Because of some crazy travel plans (London! New York! Tokyo!), the next three episodes of YOUR Chillpak Hollywood Hour promise to be unusual even by our standards! This week’s topics include a forthcoming Broadway revival of “Glengarry Glen Ross”, the crazy, big screen experience Megalopolis, the lineage of Longlegs director Oz Perkins (and a bit about one of the film’s stars), and a “smart house” thriller from Canada, Red Rooms. The North American tour of (“the Modfather”) Paul Weller becomes “The Live Event of the Week”. The deaths of master stone carver Simon Verity, best-selling mystery novelist Nelson DeMille, beloved actor James Earl Jones, and the utterly peerless legend of the stage and screen Maggie Smith all get discussed. Art, architecture, mythology, philosophy, movies, television, music and more on this week’s show – in other words, something for everyone, right?

Dean will be heading to Los Angeles this week and plans to deal with a “haunted vacuum”? Paramount Pictures (and its parent company) are for sale. Dean and Phil discuss the ramifications of this. Many great films premiered in competition at the recent Cannes Film Festival. Dean and Phil examine the award-winners. A film festival favorite available now on Netflix is Richard Linklater’s dark romantic comedy Hit Man. Dean and Phil discuss it. Then, they take a deep dive look at three “art house” films of recent vintage and use that dive as the vehicle for exploring the function, importance and failure of critics. The films in question are Joanna Hogg’s ghost story The Eternal Daughter and Jane Schoenbrun’s coming-of-age psychodramas We’re All Going to the World’s Fair and the current theatrical release I Saw the TV Glow.