The show begins this week with a lot of questions for Dean. What is Sci-Fi Valley Con? Who is Julian? There is/was a TV show called “Supernatural”? Is Detroit really Canada’s Tijuana? And a listener wants to know if Dean got bit by a monkey on “The Lone Gunmen”! You will learn the answers to all these and many more, including what Dean and Phil think of the controversy surrounding Dave Chappelle’s latest Netflix special. You will also learn about one of the greatest voices in comedy, about perhaps the greatest Hammond organist of all time, and about one of the most groundbreaking indie filmmakers of all time in “Celebrity Deaths”. After the break, Dean and Phil offer analysis on the new James Bond film’s box office performance in the USA and put that performance into historic context. They will do the same with the film’s quality. Finally, they will reveal what upcoming movies might get them to go back into a movie theater in the coming weeks.
Phil Leirness is joined by music journalist (and friend of the show) Yoshi Kato, who briefly fills in for a tardy Dean Haglund, to discuss the lives and legacies of six notables from the world of music in “Celebrity Deaths”, as well as to set the table concerning a later discussion of Asian Pacific American Heritage month and the 1961 film Flower Drum Song. Dean then arrives just in time to remember a prolific character actor, the decorated police officer who played Eddie Haskell on TV’s “Leave it to Beaver”, and the great Fred Willard. Dean and Phil then answer an email from a loyal listener about an upcoming Michael Bay film set in the world of Covid-19. This leads to a fascinating discussion and argument before attention is turned to the ramping up of film and TV production and the announcement that the Venice Film Festival will go ahead as planned this September. Dean then sings the praises of two different television series, Phil sings the praises of two classic movies about gambling. Then the conversation turns to the careers of Sessue Hayakawa, one of the first heartthrobs of the silver screen, the hilarious and brilliant Jack Soo, and the tragically overlooked Reiko Sato.