Welcome to a very freewheeling episode! It begins with Dean Haglund revealing what he’s watching these days. The action then shifts to a rooftop roundtable discussion with two special guests all about television. “Baby Reindeer”, “The White Lotus”, “Severance”, “Hacks”, “Slow Horses”, “Poker Face”, “The Residence”, the Marvel Studios shows, the “Star Wars” shows and two special recommendations all get discussed. Then, it’s back to Dean as he and Phil reveal what they are reading! Art, essays, liberty, Edgar Allan Poe, AI and Philadelphia all get discussed!

This week’s episode finds Dean Haglund and Phil Leirness in fine form, discussing this year’s Oscar-winning animated feature Flow, how it was made, and why actual cats might be enjoying it! The “Lawsuit of the Week” returns, and it is a rather astounding one involving a once Oscar-nominated filmmaker. Phil and Dean both relate to a recent Substack post by one of Phil’s favorite journalists entitled, “We Are Schrödinger’s Cat”. You will find out why. Dean learns some very cool things about the Helsingør locale where he was married, including about a (rather legendary, though rarely-seen) version of Hamlet entirely shot there and about the World War II “underground railroad” operation run through there! The Scandinavian countries are very much on Phil’s mind. Dean and Phil discuss how high those countries rank on the list of “happiest” countries and how low the USA ranks. Two recent Scandinavian horror films (this past year’s Oscar-nominated The Girl with the Needle and the 2021 supernatural thriller The Innocents) both get reviewed, and the world’s first open-air museum, the Norsk Folkemusuem, gets described. Finally, Phil tips his hat to the success of the just-completed season 3 of “The White Lotus”, while Dean grabs his popcorn and pours his wine and sits down to start season 1!

Coming at you from Venice, Italy, Los Angeles of the 1980s and everywhere in between, this week’s show is a wild pastiche. First, Phil gets the ball rolling from Venice, as he welcomes frequent contributor over the years, Lily Holleman (Leirness), who shares some thoughts about the ancient world capital. Phil issues a warning to anyone who is listening to the show from Los Angeles of the 1980s. Then, after Christopher Walken leads us into the show’s traditional opening, Marc Hershon drops by to discuss both recent television awards, the SNL50 special, and current shows of which you might be well advised to avail yourselves. Then, in the back half, Dean shows up to find out what Phil’s reading, and to share with Phil his advice of the must-see sights and much-do events Venice has to offer.

The first show of 2025 find Dean and Phil in good form and discussing a wide array of topics including the landscape and geography of NY’s Central Park, nature photography, the It Ends With Us controversy and lawsuit, and the near future of motion picture distribution both theatrically and via streaming. The truncated nature of this year’s mad dash Awards Season will get analyzed before the Netflix series “Man on the Inside” gets reviewed. Then, your friends in podcasting roll up their sleeves to re-examine Netflix’s 2018 film The Christmas Chronicles and offer their thoughts on the Ralph Fiennes-Juliet Binoche starrer The Return as well as the brilliant Nickel Boys and the reviled (and misunderstood?) Joker: Folie a Deux. Finally, thoughts regarding the suicide of filmmaker Jeff Baena are offered and Ralph Fiennes closes the show by being very “demure”.

Your friends in podcasting and broadcasting start the show with a “cold open” about some greats of Italian cinema and the genius of Jennifer Coolidge and the cinematographer of “The White Lotus”. Then, after Phil regales with tales of a one-day, 650 mile road trip to Turlock and back, Dean and Phil spend the bulk of the show doing a deep dive into analyzing the year in movies 2022. They take the 10 nominees for the Best Picture Oscar and compare/contrast that list with both the critics’ choices for the top dozen or so films of the year and the top ten box office releases of the year. What emerges is an analysis of the present, and perhaps the near future of moviemaking and movie-going.

On this week’s installment, your friends in broadcasting and podcasting tackle the latest show biz news, including criminal charges in the on-set shooting death of Halyna Hutchins, and the closure of dozens of multiplexes in the Regal Theater chain. Three musicians, two groundbreaking dancers, a legendary broadcaster and two famous jumpsuits all get remembered in “Celebrity Deaths”. Oscar nominations get announced this week, and Dean and Phil offer reviews of no fewer than three current award-hopefuls. All that, plus an all-time classic from Michelangelo Antonioni gets celebrated and a round in the “vintage movie ad” game gets played – this one 75 years in the making!

Dean and Phil get the ball rolling by discussing the most “fun” (?) cities in California. Then they discuss the role film critics play as we emerge from a pandemic. The quality and box office fortunes of The French Dispatch, The Eternals, Last Night in Soho, Dune, Venom: Let There Be Carnage and No Time to Die get analyzed and discussed. Phil sings the praises of a great Japanese film, a legendary Japanese actor, and a charismatic Japanese pop star. Dean sings the praises of Benedict Cumberbatch and his new film about a famous artist. Phil sings the praises of Mike White’s satirical “The White Lotus” and tackles the controversy surround Dave Chappelle’s “The Closer” from a much different angle. Finally, Dean intrigues Phil with his description of Channing Tatum’s Amazon Prime series “Comrade Detective”.