The USA celebrated its independence this weekend, but the fireworks continue on this brand new installment of YOUR Chillpak Hollywood Hour! Dean shares a hysterical story about the making of a film he did many years back. Then he and Phil discuss in detail a wide array of movies, including a silent classic from Hitchcock, a current horror sequel, a masterpiece of surrealism from a Swedish filmmaker who has emerged as a titan of world cinema, and a low-budget sci-fi film from last year that was among 2020’s best. Plus, Phil wants to talk about a new TCM neo-noir series and a classic from 1967 starring Lee Marvin, but even more than that, he wants to talk about a conversation he had with longtime TCM host Ben Mankiewicz at a memorial for 106 year old legend Norman Lloyd. Phil also shares anecdotes involving many of the notables in attendance, including an Oscar-winning director, and the great grandson of one the most famous artists of all time, and Elliot Gould! All that, plus Dean is doing a show about haunted houses?!
Phil Leirness is joined by music journalist (and friend of the show) Yoshi Kato, who briefly fills in for a tardy Dean Haglund, to discuss the lives and legacies of six notables from the world of music in “Celebrity Deaths”, as well as to set the table concerning a later discussion of Asian Pacific American Heritage month and the 1961 film Flower Drum Song. Dean then arrives just in time to remember a prolific character actor, the decorated police officer who played Eddie Haskell on TV’s “Leave it to Beaver”, and the great Fred Willard. Dean and Phil then answer an email from a loyal listener about an upcoming Michael Bay film set in the world of Covid-19. This leads to a fascinating discussion and argument before attention is turned to the ramping up of film and TV production and the announcement that the Venice Film Festival will go ahead as planned this September. Dean then sings the praises of two different television series, Phil sings the praises of two classic movies about gambling. Then the conversation turns to the careers of Sessue Hayakawa, one of the first heartthrobs of the silver screen, the hilarious and brilliant Jack Soo, and the tragically overlooked Reiko Sato.
From the inner space of quiet, self-quarantine lockdowns, to the outer space of “Star Trek: Picard”, Dean Haglund and Phil Leirness take you on quite the journey this week! It starts with their latest observations about themselves and others in the wake of another week of isolation. Sadness, quiet and dehumanization are on the thematic menu! They then compare notes on their respective Easter celebrations, which leads to a discussion of a couple of classic musicals: 1934’s Fred Astaire-Ginger Rogers vehicle The Gay Divorcee and 1948’s seasonal staple Easter Parade, starring Astaire and Judy Garland. The recent, modern classic, Uncut Gems gets championed by Phil, who tries to get Dean to overcome his trepidation surrounding Adam Sandler performances (and yet, Dean once championed You Don’t Mess With the Zohan, so go figure!). The second half of the show consists of Dean and Phil comparing the years in cinema 1973 and 1974, discussing all the notable films from those two halcyon years, in hopes of determining which year might challenge 1962 as the greatest year in cinema. Finally, your friends in podcasting beam up to the La Sirena to discuss and debate what went right and what went wrong in season one of “Star Trek: Picard”, a show so successful that a big-screen movie version is already in the planning stages.
A true prodigy, singer-songwriter EmiSunshine earned national attention before she was ten years old. Now, still shy of her sixteenth birthday, EmiSunshine is a skillful and soulful purveyor of the music genre known as Americana. After playing one of her brand new tunes, Dean Haglund interviews her in the first half of this week’s show and she even shares a ghost story! In the second half of the show, Dean reviews Leigh Whannell’s The Invisible Man and Phil shares with Dean a hilarious story about a mutual friend’s adventures in screenwriting. Finally, Dean and Phil celebrate the peerless cinematic legacy of the great Max Von Sydow. Something for everyone? We like to think so!