Following a “cold open” all about another of Dean’s all-time favorite episodes of “The X-Files”, Dean and Phil open their mailbag to answer questions from listeners like you (yes, YOU!). One email concerns why actor Nicholas Lea never appeared on the spin-off series “The Lone Gunmen” and whether Dean would ever join the internet service “Cameo”. Another is from friend of the show Yoshi Kato, who can’t quite remember whether his friends in podcasting have ever done a show about their favorite movie musicals. They have. And episode #497 is once again available for listening pleasure! Finally, loyal listener and good buddy, Greg Vincent, asks a very compelling question about Blade Runner 2049. Dean offers up a brief review of A Quiet Place Part II, Phil offers up a surprisingly glowing review of Birds of Prey (and the Fantabulous Emancipation of One Harley Quinn) before launching into an analysis of the head-scratching financial reality of the D.C. Extended Universe. Finally, “The Mod Squad” star Clarence Williams III and 80s “video vixen” Tawny Kitaen get remembered in “Celebrity Deaths”.
No broken finger can keep Dean Haglund from joining Phil Leirness for another brand new installment of YOUR Chillpak Hollywood Hour! This week, your friends in podcasting talk about what they miss because of Covid-19 (and are certain to be missing for the rest of this year at least). Dean and Phil then explain why there might not be many new movies or television shows for a long while. They will, however, discuss several recent titles like Cats, Alita: Battle Angel and It Chapter Two as well as several under-appreciated, vintage gems like John Frankenheimer’s Seconds, Samuel Fuller’s The Crimson Kimono and the jazz adaptation of “Othello” All Night Long. Plus, Phil has harsh criticism for a couple beloved musicals from the 1950s! In “Lawsuit of the Week”, Dean and Phil discuss a courtroom victory for Jerry Seinfeld. Then, following a mea culpa from Dean about an error made on last week’s show, the Chillpak Morgue opens for “Celebrity Deaths” where a glass ceiling-shattering broadcaster and a world-class independent filmmaker and director of top television are remembered. Finally, Phil shares a story about perhaps the greatest phrase ever uttered before death.