A couple weeks back, the world, and especially lovers of documentary movies, mourned the death of the great filmmaker D.A. Pennebaker. This week, your friends in podcasting celebrate the career of this cinematic giant and also explore the history of documentary filmmaking itself and they are joined in this effort by documentary film professor Robert Nichols. The result is one of Dean and Phil’s best interviews ever and one of the most fascinating installments of YOUR Chillpak Hollywood Hour!
Year 13 of YOUR Chillpak Hollywood Hour gets underway with Phil providing an update on his battle to regain his vision. He and Dean discuss some press they recently received for their film The Lady Killers as well as the latest progress on part 2 of their documentary The Truth Is Out There. Doris Day gets a few words of remembrance, though Peggy Lipton, Barbara Perry and Jim Fowler get the full “Celebrity Deaths” treatment. David Lynch gets debated (again), especially in light of how much he and Dean have in common! Some news and views on Avengers: Endgame and one excellent, Oscar-nominated film, and two really disappointing 2018 releases get reviewed. Join the Chillpak Mod Squad for year 13!
It’s the penultimate episode of the Australian Era of YOUR Chillpak Hollywood Hour and your friends in podcasting are offering something for everyone on this particularly nourishing and personal installment. First Dean Haglund shares a bit about what he will miss about being “Down Under” and regales with descriptions of some of his favorite places in Australia. Then, Phil Leirness shares an email from a loyal listener like you (yes, YOU) about editing techniques, a continuation of a discussion about how editing affects actors’ performances that began on last week’s show. Somehow both fascism and democracy get discussed in the context of film editing! From there, Phil celebrates the 25th Anniversary of “The X-Files” by asking Dean about his favorite episodes and who his favorite character is (other than “Langley”, of course). Dean’s answers might just delight you! Then, Dean and Phil weigh in on how the show’s influence is still being felt on television today in shows as disparate as Vince Gilligan’s “Better Call Saul” and NBC’s sitcom “The Good Place”. The final “Lawsuit of the Week” of the intercontinental era is a re-visitation of Shari Redstone’s efforts to re-merge CBS with Paramount and what the failure to do so means for the companies and for their flagship franchise, “Star Trek”. The show concludes with a fascinating discussion of prolific television writer, producer and show-runner Gregory Berlanti’s hit feature film Love, Simon. The film’s themes are celebrated, and what the film’s style says about the state of, and future of, big-screen storytelling is questioned.
Dean tells stories about the Sydney Opera House. Phil tells stories about an amazing interview he did for his “other” podcast and tells an hilarious story about his upcoming bachelor party. Dean and Phil then share “What We’re Reading” and compare notes on the healing nature of live classical music in the “Live Event of the Week”. A little good news about HBO’s terrific “Barry” is shared in discussion of the Emmy Awards and Dean sings the praises of the Canadian adventure series “Frontier”. Then, your friends in podcasting tackle a wide range of cinematic efforts, from Elia Kazan’s classic film noir Panic in the Streets to the Jack Lemmon vehicle The Days of Wine and Roses, from John Carpenter’s masterful (and initially rejected) The Thing to a current release that has met with praise and promising box office, even though it’s all sorts of awful. Finally a legendary and groundbreaking dancer is remembered in “Celebrity Deaths”. Oh, yeah, and if that wasn’t enough, no actor, editor or filmmaker will want to miss the discussion inspired by an email from a loyal listener …