Dean and Phil discuss the fallout from Paramount supposedly closing the deal to acquire Warner Bros. and its assets. They celebrate the feat that Richard Linklater became the first-ever American filmmaker to achieve this week. They review three new genre films: a horror sequel (28 Days Later: The Bone Temple), an homage/deconstruction of 1960s Eurospy movies (Reflection in a Dead Diamond), and a sci-fi comedy that gives genuine 1980s “feels” (Good Luck, Have Fun, Don’t Die). They revisit the much-loved “classic” Field of Dreams. In honor of Dean’s first wedding anniversary that takes place this month, Phil offers previews of two forthcoming cinematic marriage stories. Finally, the big casting news for the reboot of “The X-Files” gets analyzed.

It’s part one of a special two-part episode! After a rather hilarious cold open, Dean and Phil immediately get down to the serious (ridiculous?) business of counting down their respective lists of the Top Ten Best Films of 2025. This week, they reveal #10 thru #6 on their lists. As with years past, Dean’s list includes films he has hopefully seen, and Phil’s list stretches the definition of “ten” in “Top Ten”. Because they actually accomplish this week’s task in less than an hour, Phil takes some time at the end to regale Dean with what might be the best sci-fi movies to be coming out in 2026! So, buckle up and prepare to celebrate the (recent) past AND look forward to the (near) future.

On the eve of the Golden Globes, Dean and Phil got together via Zoom with the Best of 2025 very much on their minds. They discuss the recent Directors Guild and Screen Actors Guild award nominations. They discuss why the Writers Guild awards pale in significance compared to the DGA and SAG. That leads to a review of the multi-Golden Globe nominated, but WGA-ineligible South Korean dark comedy No Other Choice from writer-director Park Chan-wook, and his co-writer Don McKellar, as well as to a discussion of some Park Chan-wook movies from the past that Dean and Phil hope to track down. From one dark comedy to another, Phil and Dean then tackle Ari Aster’s Eddington before cleansing their palate with the utterly delightful Nouvelle Vague from Richard Linklater. Finally, the CNN documentary “I’m Chevy Chase and You’re Not” gets analyzed before Dean and Phil set aside fifteen bonus minutes to peek ahead to what IMDB considers ten of the “most anticipated” movies coming out this year.

What do the movies The Brutalist, The Substance, Red Rooms and Anora have in common? They all made BOTH Dean AND Phil’s lists of the Top Ten Films of 2024! The Critics have all had their say, the Academy of Motion Pictures Arts and Sciences have announced their nominations for the Best in Cinema 2024, and on this week’s show, your friends in podcasting finally have their say. Learn what other films made their lists as they count down their Top Ten from the cinematic year just past!

Your friends in podcasting have returned from travel adventures and have tales about art galleries in the nation’s capital and jazz clubs in the Big Easy. You will learn more about they year 1874, and more about the Marigny District of New Orleans, than you have ever heard before on this show! Much of this week’s episode involves movie box office news, movie award news, and movie reviews. In fact, two current releases and one recent release get deep-dive analyses: Conclave, Anora, and Longlegs.

Two weeks shy of their 17th anniversary show, Dean is in Washington D.C. and Phil is in “The Hub of Silicon Valley”, and via the magic of podcasting and broadcasting, they bring you this week’s show, featuring discussions about silent film classics, the Japanese art of the Benshi, a ground-breaking and star-studded new production of “MacBeth”, current iterations of “Star Wars” and “Star Trek” on the small screen, a genre-bending private detective series on Apple TV+, and hilarious stories about airports and Dean’s efforts to give his dogs an Instagram presence.

Last week, Dean and Phil discussed the ten films nominated for the Best Picture Oscar, the ten films released in 2022 that earned the most revenue at the domestic U.S. box office, and the ten (or twelve) or so films the critics have come to consensus on as the best of the year. This week, it’s Dean and Phil’s turn! They will revel their Top Tens, as they count down what might be the films they consider the best, the most groundbreaking, the most important, or just their favorites of the year. 

Happy St. Stephen’s Day, Happy Boxing Day, Happy (final day of) Hanukkah AND Happy 2nd Day of Christmas! Dean and Phil celebrate it all by comparing notes on their holiday celebrations, by sharing stories of Dean’s jury duty and of Phil’s cross-country travels with THE Fuzz Aldrin! Film critics everywhere have been weighing in on the best movies of 2022. Dean and Phil will check in on their consensus picks (thus far). They will also discuss a handful of current and recent releases, including Guillermo Del Toro’s “Pinocchio”, the dark satire “The Menu”, Ti West’s “X” and “Pearl”, and they re-visit the recent comedy actioner “Bullet Train”, using it as an excuse to analyze the work of Ryan Reynolds, and to celebrate the greatness of Michael Shannon.

After a brief cold open about Halloween, Thanksgiving and Christmas, Dean and Phil switch gears from the Holiday Season to “Awards Season” as they tackle a handful of this year’s award hopefuls, including Tár, Don’t Worry Darling, The Menu, Cate Blanchett and Ralph Fiennes. There is a brand new “Lawsuit of the Week” AGAIN involving the tragic Alec Baldwin-starring western Rust. An email from a loyal listener like you (yes, YOU!) about a celebrity death will be followed by … “Celebrity Deaths”! A versatile actor, a comedy impresario, and a legendary prop comic have their lives and legacies celebrated. All that, PLUS Phil shares a hilarious account of a recent 50th high school reunion.