Dean and Phil have thoughts about the recent assassination attempt on former President Trump and these thoughts bring back memories of John Lennon’s murder and of vigilante films of the 1970s, especially Taxi Driver as well as the American classic on which it was based, The Searchers. On this week’s show, you will hear all that before your friends in podcasting get down to remembering the great Bob Newhart and the singular Shelly Duvall, as well as Oscar-winning producer Jon Landau in “Celebrity Deaths”. The “Live Event of the Week” involves Disneyland on its 69th birthday, the invention of audio-animatronics and how Disney was denied toys as a kid. Two movies have Phil’s attention, one of whose story (Widow Clicquot) was written by a future guest of YOUR Chillpak Hollywood Hour and the other (Bodies Bodies Bodies) an A24 satire on both WiFi culture and Agatha Christie’s Ten Little Indians. Watching it was part of Phil’s efforts to see everything in which actress Rachel Sennott has appeared. Finally, the Emmy Awards nominations get discussed and Dean’s viewing habits get put to the test!

This week’s episode finds Phil in the “DMV” (DC-Maryland-Virginia) area and Dean safely ensconced back in Michgan. Phil quizzes Dean about Renaissance man Martin Mull, iconic Winnipeg musician and broadcaster Ray St. Germain, two Oscar-winning composers, and an Oscar-nominated documentarian. Dean and Phil also sing the praises of perhaps the greatest actor to NEVER get nominated for an Oscar! Such streaming fare as “Tulsa King”, Season 4 of “The Boys”, “Ripley”, Season 2 of “Tokyo Vice”, and Richard Linklater’s Hit Man all get reviewed as well.

Dean and Phil knew they were going to be celebrating the career of the great actor and star James Caan on this week’s show and then the floodgates opened, with many beloved character actors exiting the stage, so after a brief and hilarious cold open, Season 3 Episode 23 begins with “Celebrity Deaths”. Then, the whole concept of “celebration” as a lost “art” gets explored, before your friends in podcasting use it as a springboard to discuss several current television series and a handful of truly brilliant performances. The big screen will not be ignored either, as the cinematic output of Edgar Wright gets examined through the prism of his recent ghost story (Last Night in Soho) and a baseball comedy classic from the 1970s gets revisited.