Because Phil is on the road, tending to family matters, this week’s show was pre-recorded last week and much of the episode is dedicated to discussing two icons: The historic landmarked Mayan Theatre in downtown Los Angeles closed its doors for good on September 14, and the great leading man, filmmaker, and supporter of the arts and the environment, Robert Redford, left the stage on September 16. Dean and Phil do a deep dive into Redford’s career and accomplishments and put his 1974 starring vehicle The Great Gatsby under the microscope. This leads to a discussion of lead characters, often seen as heroes, who suffer the delusions caused by their own fantasies. Such characters include Holly Martins in The Third Man and Rick in Casablanca. The dangers of fantasy prove the perfect segue way to Phil’s thoughts upon finally having watched James Gunn’s Superman. Then to wrap up this jumbo installment of YOUR Chillpak Hollywood Hour, the devilishly haunting, and rather delightfully macabre 1964 suspense picture from Japan, Onibaba gets celebrated.

Phil is hitting the road, but before doing so, he recorded a great deal of material for the next two installments of YOUR Chillpak Hollywood Hour! This week, he and Marc Hershon discuss the following television series: “Your Friends and Neighbors”, “The Studio”, “Alien: Earth”, “Chief of War”, “Peacemaker”, and “Code of Silence”. Dean reveals whether or not he is participating in a Winnipeg-themed art show, and talks about why any nostalgia he has for the city where he grew up is gone. Then, good pal of the show, purveyor of excellent theme songs, and frequent on-air contributor, Jon Lawlor finally weighs in on Spike Lee’s Highest 2 Lowest answering a longtime loyal listener’s question about the movie’s use of music.

In another episode featuring now regular contributor Jon Lawlor (longtime purveyor of excellent Chillpak Hollywood Hour theme songs), Dean tells stories of his ongoing trip back to his hometown of Winnipeg and the workshopping of a theatrical play that was the reason for his trip. He also reveals details of what may, or may not, be a Winnipeg-themed art collection he will be (or might not be) showing at a forthcoming Hamilton, Ontario, art show! Jon and Phil compare notes on the live stage show (“Viva Los Feliz”) in which they both performed last week. Then, the focus turns to Spike Lee’s latest “joint”, a remake of an Akira Kurosawa classic itself based on a novel by Ed McBain (aka Evan Hunter). Particular attention is paid to the cinematography and the music. Finally, it’s time for more Superman discussion, as a longtime, brilliant listener takes Dean and Jon to task for what they “missed” in their scathing reviews of one of this year’s most beloved, and most talked about movies. Oh, and Star Wars: The Force Awakens takes quite a few strays in the process!

This week’s show was recorded several days early because Dean is off to Canada to workshop a new play, to re-visit some of his old, musical stomping grounds, and to prepare for an art show! Phil hosted a live stage show this past week, one that featured such good friends of Chillpak as Lily Holleman and Jon Lawlor. Phil offers a full report in “Live Event of the Week”. An email from a loyal listener about the dangers and responsibility of making historical dramas leads to a fascinating, deeply thoughtful, thorny conversation, one that promises to continue to unfold in the weeks to come. Another friend of the show, Steve Benaquist, drops in to help answer a question from a listener about the current box office smash Weapons before Dean and Phil tackle Marvel’s Thunderbolts* and all of the MCU’s “Phase Five” before turning their attention to the brand small-screen franchise adaptations “Alien: Earth” and “Star Trek: Strange New Worlds”.

It’s the symbolic final weekend of summer 2025 and your friends in podcasting commemorate in style with almost 70 minutes of rich podcasty goodness! They discuss how one of Dean’s all-time least favorite films might become a television series. They discuss how a Todd Haynes period detective film they would have loved to see might just be back from the dead. They discuss how and why Weapons has captured the cultural conversation in a way few movies do any more. They discuss how and why Netflix had the #1 film at the box office, why Netflix didn’t want you to know that, and what it might portend for the future. They discuss the merits of the new Netflix mystery The Thursday Murder Club. They discuss the 1987 classic River’s Edge and the 1949 all-time masterpiece The Third Man. In the return of the “Live Event of the Week”, Pink Martini performs under the stars at the Greek Theatre. In “Celebrity Deaths”, an Oscar-winning composer, a Tejano legend, a chart-topping flugelhorn player, a co-founder of “Derek and the Dominos”, and the jazz singer dubbed “the lady with the million-dollar ears” all get remembered. Finally, Dean and Phil pay tribute to the great Terence Stamp. Happy Labor Day, USA! Happy Monday, everyone else.