Dean is back in Detroit, Phil is back in the swing of things and your friends in podcasting connect via Skype to discuss the backlash over the recent Oscars, the death of “Star Trek” on the big screen (after the cancellation of the 4th film in the JJ Abrams “Kelvin” timeline), and the rebirth of Trek on the small screen (with the revelation of the story-line for the forthcoming “Picard” series). There is a “Lawsuit of the Week” involving the long-running series “Bones” and there are a bunch of “Celebrity Deaths”. Among those being celebrated are one of the all-time great comedic actresses, a legendary whistleblower, a World War II hero immortalized in a classic film, and a four-time Oscar-winning composer, arranger, conductor (and father-in-law of Woody Allen!).
It’s the penultimate episode of the Australian Era of YOUR Chillpak Hollywood Hour and your friends in podcasting are offering something for everyone on this particularly nourishing and personal installment. First Dean Haglund shares a bit about what he will miss about being “Down Under” and regales with descriptions of some of his favorite places in Australia. Then, Phil Leirness shares an email from a loyal listener like you (yes, YOU) about editing techniques, a continuation of a discussion about how editing affects actors’ performances that began on last week’s show. Somehow both fascism and democracy get discussed in the context of film editing! From there, Phil celebrates the 25th Anniversary of “The X-Files” by asking Dean about his favorite episodes and who his favorite character is (other than “Langley”, of course). Dean’s answers might just delight you! Then, Dean and Phil weigh in on how the show’s influence is still being felt on television today in shows as disparate as Vince Gilligan’s “Better Call Saul” and NBC’s sitcom “The Good Place”. The final “Lawsuit of the Week” of the intercontinental era is a re-visitation of Shari Redstone’s efforts to re-merge CBS with Paramount and what the failure to do so means for the companies and for their flagship franchise, “Star Trek”. The show concludes with a fascinating discussion of prolific television writer, producer and show-runner Gregory Berlanti’s hit feature film Love, Simon. The film’s themes are celebrated, and what the film’s style says about the state of, and future of, big-screen storytelling is questioned.