It’s the symbolic final weekend of summer 2025 and your friends in podcasting commemorate in style with almost 70 minutes of rich podcasty goodness! They discuss how one of Dean’s all-time least favorite films might become a television series. They discuss how a Todd Haynes period detective film they would have loved to see might just be back from the dead. They discuss how and why Weapons has captured the cultural conversation in a way few movies do any more. They discuss how and why Netflix had the #1 film at the box office, why Netflix didn’t want you to know that, and what it might portend for the future. They discuss the merits of the new Netflix mystery The Thursday Murder Club. They discuss the 1987 classic River’s Edge and the 1949 all-time masterpiece The Third Man. In the return of the “Live Event of the Week”, Pink Martini performs under the stars at the Greek Theatre. In “Celebrity Deaths”, an Oscar-winning composer, a Tejano legend, a chart-topping flugelhorn player, a co-founder of “Derek and the Dominos”, and the jazz singer dubbed “the lady with the million-dollar ears” all get remembered. Finally, Dean and Phil pay tribute to the great Terence Stamp. Happy Labor Day, USA! Happy Monday, everyone else.

This week’s show begins with a correction about the great Death Race 2000 (discussed two episodes back) and about the talented filmmakers behind it. Then, in “What We’re Reading”, Dean discusses the Beatrice Hyde-Clare Mysteries and Phil reveals his thoughts inspired by Brian Greene’s The Hidden Reality. These thoughts, in turn, lead to stories about UCLA great Bill Walton, who died this past week, and the Integratron, which Phil visited before last week’s show. After discussions of Multiverse theory, sound baths, and the wit and wisdom of John Wooden, focus shifts to a staggering array of movies and television shows. The movies include Marvel’s Shang-Chi and the Legend of the Ten Rings, the Egyptian comedy Voy Voy Voy, the Canadian vampire film Humanist Vampire Seeking Consenting Suicidal Person, and the great Céline Sciamma’s Petite Maman. The television shows are “The Mandalorian”, (followed by a deep dive into the entire Star Wars small screen universe), “Star Trek: Discovery”, (followed by an examination of a fatal flaw that has doomed “Star Trek” at various points in its history), and the genre mash-up Colin Farrell vehicle “Sugar” (for Apple TV +). After that, a question from a loyal listener like you (yes, YOU!) leads to a discussion about the large screen format ScreenX. Finally, in “Celebrity Deaths”, Phil quizzes Dean about a convicted felon-turned-actor and a two-time Oscar Winner for Best Picture!

We hope this finds you having enjoyed a happy and healthy New Year. Twelfth Night is a festival that takes place on the last night of the Twelve Days of Christmas, marking the coming of the Epiphany. Shakespeare’s “Twelfth Night” (or “What You Will”), is a romantic comedy by William Shakespeare, believed to have been written around 1601–1602 as a Twelfth Night’s entertainment for the close of the Christmas season. On this week’s brand new Season 2 Episode 109 of YOUR Chillpak Hollywood Hour, Dean and Phil celebrate both the holiday season AND the immortal Bard of Stratford on Avon by counting down each of their 12 all-time favorite cinematic adaptations of Shakespeare! Brevity might be the soul of wit, but your friends in podcasting (and broadcasting) have an hour to fill!