Tag: movie theaters

Chillpak Hollywood Hour – Year 20 Episode 12

Posted on by PHIL19

One episode shy of their 1,000 installment of this show, Dean and Phil jokingly compare notes on the tolls reaching such a milestone have taken. Phil hints at some of his weekend 40th high school reunion adventures, Dean updates the prognosis of his beloved Doberman, Leloo, and previews his own birthday celebrations. Of course, Dean and Phil now produce several different podcasts each week through the “Chillpak Hollywood Presents …” Substack. And last week’s episode of “Celebrity Deaths” resulted in the need to begin with some corrections and/or clarifications! After those, it’s nothing but good news from the world of show biz, including the continued astonishing success of Christopher Nolan’s The Odyssey, the halt (til at least next year) of the Parmount-Warners merger, and the announcement that an iconic Hollywood locale will be reopening in 2028. Finally, Phil sings the praises of the one of the all-time best debut features for any director ever, the heartbreaking and hilarious, sexually explicit, gay biker BDSM film, Pillion, and Dean reveals his early reaction to the new spin-off of “The Big Bang Theory”.

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Chillpak Hollywood Hour – Year 20 Episode 11

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In a truly confusing, but nevertheless hilarious, cold open, Phil offers a correction about “Malta Air”. Thanks to emails from loyal listener and frequent contributor Maurice Terenzio, Dean and Phil have a ball talking about three great actors of Hollywood’s golden age: Joe E. Brown, George Raft and Edward G. Robinson. The big show biz news of the week get discussed: the possible halt to the Paramount-Warners merger and the historic box office success for Christopher Nolan’s The Odyssey. Two new movies get reviewed: The brilliant comedy Stop! That! Train! and the hit Netflix offering Enola Holmes 3. Of course, Dean and Phil continue their ongoing film noir and neo-noir discussion, focusing on the nihilism of the 1970s as depicted in such modern classics as Arthur Penn’s Night Moves and the Paul New man vehicle The Drowning Pool. Finally, colleague Marc Hershon (star of the “Chillpak Hollywood Presents …” podcast Television with Marc Hershon) drops in to help your friends in podcasting come up with ideas for how they can commemorate their upcoming 1,000 episode, and to discuss ideas for Phil’s next movie, a documentary all about improv!

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Chillpak Hollywood Hour – Year 20 Episode 3

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Great theaters and great comedy are on the minds of your friends in podcasting. First, Dean and Phil pat themselves on the backs for taking the time at the beginning of the year to preview the film that ended up winning the Palme d’Or at the just-completed Cannes Film Festival. Then, they finally, after a break of months, return to the Time Out list of the “100 Greatest Movie Theaters in the World”, and share their connections to some of the very top selections. From great movie theaters to one of the most historic live television stages in the world, the Ed Sullivan Theater in New York City, Stephen Colbert’s farewell to the “Late Show” gets analyzed and his return to late night television the very next night in Monroe, Michigan (on Public Access television) gets celebrated. Finally, two of the most legendary comedy filmmakers of all time get compared: Mel Brooks and Ernst Lubitsch. The “Lubitsch Touch” gets explained and the all-time great comedy film To Be or Not to Be gets discussed in fascinating detail.

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Chillpak Hollywood Hour – Year 20 Episode 1

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Welcome to Year 20 (“the year we get it right!”). On this, their overall 988th installment, Dean and Phil really put the “Hollywood” into “Chillpak Hollywood Hour” with showbiz news, analysis, previews and reviews. It starts with a discussion of the long-running series “Supernatural”. Then in the “Lawsuit of the Week” the supposed end of the It Ends With Us lawsuits gets discussed. The surprising details of the SAG-AFTRA deal with the AMPTP get analyzed and the fact that it (most likely) means no labor stoppage for the next four years gets celebrated. Some fascinating rules changes for next year’s Oscars get dissected, and some seemingly terrific, but certainly intriguing, news regarding Greta Gerwig’s “Narnia” movie for Netflix gets hailed. The Cannes film festival gets previewed. As does the American Cinematheque’s Bleak Week festival. Finally, two current theatrical releases get hailed as modern masterworks and the plans for a new episode of “Deep Dive” get finalized.

