Year 13 of YOUR Chillpak Hollywood Hour gets underway with Phil providing an update on his battle to regain his vision. He and Dean discuss some press they recently received for their film The Lady Killers as well as the latest progress on part 2 of their documentary The Truth Is Out There. Doris Day gets a few words of remembrance, though Peggy Lipton, Barbara Perry and Jim Fowler get the full “Celebrity Deaths” treatment. David Lynch gets debated (again), especially in light of how much he and Dean have in common! Some news and views on Avengers: Endgame and one excellent, Oscar-nominated film, and two really disappointing 2018 releases get reviewed. Join the Chillpak Mod Squad for year 13!
It’s the penultimate episode of the Australian Era of YOUR Chillpak Hollywood Hour and your friends in podcasting are offering something for everyone on this particularly nourishing and personal installment. First Dean Haglund shares a bit about what he will miss about being “Down Under” and regales with descriptions of some of his favorite places in Australia. Then, Phil Leirness shares an email from a loyal listener like you (yes, YOU) about editing techniques, a continuation of a discussion about how editing affects actors’ performances that began on last week’s show. Somehow both fascism and democracy get discussed in the context of film editing! From there, Phil celebrates the 25th Anniversary of “The X-Files” by asking Dean about his favorite episodes and who his favorite character is (other than “Langley”, of course). Dean’s answers might just delight you! Then, Dean and Phil weigh in on how the show’s influence is still being felt on television today in shows as disparate as Vince Gilligan’s “Better Call Saul” and NBC’s sitcom “The Good Place”. The final “Lawsuit of the Week” of the intercontinental era is a re-visitation of Shari Redstone’s efforts to re-merge CBS with Paramount and what the failure to do so means for the companies and for their flagship franchise, “Star Trek”. The show concludes with a fascinating discussion of prolific television writer, producer and show-runner Gregory Berlanti’s hit feature film Love, Simon. The film’s themes are celebrated, and what the film’s style says about the state of, and future of, big-screen storytelling is questioned.