Following a “cold open” all about another of Dean’s all-time favorite episodes of “The X-Files”, Dean and Phil open their mailbag to answer questions from listeners like you (yes, YOU!). One email concerns why actor Nicholas Lea never appeared on the spin-off series “The Lone Gunmen” and whether Dean would ever join the internet service “Cameo”. Another is from friend of the show Yoshi Kato, who can’t quite remember whether his friends in podcasting have ever done a show about their favorite movie musicals. They have. And episode #497 is once again available for listening pleasure! Finally, loyal listener and good buddy, Greg Vincent, asks a very compelling question about Blade Runner 2049. Dean offers up a brief review of A Quiet Place Part II, Phil offers up a surprisingly glowing review of Birds of Prey (and the Fantabulous Emancipation of One Harley Quinn) before launching into an analysis of the head-scratching financial reality of the D.C. Extended Universe. Finally, “The Mod Squad” star Clarence Williams III and 80s “video vixen” Tawny Kitaen get remembered in “Celebrity Deaths”.
It’s the penultimate episode of the Australian Era of YOUR Chillpak Hollywood Hour and your friends in podcasting are offering something for everyone on this particularly nourishing and personal installment. First Dean Haglund shares a bit about what he will miss about being “Down Under” and regales with descriptions of some of his favorite places in Australia. Then, Phil Leirness shares an email from a loyal listener like you (yes, YOU) about editing techniques, a continuation of a discussion about how editing affects actors’ performances that began on last week’s show. Somehow both fascism and democracy get discussed in the context of film editing! From there, Phil celebrates the 25th Anniversary of “The X-Files” by asking Dean about his favorite episodes and who his favorite character is (other than “Langley”, of course). Dean’s answers might just delight you! Then, Dean and Phil weigh in on how the show’s influence is still being felt on television today in shows as disparate as Vince Gilligan’s “Better Call Saul” and NBC’s sitcom “The Good Place”. The final “Lawsuit of the Week” of the intercontinental era is a re-visitation of Shari Redstone’s efforts to re-merge CBS with Paramount and what the failure to do so means for the companies and for their flagship franchise, “Star Trek”. The show concludes with a fascinating discussion of prolific television writer, producer and show-runner Gregory Berlanti’s hit feature film Love, Simon. The film’s themes are celebrated, and what the film’s style says about the state of, and future of, big-screen storytelling is questioned.