discussing how critics, like performers, can get “pigeon-holed”. He offers up thoughts on the Oscar-nominated The Zone of Interest and the underrated Beau is Afraid, and hips you to a black and white sci-fi comedy that is well worth your 68 minutes! He even talks about toy reviews and toy photography! And trust us, this episode offers a lot of laughs! Find links to all of Luke’s articles and reviews at https://linktr.ee/lytrules. And learn about his work as a toy collector, photographer and reviewer at https://www.eql.com/media/adult-toy-collecting
Is Dean’s Detroit-adjacent neighborhood of Birmingham, Michigan, a winter wonderland? What are bath bombs? What is conveyor belt sushi? These are just some of the pressing questions answered by your friends in podcasting (and broadcasting) at the outset of this week’s show, before they get down to the business of remembering a founding member of Moody Blues and Wings, an Emmy-winning TV cop, a 1960s TV star-turned-casting director, a big screen star of British cinema, an award-winning Canadian filmmaker, and a wonderful character actor (and friend of Dean’s) in “Celebrity Deaths”. Then, Dean and Phil roll up their sleeves and dig deep into Ridley Scott’s Napoleon, the brand new Wonka, Godzilla Minus One and Martin Scorsese’s Killers of the Flower Moon.
This week marks the 4th anniversary of YOUR Chillpak Hollywood Hour moving to live broadcasts, which you can find Monday night’s at 9 pm Eastern on Subspace Radio (http://subspace.radio) and the I Heart Radio app. Dean & Phil celebrate this milestone by bringing back the “Live Event of the Week” (involving Phil scaring children!), “Celebrity Deaths” (wherein an award-winning filmmaker, a legendary actress, a groundbreaking television creator, a Louisiana music treasure, and one of the all-time great cinematographers all get remembered), and “What We’re Reading” (including what Phil is most definitely NOT reading)! In addition to all that, the deaths of a retired supreme court justice and a former U.S. Secretary of State inspire a conversation about how things have changed, possibly for the worst, while a discussion about the just-started awards season leads to thoughts of how things have changed for the better! Phil has seen at least one film he loved (Cannes-winner Anatomy of a Fall), one film that did not work (Saltburn), and Dean saw The Marvels (which Phil will have none of!).
We hope you enjoyed last week’s special episode celebrating the cinematic legacies of two of Hollywood’s greatest actor/producers – Kirk Douglas and Burt Lancaster. This week is part 2 of that conversation, and covers the years 1960-1990. Some great movies, some horrible but (unintentionally) hilarious movies, and some fascinating stories of acting and filmmaking will get discussed.
This week, year 17 gets underway in style with the first part of a special two-part theme show where Dean and Phil discuss the cinematic legacies of two of the biggest stars of all time: Kirk Douglas and Burt Lancaster. This episode focuses on these famous actor-producers’ careers though the year 1960. And it also involves discussions of many other notable screen artists, from filmmakers like Billy Wilder, to performers like Barbara Stanwyck. So keep those chosen “watchlists” and/or “queues” handy as you will doubtless learn about a title or two (or a dozen) of movies you will want to enjoy or re-visit!
Dean is back from Amsterdam and he and Phil have a lot to discuss! Dean has advice on travel, and has stories about Vermeer, Rembrandt and Heineken. Phil has stories about TCM host (and Czar of Noir) Eddie Muller, and stories about stepping down from his roles at the famed Los Angeles Breakfast Club. Dean and Phil discuss the possible forthcoming writer’s strike in Hollywood and in “Celebrity Deaths” remember the inventor of the game Settlers of Catan, the Oscar-winning production designer of the “Star Wars” and “Indiana Jones” films, an Oscar-nominated character actor and a cartoonist beloved by several generations of fans.
Recorded late last week from a certain “historic building in downtown Los Angeles”, this episode begins with Phil doffing his cap about what Dean got right in discussing Sarah Polley’s Women Talking a few weeks back AND wagging his finger at what Dean got wrong while discussing Netflix’s “Wednesday” this past week. Phil then hails Joel de la Fuente (of “Man in the High Castle” and most recently “The Mysterious Benedict Society”) as his favorite actor. At that point, Dean and Phil switch gears for a show ten years in the making, analyzing the just-released, decennial Sight and Sound poll of all-time greatest films! What Dean and Phil were expecting and what surprised them leads to what promises to be an ongoing conversation about re-contextualization and the importance of learning how works of art resonate with different groups and different cultures.
After another hilarious cold open, Dean and Phil briefly discuss the actors George C. Scott and William Shatner, the time their careers intersected, and how memory might have played a role in their careers. Then, it’s a deep dive into the careers of two of the most accomplished screen stars of the 2nd half of the 20th Century: Marlon Brando and Jack Lemmon! Some of the greatest movies, filmmakers and writers take their turns in the spotlight, as do several overlooked or under-appreciated gems!
A cold open about a … melon festival (?!) … inspires a story about racial hostility in Turlock in the early 20th century. From there, Phil is inspired to pick up on a brilliant observation Dean made last week about Mike Nichols’ Working Girl and apply that observation as a potential thru-line for this celebrated director’s career. Alec Baldwin gets into hot water for tweeting support for Anne Heche and Salman Rushdie gets stabbed on-stage right before hailing the USA as the last bastion of freedom of speech. Dean and Phil try to make sense of both of these events. The return of “What We’re Reading” sees Dean learning how to sketch people’s hands and Phil learning what the next World War will be like! In “Celebrity Deaths”, a good friend and frequent collaborator of Stanley Kubrick, a popular and inspiring painter, a legendary French movie star, and the composer of one of the most indelible theme songs of all time all get remembered. Finally, Dean and Phil discuss the finely-tuned instincts Marlon Brando possessed as a great entertainer, and Phil hails the allegorical storytelling on display in Jordan Peele’s Nope.