It was a rough weekend for Dean Haglund, whose beloved Doberman, Leeloo, is undergoing emergency spinal surgery as we publish this show. It has also been a rough week for the media business where fear over job loss is concerned. In the UK, ITV has been taken over by Sky and several more television mergers, and downsizings, seem to be in the offing. In the U.S. Netflix is mulling a major expansion, and distribution company NEON has sold a major stake to production company Department M in hopes of massively “scaling up” operations. Dean and Phil have all this “business of show” news covered. Then, they go into detail analyzing Disclosure Day as a definitively “American” movie, and Guy Maddin’s Careful as a definitively “Canadian” one. Then, their ongoing discussion of film noir and neo-noir continues, with some key questions being asked and at least one truly awful neo-noir getting discussed in depth.

It was a big weekend, and your friends in podcasting have a lot of big topics to discuss, from the World Cup to the art of Caravaggio, from a masterpiece of German literature to the creation of synthetic life that demonstrates most of the hallmarks of actual life, from the ten films that best define America to a couple of the all-time greatest film noirs. Finally, Dean and Phil go long singing the praises of, and asking questions about, the independent film dominating the global box office, Obsession.

Tomorrow is Canada Day and the end of the week is Independence Day in the USA. Your friends in podcasting have thoughts about celebrating. They have thoughts about Team Canada’s big win in the World Cup. They have thoughts about why very few of the listeners to this podcast are in Canada! Phil got back from the Carolinas and has stories about being the “Guest of the Day” in Charlotte, North Carolina (the Queen City), and about beaches and alligator encounters in Kiawah Island, South Carolina (the Lowcountry). Dean asks Phil about Bill Murray’s baseball team in Charleston and Phil regales with tales of Carolina Day and America250. Turning to show business, the gents celebrate the best box office year at the movies since 2019 and glean some important lessons from that success, lessons they fear may be lost on the industry, but which certainly seem to be lost on the press covering the industry. Particular focus gets put on the just-opening, and already disastrous Supergirl and on Sam Raimi’s 2026 “survivor horror thriller film”, Send Help.

Even we are impressed at the ground covered in only 74 minutes this week by your friends in podcasting! They start by going deep into the improvisational jazz of Sun Ra and dissecting comments Sonny Rollins made in a podcast about jazz being “ a music of freedom”. The Coen Brothers’ 1991 masterpiece Barton Fink gets revisited at 35 and is found to be better than ever. The film genre of neo-noir gets analyzed, and the all-too-overlooked Hickey & Boggs (directed by Robert Culp and co-starring Culp and Bill Cosby) gets championed as an outstanding exemplar of that genre. The death of certain kinds of horror tropes are foremost on Dean’s mind after seeing Scream 7, whereas Phil is intrigued by the new generation of horror exemplified by the current box office sensations Backrooms and Obsession. Then, Dean and Phil switch genres yet again, and examine cinematic comedy through two documentaries (Mel Brooks: The 99 Year Old Man! and Marty, Life is Short), one all-time classic (Some Like it Hot) and two current releases in theaters (I Love Boosters and The Sheep Detectives).

Phil gets things started by singing the praises of “The Lowdown” (and its emotional intelligence), and of Marc Hershon, who had this Sterlin Harjo-created Ethan Hawke-starring series on his list of the best television of 2025. Some casting news (regarding season 4 of “The White Lotus”) has Phil greatly enthusiastic. Then, for the first time in ages, but as they used to do on the regular back in the day, Dean and Phil analyze the long four-day weekend’s domestic box office, paying particular attention to the lack of performance by (the supposedly excellent) 28 Days Later: The Bone Temple and the milestone achieved by bona fide movie star Timothée Chalamet. Then, the conversation about IMDB’s list of the 20 most anticipated movies of 2006 picks up where it left off last week. The incredible achievement Sentimental Value pulled off at the European Film Awards gets placed in a historic perspective. Two movies get reviewed: Dean wags his finger at the Edgar Wright remake The Running Man and Phil doffs his cap to Bi Gan’s masterful Resurrection. This week’s show is EXCELLENT, but don’t take our word for it – just hit “play”!

Big changes are on the horizon for YOUR Chillpak Hollywood Hour! This week’s show begins with Dean and Phil discussing them. Then, they shift gears into a wide array of topics including: Unexpected events at local screenings of One Battle After Another, the variable frame rates of the silent era, a movie that had wildly different endings depending on in what country you saw it, a documentary about the making of The Night of the Hunter, the fragility of darkness in the Atacama Desert, the lack of planning or funding for the forthcoming Cultural Olympiad (the arts programming that is supposed to be part of the 2028 Olympics in Los Angeles), the death of R&B great D’Angelo, and the story of the fictional band Eddie and the Cruisers.

Phil is in Montecito, California. Dean is ALMOST back into his house in Birmingham, Michigan. They got together via the magic of podcasting (and zoom) to discuss: The week that was for “Cobra Kai” star Martin Kove, the latest company splits for “Legacy Media” conglomerates, and California’s now official increase in the annual Film & TV Tax Credit funding. Wes Anderson and The Phoenician Scheme, Apple and their F1 and Fountain of Youth, the Indiana Jones films, Bong Joon Ho and Mickey 17, and the “Mission: Impossible” films all get deep dive analyses as well.

We are one week away from our 17th Anniversary and on this week’s show, your friends in broadcasting & podcasting ask for your help in celebrating this milestone! They also discuss a whole lot of movie news and reviews, including the death of a Cannes Palme d’Or winner, the latest on Francis Coppola’s Megalopolis, the return of George Lucas to Star Wars, Steven Spielberg directing a television series based on a script by Stanley Kubrick, the controversy surrounding Taylor Swift’s new album, the meaning of “anti-war” and “anti-violence”, the latest in the Rust on-set shooting prosecutions, the latest terrible twist of fate in the Harvey Weinstein prosecutions, the latest (last?) in Michael Apted’s “Up” documentary series, the cinematic greatness of Jean Cocteau, and a new Japanese classic hitting theaters soon.

Who doesn’t love a sequel?! Your friends in broadcasting & podcasting return with part 2 of their celebration of the best in cinema from 2023. If you listened to part 1, you know this is no ordinary “Top Ten” show. Ultimately, dozens of films and just as many topics will get explored. This week the topics include editing, black and white, curated experiences, gender identification, feminism, entertainment and films from a wide variety of filmmakers and genres, including Past Lives, Poor Things, The Holdovers, The Creator, All of Us Strangers and many more.

This week’s show begins with a cold open about Spanish film star Carmen Sevilla. It continues with Dean and Phil previewing an email from a loyal listener (that they will answer on NEXT week’s show). The email involves the ongoing Writer’s Guild strike and Dean and Phil use it as a springboard to discussing the latest labor negotiation news in Hollywood and to ponder the question “Is Ryan Murphy (once again) the worst person in the world?” Last week, the life and career of Oscar-winner Glenda Jackson was celebrated. This week, Phil reveals tidbits from her final (?) still-to-be-released movie, The Great Escaper (starring Michael Caine). After that, Dean and Phil offer up remembrances of three more great stars of the silver (and small) screen: Julian Sands, Frederic Forrest, and Treat Williams. The second half of the show is all about Indiana Jones (and “The Dial of Destiny”), Akira Kurosawa (and two of his independent films), and the Martin Scorsese classic Raging Bull.