It was a rough weekend for Dean Haglund, whose beloved Doberman, Leeloo, is undergoing emergency spinal surgery as we publish this show. It has also been a rough week for the media business where fear over job loss is concerned. In the UK, ITV has been taken over by Sky and several more television mergers, and downsizings, seem to be in the offing. In the U.S. Netflix is mulling a major expansion, and distribution company NEON has sold a major stake to production company Department M in hopes of massively “scaling up” operations. Dean and Phil have all this “business of show” news covered. Then, they go into detail analyzing Disclosure Day as a definitively “American” movie, and Guy Maddin’s Careful as a definitively “Canadian” one. Then, their ongoing discussion of film noir and neo-noir continues, with some key questions being asked and at least one truly awful neo-noir getting discussed in depth.

It was a big weekend, and your friends in podcasting have a lot of big topics to discuss, from the World Cup to the art of Caravaggio, from a masterpiece of German literature to the creation of synthetic life that demonstrates most of the hallmarks of actual life, from the ten films that best define America to a couple of the all-time greatest film noirs. Finally, Dean and Phil go long singing the praises of, and asking questions about, the independent film dominating the global box office, Obsession.

After a cold open wherein Phil gives everyone the lay of the land, outtakes from last week’s show are picked up off the cutting room floor, dusted off and used, revealing an obviously drunken Dean and (a perhaps tipsy) Phil continuing their discussion of commuter trains before delving into Project Hail Mary and a couple of vintage James Bond films. Then, after a midpoint musical interlude that allows Dean and Phil to become sober as judges, good pal Jon Lawlor joins the conversation for analysis of the Live Nation and Ticketmaster court case and the pending Warner Bros.-Paramount merger. During the show, Phil learns the difference between a Japanese bathhouse and the Alamo Drafthouse, and the difference between the words “vacillate” and “oscillate”.

Our first installment of 2026 finds your friends in podcasting discussing why the President of the United States is so insistent on there being another Rush Hour movie from director Brett Ratner. Then, Dean and Phil delve into the two final “Mission: Impossible” movies, both 2023’s Mission: Impossible – Dead Reckoning Part One and 2025’s Mission: Impossible – The Final Reckoning. Then, they delve deep into the strengths and weaknesses of Guillermo del Toro’s Netflix film version of Frankenstein. Finally, just in time for Twelfth Night, they go thru a whole lot of seasonal fare, both movies and television specials, including “Pee-wee’s Playhouse Christmas Special”, the Rankin-Bass “Frosty the Snowman”, The Muppets Christmas Carol, and Stanley Kubrick’s The Shining.

Our final installment of 2025 finds your friends in podcasting discussing Dean’s holiday travels, the health of Phil’s wife, the latest on the sale of Warner Bros. Discovery and the use of AI (and self-learning programs) in a wide array of fields. Then, Dean and Phil get down to the serious business of discussing such award-hopeful movies as The Secret Agent and Jay Kelly, the comfort food that is “Spinal Tap II” and such holiday comfort viewing as National Lampoon’s Christmas Vacation and holiday specials A Charlie Brown Christmas and A Very Murray Christmas.

Dean and Phil got together high atop a certain “historic building” in downtown Los Angeles to watch the sunset on the winter solstice, to enjoy a lovely bottle of Malbec, and to record this week’s show! They discuss Dean’s holiday travels, the big forthcoming change to the annual Oscars telecast, and the changes in the beaks on songbirds at UCLA! After that, they discuss the unique legacy of actor-turned-filmmaker Rob Reiner, and take the time to analyze several of his films. Then, two film noirs (Tension and Where Danger Lives), a fairly bizarre war film (36 Hours) and the biggest box office hit of Brad Pitt’s career all get reviewed!

Welcome to part one of a two-part installment of YOUR Chillpak Hollywood Hour wherein Dean and Phil will discuss the best in cinema of the year 2023. This is no ordinary “Top Ten” show. Ultimately, dozens of films and just as many topics will get explored. This week’s show actually begins with discussion of atmospheric rivers, of spreading a loved one’s ashes, of comparisons between the original Cape Fear and the Martin Scorsese remake, and the beloved athlete-turned-actor Carl Weathers gets remembered. Then, before setting their sights on the cinematic year that was, your friends in podcasting (and broadcasting) examine something last week’s guest (Luke Y. Thompson) said about what an all-time great year for movies 1999 was. It turns out he could not have been more right, and so Dean and Phil wonder, when looking back at 2023 many years hence, will it be as impressive as 1999 is now in the rearview mirror? That serves at the springboard into discussions of Wim Wenders, editing, Imax, and such films as Anselm, Perfect Days, Napoleon, Cocaine Bear, A Haunting in Venice, Oppenheimer and Mission: Impossible – Dead Reckoning Part One. And, of course, the best thing about this week’s show is that it is “to be continued …”! 

In a cold open, this week’s show begins where last week’s show left off, with Phil delighting Dean with some surprising facts about the late comedic genius Tommy Smothers. After that, Dean and Phil dive into “Awards Season” news, offering up thoughts on the recent Emmy Awards, the forthcoming Oscar nominations, and on how viewing of awards shows might change in the years to come. Suffice it to say, your friends in podcasting and broadcasting have both bones to pick and things they hope to see. Speaking of “see”, Phil saw The Zone of Interest in the recently remodeled and re-opened movie theater where he was married. Dean saw the highly acclaimed romantic comedy from Finland, Fallen Leaves, and explains why he did not enjoy it. He also takes the time to explain why Phil does not enjoy the all-time classic screwball comedy Bringing Up Baby! Dean and Phil also weigh in on their thoughts regarding Alec Baldwin (once again) getting charged with involuntary manslaughter for the on-set death of cinematographer Halyna Hutchins. All that, plus Phil turns “Celebrity Deaths” into a game, quizzing Dean on his cultural literacy, and there is a crackerjack production meeting on the air!

In the first half of this week’s show, Dean and Phil discuss the latest controversial news surround filmmakers Joss Whedon and Woody Allen and ask how do we separate the art from the artist? And should we? After that, a Motown great, a rap great, the Godfather of salsa, a groundbreaking singer and DJ, and a pioneer of jazz fusion all get remembered in “Celebrity Deaths”. The second half of the show is part 2 of the roundtable discussion that began last week, where special guests Marc Hershon and Suli McCullough compare notes with Dean about pursuing careers in comedy. On this week’s agenda are the topics of the pandemic and how it has and will change professional comedy, and the importance of pain in comedy.