12 years ago this week, your friends in podcasting were recording their first show in stereo (rather than the two channel mono that was absolutely bonkers) and were discussing Gary Oldman’s sex appeal and The Last Mimzy. A clip from that discussion opens week’s show before Phil provides an update on his recovery from AND preparation for eye surgery, and Dean provides an update on some very interesting live comedy shows he is doing. One is his improv episode of “The X-Files” and you can see it this month in Detroit! Then, the gents move this week’s episode into the Chillpak morgue, where a maverick U.S. Presidential candidate, an all-star pitcher who became a controversial author and a successful actor, one of the greatest character actors of all time, a legend of Italian cinema, and a star of the original “Willy Wonka” all get remembered in “Celebrity Deaths”. A couple more thoughts related to last week’s discussion of what approach will most likely lead to creating great television get shared. Then, Dean and Phil discuss the controversy surrounding the American Cinematheque and the landmark Egyptian Theatre. Finally, they compare notes on Alfred Hitchcock’s fascinating Rope and the recent releases Us from Jordan Poole and Under the Silver Lake from David Robert Mitchell.
It’s the penultimate episode of the Australian Era of YOUR Chillpak Hollywood Hour and your friends in podcasting are offering something for everyone on this particularly nourishing and personal installment. First Dean Haglund shares a bit about what he will miss about being “Down Under” and regales with descriptions of some of his favorite places in Australia. Then, Phil Leirness shares an email from a loyal listener like you (yes, YOU) about editing techniques, a continuation of a discussion about how editing affects actors’ performances that began on last week’s show. Somehow both fascism and democracy get discussed in the context of film editing! From there, Phil celebrates the 25th Anniversary of “The X-Files” by asking Dean about his favorite episodes and who his favorite character is (other than “Langley”, of course). Dean’s answers might just delight you! Then, Dean and Phil weigh in on how the show’s influence is still being felt on television today in shows as disparate as Vince Gilligan’s “Better Call Saul” and NBC’s sitcom “The Good Place”. The final “Lawsuit of the Week” of the intercontinental era is a re-visitation of Shari Redstone’s efforts to re-merge CBS with Paramount and what the failure to do so means for the companies and for their flagship franchise, “Star Trek”. The show concludes with a fascinating discussion of prolific television writer, producer and show-runner Gregory Berlanti’s hit feature film Love, Simon. The film’s themes are celebrated, and what the film’s style says about the state of, and future of, big-screen storytelling is questioned.