Dean and Phil have quite the array of topics to discuss, including a recent Marvel film, a Neil Simon comedy from the 1970s, all the big award-winners at the recent Cannes Film Festival, and a director’s cut of Chris Carter’s The X-Files: I Want to Believe. Both the Australian and the American versions of “Laid” get discussed, and art, architecture, history and more get discussed in the return of “What We Are Reading”. Two beloved television stars and a legendary comedian get remembered in “Celebrity Deaths”. Finally, good pal of the show Marc Hershon drops by to offer up two new television show recommendations that both sound awesome!

If you are interested in movies, movie making, or the movie business, you are going to find this week’s show fascinating. Dean and Phil do deep dives into the cinematic delights brought to us by the Marx Brothers, the Canadian films produced under that country’s 100-percent Capital Cost Allowance tax shield for investors, Jon Voight’s plan to save Hollywood and the wildly different reactions to that plan within the industry, the ways the smash hit Sinners might change the economics of the biz, and the just-commenced 78th Cannes Film Festival (including one apparent all-time masterpiece that made its debut as well as a “secret” documentary about the Red Hot Chili Peppers). As if that weren’t enough, your friends in podcasting go overtime to remember two impactful filmmakers, an Oscar-winning makeup artist, a beloved big screen “tough guy”, and a prolific child star of the 1930s and 40s.

Later this week, your friends in podcasting depart for Europe. Last night, the Oscars were held. Last week, one of their dear friends celebrated his 81st birthday, another friend had a brain tumor removed, and another friend died. So, you will forgive Dean and Phil if this isn’t the most polished installment of YOUR Chillpak Hollywood Hour. It IS epic in length, and it is full of the heartfelt, the insightful, the irreverent and even the inspiring. Dean reveals that planning a home renovation a few months before getting married might have been a mistake. The winners of last night’s awards get analyzed both for their historical context and for what they say about the art and commerce of motion pictures right now. Actors Gene Hackman and Michelle Trachtenberg, screenwriter and producer Roberto Orci, singers Robert John and David Johansen, and chess champion Boris Spassky get remembered in “Celebrity Deaths”.

Are Dean and Phil filled with the spirit of the holiday season? This week, we will all find out! They certainly are immersed in the spirit of the Hollywood Awards Season and they discuss the top ten films according to critics, and delve into the top films and performances according to the Golden Globes. They do deep dive analyses of two films – one current award hopeful, and one all-time classic from a true giant of cinema. Then, in the return of “Celebrity Deaths”, a world-famous mentalist, and a big-screen comedy hit-maker get remembered.

Your friends in podcasting have returned from travel adventures and have tales about art galleries in the nation’s capital and jazz clubs in the Big Easy. You will learn more about they year 1874, and more about the Marigny District of New Orleans, than you have ever heard before on this show! Much of this week’s episode involves movie box office news, movie award news, and movie reviews. In fact, two current releases and one recent release get deep-dive analyses: Conclave, Anora, and Longlegs.

Welcome to one of our most cinematic episodes of the year! Dean and Phil talk nothing but movies, doing deep dive analyses of the new Dave Bautista action-comedy vehicle (and tax dodge?) The Killer’s Game, the current Tim Burton-directed smash hit Beetlejuice Beetlejuice, the Michael Keaton-starring vehicle and directorial effort Knox Goes Away, the recent “thriller in six chapters” Strange Darling, this year’s box office disaster The Fall Guy, a 1968 film undone by director Richard Lester’s cynicism (Petulia), and an all-too overlooked classic from director Joseph Losey and leading man Alain Delon (Mr. Klein). Finally, Phil regales Dean with a real-life unsolved murder that involved the late, great Delon.

 

Dean will be heading to Los Angeles this week and plans to deal with a “haunted vacuum”? Paramount Pictures (and its parent company) are for sale. Dean and Phil discuss the ramifications of this. Many great films premiered in competition at the recent Cannes Film Festival. Dean and Phil examine the award-winners. A film festival favorite available now on Netflix is Richard Linklater’s dark romantic comedy Hit Man. Dean and Phil discuss it. Then, they take a deep dive look at three “art house” films of recent vintage and use that dive as the vehicle for exploring the function, importance and failure of critics. The films in question are Joanna Hogg’s ghost story The Eternal Daughter and Jane Schoenbrun’s coming-of-age psychodramas We’re All Going to the World’s Fair and the current theatrical release I Saw the TV Glow.

The best thing about being podcast-only (again) is that for the first time in years, Dean and Phil can produce shows of whatever length tickles their fancy. Indeed, this week’s Chillpak Hollywood Hour gives you more than 10% more “hour”! The show begins with a cold open, wherein Phil reveals that he is not the only filmmaker who gets upset when other filmmakers don’t follow the rules they themselves have set up for a particular movie. In this instance, it’s Quentin Tarantino taking a much-loved modern horror classic to task. Then, Phil briefly revisits his recent travels to Catalina and Dean’s forthcoming travel plans, revealing that Dean has added a NYC trip to the mix in order to see a little-known, conceptual gem of a gallery. Phil previews where he will be spending Independence Day this year, and how a re-watch of Jim Jarmusch’s early classic Mystery Train has him jazzed to visit Memphis (and Graceland!) again this November. Standing ovations at Cannes, the impending financial train wreck that is Kevin Costner’s multi-part big-screen Horizon: An American Saga, and Denis Villeneuve’s Dune: Part Two all get discussed. Phil then reveals the latest news regarding a potential defamation lawsuit against Netflix and “Baby Reindeer” and explains why he is willing to now give the show and its creators the benefit of the doubt. After discussing the brilliance of actor Dabney Colemna and how Phil once ruined a birthday party for the 9 to 5 star, the “Funniest Man in America” and a groundbreaking recording engineer get remembered before “Celebrity Deaths” turns into a quiz testing Dean’s cultural/show biz literacy. Finally, after a brief musical interlude, Dean re-joins the festivities, this time from London, where he files a “boots on the ground” report. Phil concludes by previewing next week’s show, including an extraordinary adventure he took to the Integratron!

We are one week away from our 17th Anniversary and on this week’s show, your friends in broadcasting & podcasting ask for your help in celebrating this milestone! They also discuss a whole lot of movie news and reviews, including the death of a Cannes Palme d’Or winner, the latest on Francis Coppola’s Megalopolis, the return of George Lucas to Star Wars, Steven Spielberg directing a television series based on a script by Stanley Kubrick, the controversy surrounding Taylor Swift’s new album, the meaning of “anti-war” and “anti-violence”, the latest in the Rust on-set shooting prosecutions, the latest terrible twist of fate in the Harvey Weinstein prosecutions, the latest (last?) in Michael Apted’s “Up” documentary series, the cinematic greatness of Jean Cocteau, and a new Japanese classic hitting theaters soon.

After three special theme shows celebrating their 16 years of changing the way people listen to the internet, your friends in podcasting and broadcasting are back doing whatever the heck it is they usually do! Dean and Phil discuss all the news coming out of the Cannes Film Festival and the latest in the ongoing labor turmoil in Hollywood. They discuss art, comedy, and Disneyland. They offer up reviews of three new or recent releases. They celebrate the lives and legacies of a chart-topping singer-turned-actor, the Queen of Rock ‘n Roll, a groundbreaking filmmaker, and an award-winning novelist.