Halloween week gets off to a spooky good start with this scary fun episode! Dean and Phil reveal “What We’re Reading” and both books involve France! In the return of “Live Event of the Week”, Dean talks farmers markets, and Phil talks an historic theater and a world premiere about inkblots and perception. Dan Lin is out as the film boss at Netflix and what this means for the future of the streamer and its possible future in theatrical exhibition gets discussed. Loyal listener Maurice Terenzio spills the tea on two actors discussed at length on last week’s show: Hans Conried and Errol Flynn. Loyal listener Amber has some final (?) thoughts about the Hans Conried vehicle The Twonky, reveals her favorite Hitchcock film and mentions the two films that provided her truly visceral experiences. Loyal listener G.V. wants Dean and Phil to see the current theatrical release of the restored director’s cut of Ken Russell’s The Devils, and many listeners want them to see the current box office smash documentary (docudrama? meta-doc?) You Can See Everything. Then, because spooky season is in full swing, Phil quizzes Dean about the 20 biggest horror hits of all time at the worldwide box office. After that, Phil rolls up his sleeves to discuss another horror film double-feature of titles included on the 2022 Sight and Sound poll of the greatest films of all time. Finally, Dean and Phil re-appraise Sofia Coppola and her Marie Antoinette in the wake of that film’s 20th anniversary.

It was a rough weekend for Dean Haglund, whose beloved Doberman, Leeloo, is undergoing emergency spinal surgery as we publish this show. It has also been a rough week for the media business where fear over job loss is concerned. In the UK, ITV has been taken over by Sky and several more television mergers, and downsizings, seem to be in the offing. In the U.S. Netflix is mulling a major expansion, and distribution company NEON has sold a major stake to production company Department M in hopes of massively “scaling up” operations. Dean and Phil have all this “business of show” news covered. Then, they go into detail analyzing Disclosure Day as a definitively “American” movie, and Guy Maddin’s Careful as a definitively “Canadian” one. Then, their ongoing discussion of film noir and neo-noir continues, with some key questions being asked and at least one truly awful neo-noir getting discussed in depth.

In what might be a first, Dean will offer up both a point and a counterpoint (all on his own) about the merits and deficits of Charles Laughton’s The Night of the Hunter. Then, Phil will discuss the long career of the great cinematic surrealist Luis Buñuel and take a deep dive into one particular masterpiece of his, the 1950 Los Olividados (“The Young and the Damned”). Buñuel’s famous collaborations with Catherine Deneuve will lead Phil and Dean to discuss this legendary star’s almost unparalleled status as the “face” of 1960s cinema. Jacque Demy’s singular The Umbrellas of Cherbourg gets celebrated as a result. If Ms. Deneuve was NOT the face of global cinema at that time, then that title belonged to the late, great Claudia Cardinale, who gets remembered in “Celebrity Deaths”.

This week’s episode picks up where last week’s show left off with a deep dive into Charles Laughton’s 1955 masterpiece The Night of the Hunter the ending to which Dean greatly misunderstood. In fact, a special guest stops by to help explain the ending and to discuss the film through the prisms of expressionism, surrealism and absurdism. Then, Dean, Phil, and (frequent collaborator) Jon Lawlor discuss several filmmaking and film distribution and film marketing topics pertaining to Paul Thomas Anderson’s One Battle After Another. In 1964, the United Nations produced four movies for television. One of them featured an all-star cast and a script by Rod Serling. Carol for Another Christmas gets discussed. Finally, the recent conversation the gents had about Carl Theodore Dreyer’s The Passion of Joan of Arc inspired a thoughtful email from a loyal listener.

We hope this finds you having enjoyed a happy and healthy New Year. Twelfth Night is a festival that takes place on the last night of the Twelve Days of Christmas, marking the coming of the Epiphany. Shakespeare’s “Twelfth Night” (or “What You Will”), is a romantic comedy by William Shakespeare, believed to have been written around 1601–1602 as a Twelfth Night’s entertainment for the close of the Christmas season. On this week’s brand new Season 2 Episode 109 of YOUR Chillpak Hollywood Hour, Dean and Phil celebrate both the holiday season AND the immortal Bard of Stratford on Avon by counting down each of their 12 all-time favorite cinematic adaptations of Shakespeare! Brevity might be the soul of wit, but your friends in podcasting (and broadcasting) have an hour to fill!