Dean and Phil discuss the fallout from Paramount supposedly closing the deal to acquire Warner Bros. and its assets. They celebrate the feat that Richard Linklater became the first-ever American filmmaker to achieve this week. They review three new genre films: a horror sequel (28 Days Later: The Bone Temple), an homage/deconstruction of 1960s Eurospy movies (Reflection in a Dead Diamond), and a sci-fi comedy that gives genuine 1980s “feels” (Good Luck, Have Fun, Don’t Die). They revisit the much-loved “classic” Field of Dreams. In honor of Dean’s first wedding anniversary that takes place this month, Phil offers previews of two forthcoming cinematic marriage stories. Finally, the big casting news for the reboot of “The X-Files” gets analyzed.

Dean and Phil follow up on last week’s awesome show by discussing more about “Hollywood accounting” and how in show biz the “bottom line” is often NOT the bottom line! Last week, while discussing the box office struggles of the brand new In the Heights, Dean and Phil were inspired to look back at two dance films based on the same craze that opened on the same day many years ago, one of which boasted a music score from Phil’s frequent collaborator, Greg De Belles. Greg composed the score for Phil’s Karl Rove, I Love You and for Dean and Phil’s The Truth Is Out There and The Lady Killers. Greg died on Friday, and Dean and Phil speak of their immensely talented friend. Of course, the box office struggles continue, so Dean and Phil discuss how a Pixar movie might have been able to change everything. That leads into a deep dive into Disney +, the movie Soul, the miniseries “WandaVision” and the episodic series “The Mandalorian”. There is also a lot of talk about painting, from the advice given by the great Leigh McCloskey to the thematic approach of the Barbizon school of artists and the brilliance of Julian Schnabel’s Van Gogh film At Eternity’s Gate. Finally, Dean and Phil celebrate the careers of an Oscar-nominated character actor and a beloved sitcom actor and director.