This week, Dean and Phil discuss a limited television series about the making of “The Godfather”, Season 3 of Amazon’s “The Boys”, the new AMC series “Dark Winds”, and whether Dean was ever in an episode of “Lonesome Dove”. Phil’s travels to Turlock get talked about, as do lava rocks, the recent planetary alignment, Lily’s final week as president of The Los Angeles Breakfast Club, safety (or “warning”) art, and Braille Institute’s Braille Challenge. Your friends also respond to emails, tweets and texts from loyal listeners like you (yes, you!), pertaining to such topics as Kim Novak, the oft-discussed Skidoo, Jean Harlow, whether last week’s episode was a paid advertisement, and “Celebrity Deaths”.

Although summer hasn’t officially begun in the northern hemisphere, it sure feels like it has what with Dean and Phil discussing Dean’s new sandbox and the state of the summer box office! Not only that, but there’s a message from Agent Summer (“Summer” – get it??) that gets discussed! An on-air production meeting yields an outstanding idea for a future show all about movies, while on this week’s show, such movies as Otto Preminger’s The Man with the Golden Arm and Skidoo, the time travel movie Timerider: The Adventure of Lyle Swann, the World War II classic Thirty Seconds Over Tokyo, and the wizarding world entry Fantastic Beasts: The Secrets of Dumbledore all get discussed. Such popular performers as Kim Novak, Van Johnson, Jude Law and Jessica Williams get discussed as well. Plus, loyal listener Maurice Terenzio shares a great story about the wonderful character actor Richard Kiel. On the small screen, Phil offers up a mea culpa on “Hacks” season 2, and he and Dean share a message from friend of the show Mattie Giles all about “Station Eleven” and “Made for Love” on HBO Max, “The Book of Boba Fett”, season 2 of “Picard”, and the brand new “Strange New Worlds”. Finally, the return of “Lawsuit of the Week” focuses on Johnny Depp, Amber Heard, defamation, libel, toxic relationships, social media reactions and the cycles of abuse and violence.

It’s Halloween season, so this week, Dean and Phil will get into the spooky spirit of things by celebrating “All of the Them Witches” – programming a dream film festival of witch-themed double-features! Of course, there is a ton of spooky, unsettling and downright terrifying show biz news for them to cover as well, including the potential resolution of the IATSE conflict with the AMPTP prior to almost all film and television productions getting shut down, the messy publicity slaughterhouse that continues to ensue following Dave Chappelle’s “The Closer” and Netflix CEO Ted Sarandos’ response to it, and a little bit of “inside” info regarding Marvel’s Black Widow. All that, plus really good box office news and a pioneering animator, a chart-topping bassist, and a best-selling YA novelist get remembered in “Celebrity Deaths”.

It’s the penultimate episode of the Australian Era of YOUR Chillpak Hollywood Hour and your friends in podcasting are offering something for everyone on this particularly nourishing and personal installment. First Dean Haglund shares a bit about what he will miss about being “Down Under” and regales with descriptions of some of his favorite places in Australia. Then, Phil Leirness shares an email from a loyal listener like you (yes, YOU) about editing techniques, a continuation of a discussion about how editing affects actors’ performances that began on last week’s show. Somehow both fascism and democracy get discussed in the context of film editing! From there, Phil celebrates the 25th Anniversary of “The X-Files” by asking Dean about his favorite episodes and who his favorite character is (other than “Langley”, of course). Dean’s answers might just delight you! Then, Dean and Phil weigh in on how the show’s influence is still being felt on television today in shows as disparate as Vince Gilligan’s “Better Call Saul” and NBC’s sitcom “The Good Place”. The final “Lawsuit of the Week” of the intercontinental era is a re-visitation of Shari Redstone’s efforts to re-merge CBS with Paramount and what the failure to do so means for the companies and for their flagship franchise, “Star Trek”. The show concludes with a fascinating discussion of prolific television writer, producer and show-runner Gregory Berlanti’s hit feature film Love, Simon. The film’s themes are celebrated, and what the film’s style says about the state of, and future of, big-screen storytelling is questioned.