Dean and Phil have quite the array of topics to discuss, including a recent Marvel film, a Neil Simon comedy from the 1970s, all the big award-winners at the recent Cannes Film Festival, and a director’s cut of Chris Carter’s The X-Files: I Want to Believe. Both the Australian and the American versions of “Laid” get discussed, and art, architecture, history and more get discussed in the return of “What We Are Reading”. Two beloved television stars and a legendary comedian get remembered in “Celebrity Deaths”. Finally, good pal of the show Marc Hershon drops by to offer up two new television show recommendations that both sound awesome!

Dean and Phil commence the proceedings with a cold open wherein they address a fantastic voice message they received from a loyal listener in Germany. Then, after finding out when Dean expects to no longer be living in his one-room art studio above the garage, Phil dedicates the rest of the show to celebrating movies from around the world and from across the decades! The recent blockbuster Sinners, the current blockbuster Mission: Impossible – The Final Reckoning, and the current limited release A Vanishing Fog from Columbia (the country, not the studio) all get reviewed. One of the great films of the 21st century, a 2000 masterpiece from Taiwan entitled Yi Yi, and the legendary capper to the “Apu” trilogy – Apur Sansar (aka The World of Apu) – from the great Indian filmmaker Satyajit Ray both get celebrated. Finally, Phil shares stories of Alexander Payne, and regales with the history of perhaps the single greatest influence on Payne’s work, Preston Sturges, both in light of re-watching the hilarious and surprisingly rousing 1944 wartime comedy Hail the Conquering Hero. So, butter up that popcorn, epic Year 19 Episode 4 of YOUR Chillpak Hollywood Hour is going to the movies!

If you are interested in movies, movie making, or the movie business, you are going to find this week’s show fascinating. Dean and Phil do deep dives into the cinematic delights brought to us by the Marx Brothers, the Canadian films produced under that country’s 100-percent Capital Cost Allowance tax shield for investors, Jon Voight’s plan to save Hollywood and the wildly different reactions to that plan within the industry, the ways the smash hit Sinners might change the economics of the biz, and the just-commenced 78th Cannes Film Festival (including one apparent all-time masterpiece that made its debut as well as a “secret” documentary about the Red Hot Chili Peppers). As if that weren’t enough, your friends in podcasting go overtime to remember two impactful filmmakers, an Oscar-winning makeup artist, a beloved big screen “tough guy”, and a prolific child star of the 1930s and 40s.

Dean will be heading to Los Angeles this week and plans to deal with a “haunted vacuum”? Paramount Pictures (and its parent company) are for sale. Dean and Phil discuss the ramifications of this. Many great films premiered in competition at the recent Cannes Film Festival. Dean and Phil examine the award-winners. A film festival favorite available now on Netflix is Richard Linklater’s dark romantic comedy Hit Man. Dean and Phil discuss it. Then, they take a deep dive look at three “art house” films of recent vintage and use that dive as the vehicle for exploring the function, importance and failure of critics. The films in question are Joanna Hogg’s ghost story The Eternal Daughter and Jane Schoenbrun’s coming-of-age psychodramas We’re All Going to the World’s Fair and the current theatrical release I Saw the TV Glow.

After three special theme shows celebrating their 16 years of changing the way people listen to the internet, your friends in podcasting and broadcasting are back doing whatever the heck it is they usually do! Dean and Phil discuss all the news coming out of the Cannes Film Festival and the latest in the ongoing labor turmoil in Hollywood. They discuss art, comedy, and Disneyland. They offer up reviews of three new or recent releases. They celebrate the lives and legacies of a chart-topping singer-turned-actor, the Queen of Rock ‘n Roll, a groundbreaking filmmaker, and an award-winning novelist.

We hope this finds you having enjoyed a happy and healthy New Year. Twelfth Night is a festival that takes place on the last night of the Twelve Days of Christmas, marking the coming of the Epiphany. Shakespeare’s “Twelfth Night” (or “What You Will”), is a romantic comedy by William Shakespeare, believed to have been written around 1601–1602 as a Twelfth Night’s entertainment for the close of the Christmas season. On this week’s brand new Season 2 Episode 109 of YOUR Chillpak Hollywood Hour, Dean and Phil celebrate both the holiday season AND the immortal Bard of Stratford on Avon by counting down each of their 12 all-time favorite cinematic adaptations of Shakespeare! Brevity might be the soul of wit, but your friends in podcasting (and broadcasting) have an hour to fill!

Happy August, everybody! This month might well tell the tale of whether the USA puts the pandemic behind it or whether Covid-19 stays with us in some form or another for quite a while longer … Before we let go of July, however, Dean and Phil want to celebrate the recent Cannes Film Festival, putting several very promising and fascinating films on your radar. They also want to celebrate the recent, groundbreaking Emmy Award nominations, celebrating the best TV has to offer, while also offering up three picks of current series you might well enjoy! All that plus The Clown Prince of Hip Hop and a beloved sitcom star of the 80’s get remembered in “Celebrity Deaths”.