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Chillpak Hollywood Hour – Year 19 Episode 47

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Phil is in the nation’s capital, and reveals that he really doesn’t understand much about weather at all. Dean is in Birmingham, Michigan, where the ongoing airport delays prevented him from participating in this weekend’s “No Kings” protests. Phil shares with Dean the favorite signs he saw while protesting with his in-laws! Last week, Dean and Phil discussed the 107 year-old Santa Monica Airport, soon to close operations for good and set to become public parkland. Phil regales Dean with tales of one very famous and beloved movie filmed there. This leads to a discussion about built sets that were too big for any studio soundstage to hold. After that, three very disparate, and somewhat unusual, films get analyzed: the recent Japan-set Rental Family starring Brendan Fraser, the 1978 sci-fi schlock movie Starcrash (featuring Christopher Plummer!) and the 2025 faith-based historical fiction family film Sarah’s Oil. Finally, Dean and Phil do more exploring in the Time Out list of the 100 Greatest Movie Theaters in the World RIGHT NOW. Oh, and a belated Happy National Respect Your Cat Day to all who celebrate!

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Chillpak Hollywood Hour – Year 19 Episode 45

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This week’s show begins with Dean and Phil discussing the World Baseball Classic and sharing (and answering) an email from a loyal listener who wanted to celebrate the recent 25th Anniversary of Dean’s series “The Lone Gunmen”. Recorded on Sunday morning before the Oscars (and before the big “Firefly” announcement), the bulk of the discussion surrounds what Dean and Phil are looking for at Hollywood’s big night. They discuss how talented filmmaker and entertaining video host Ryan Casselman might just have devised scientific formulae for “decoding” Oscar voting. The controversy surrounding Timothée Hal Chalamet’s comments regarding ballet and opera get full analysis. Then, five films go under the microscope, including two by classic thriller director Henri-Georges Clouzot, two tales of nuclear paranoia from Oscar-winner Kathryn Bigelow, and the multi-Oscar-winning 1983 classic Tender Mercies.

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Chillpak Hollywood Hour – Year 19 Episode 44

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After comparing notes on their forthcoming respective travel plans, Dean and Phil roll up their sleeves and discuss the 25th anniversary of “The Lone Gunmen” series. Then, in what will be a multi-week exploration, they begin to delve into Time Out’s list of the 100 Greatest Movie Theaters in the World that are still in operation. The movie business is foremost on their minds these days, and they pose some of the big, perplexing questions regarding the possibly sinister and definitely nonsensical merger of Paramount with Warner Bros. Then, because it’s STILL awards season, they tackle the really odd, almost desperate nature of the recent SAG-AFTRA “Actor Awards” on Netflix. As a bonus, you will learn what the following phrases uttered by Dean Haglund in this episode actually mean: “We made the Ramones cry!” and “funky, artisanal whatever”.

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Chillpak Hollywood Hour – Year 19 Episode 41

Posted on by PHIL19

Your friends in podcasting discuss Netflix’s (perhaps misleading) embrace of movie theaters, they celebrate the resurrection of Todd Hayne’s seemingly dead but now forthcoming detective film (with Pedro Pascal replacing Joaquin Phoenix), and an upcoming movie starring Simon Pegg, Sofia Boutella and Quentin Tarantino. Nia DaCosta’s Hedda gets analyzed, as does the Thai comedy A Useful Ghost and the Charlie Chaplin masterpiece Modern Times. More upcoming movies get previewed and the outstanding discodelic soul of Say She She gets celebrated in the return of “Live Event of the Week”.

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Chillpak Hollywood Hour – Year 19 Episode 31

Posted on by PHIL19

On this week’s show, Dean Haglund is finally using a microphone once again. It makes his audio better, to be certain, but somehow it also manages to create several cameo opportunities for his dogs! Don’t let those moments dissuade you, however, as this week’s show is an utterly fascinating conversation between Dean and his longtime co-host Phil Leirness. They go deep, discussing the potential sale of Warner Bros. to Netflix, the life and legacy of perhaps the greatest American architect of all time, Frank Gehry, and the truly spine-chilling lessons we can learn from the Nazis’ film policy.

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Chillpak Hollywood Hour – Year 19 Episode 26

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After a cold open wherein Phil sets the stage, the show gets started in mid-conversation as frequent contributor Jon Lawlor shares some of his thoughts about Aziz Ansari’s Good Fortune. The topic then turns to Paul Thomas Anderson’s 2002 film Punch-Drunk Love with particular emphasis paid to the way Anderson used music while shooting the film. This leads to Dean explaining the ways on-set music would be used in the silent film era, and how something called “click tracks” would be used in animation. In 2022 the great actor Stellan Skarsgard suffered a stroke and yet has been able to continue acting. The ways this has been achieved get discussed. The current heist picture The Mastermind from master filmmaker Kelly Reichardt is foremost in Phil’s thoughts, specifically why, despite universal critical praise, the film is being mostly hated by moviegoers, most of whom have seen it in multiplexes. Phil also shares with Dean and Jon the new set of questions he asks himself, and answers in writing, each night before bed.

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