Now that Dean once again lives in the USA, he and Phil will be recording YOUR Chillpak Hollywood Hour on Monday mornings! This week, they compare notes on the Steve Martin-Martin Short touring stage show, and share thoughts about the recent spate of re-booted television series of yesteryear and those reboots recently announced. The lives of a “swamp rock” legend, a WW II “Monuments Man”, the inventor of green bean casserole, the greatest trumpeter of his generation, and Phil’s all-time favorite baseball player will be remembered in “Celebrity Deaths”. Then, grab the popcorn because your friends in podcasting have a bunch of disparate cinematic offerings to discuss, from horror classics like Nosferatu and The Wolf Man to such contemporary releases as Bohemian Rhapsody, Boy Erased, A Private War, and Orson Welles’ The Other Side of the Wind.
It’s the penultimate episode of the Australian Era of YOUR Chillpak Hollywood Hour and your friends in podcasting are offering something for everyone on this particularly nourishing and personal installment. First Dean Haglund shares a bit about what he will miss about being “Down Under” and regales with descriptions of some of his favorite places in Australia. Then, Phil Leirness shares an email from a loyal listener like you (yes, YOU) about editing techniques, a continuation of a discussion about how editing affects actors’ performances that began on last week’s show. Somehow both fascism and democracy get discussed in the context of film editing! From there, Phil celebrates the 25th Anniversary of “The X-Files” by asking Dean about his favorite episodes and who his favorite character is (other than “Langley”, of course). Dean’s answers might just delight you! Then, Dean and Phil weigh in on how the show’s influence is still being felt on television today in shows as disparate as Vince Gilligan’s “Better Call Saul” and NBC’s sitcom “The Good Place”. The final “Lawsuit of the Week” of the intercontinental era is a re-visitation of Shari Redstone’s efforts to re-merge CBS with Paramount and what the failure to do so means for the companies and for their flagship franchise, “Star Trek”. The show concludes with a fascinating discussion of prolific television writer, producer and show-runner Gregory Berlanti’s hit feature film Love, Simon. The film’s themes are celebrated, and what the film’s style says about the state of, and future of, big-screen storytelling is questioned.