Recorded late last week from a certain “historic building in downtown Los Angeles”, this episode begins with Phil doffing his cap about what Dean got right in discussing Sarah Polley’s Women Talking a few weeks back AND wagging his finger at what Dean got wrong while discussing Netflix’s “Wednesday” this past week. Phil then hails Joel de la Fuente (of “Man in the High Castle” and most recently “The Mysterious Benedict Society”) as his favorite actor. At that point, Dean and Phil switch gears for a show ten years in the making, analyzing the just-released, decennial Sight and Sound poll of all-time greatest films! What Dean and Phil were expecting and what surprised them leads to what promises to be an ongoing conversation about re-contextualization and the importance of learning how works of art resonate with different groups and different cultures.
A cold open about a … melon festival (?!) … inspires a story about racial hostility in Turlock in the early 20th century. From there, Phil is inspired to pick up on a brilliant observation Dean made last week about Mike Nichols’ Working Girl and apply that observation as a potential thru-line for this celebrated director’s career. Alec Baldwin gets into hot water for tweeting support for Anne Heche and Salman Rushdie gets stabbed on-stage right before hailing the USA as the last bastion of freedom of speech. Dean and Phil try to make sense of both of these events. The return of “What We’re Reading” sees Dean learning how to sketch people’s hands and Phil learning what the next World War will be like! In “Celebrity Deaths”, a good friend and frequent collaborator of Stanley Kubrick, a popular and inspiring painter, a legendary French movie star, and the composer of one of the most indelible theme songs of all time all get remembered. Finally, Dean and Phil discuss the finely-tuned instincts Marlon Brando possessed as a great entertainer, and Phil hails the allegorical storytelling on display in Jordan Peele’s Nope.
Dean and Phil compare hilarious notes on their Thanksgivings, Phil shares tales of his birthday adventures, updates on his sister’s medical status, and relays what a birthday card he received from a loyal listener and friend to the show inspired. Phil quizzes Dean on a few ad lines from movies to see if Dean can guess the films they describe. In “Celebrity Deaths”, a groundbreaking TV executive, a chart-topping doo-wop singer, a beloved voice actor, a civil rights trailblazer, a former mayor of New York, and a fascinating pop culture icon get remembered. David E. Kelley has a new television series mired in controversy and that controversy will lead to a discussion of “Law and Order” and Q Anon! Finally, Dean and Phil share a couple of their favorite all-time episodes of television, one from “Star Trek: Deep Space Nine” and the other from “Homicide: Life on the Street”.
Wherever you are listening to this week’s show, we hope it finds you feeling healthy and safe. Your friends in podcasting briefly share their latest “lockdown” adventures, before sharing a tribute sent to them by a friend of the show about the SF Bay Area radio performer they discussed on last week’s episode. Then, Dean and Phil celebrate the lives and legacies of one of the biggest country music-pop music crossover artists of all time, of an an award-winning playwright, of an African soul icon, of a Swam Pop music legend, of a brilliant researcher, of a true showman on the basketball court, of a popular character actor of the 1980’s, of an influential horror director, and of one of the most prolific and influential drummers in rock. They discuss the joys of the Elton John musical biopic Rocketman, paying particular attention to the terrific performances by Taron Egerton and Jamie Bell and the inspiring friendship of Elton John and Bernie Taupin. They discuss a new book that argues 1962 was the greatest year for movies. They discuss a great way for you in the USA to stream 15 classic movies and documentaries a month for free in the comfort of your own home. They begin to discuss the horrible battle between Goldie Hawn and Jonathan Demme over 1984’s Swing Shift, a movie that has been compared to The Magnificent Ambersons as lost cinematic classics, forever destroyed by those who didn’t know better. YOUR Chillpak Hollywood Hour, Covid-19 free since May of 2007!
This week’s brand new show is a whole lot of fun, with a cold open (about Dean’s former website), a special guest appearance (from Siren FM’s Alex Lewczuk), a discussion about why certain movies (especially in the “Star Trek” universe) seem like movies, whereas others seem like TV episodes, a review of Doctor Sleep, a celebration of Stanley Kubrick, an analysis of an all-time great movie monologue delivered by a powerhouse actress (Nicole Kidman), and a remembrance of actor-producer Kirk Douglas, along with a thoughtful conversation about the messy business of appraising legacies.
Your friends in podcasting are one day late in delivering this week’s hearty serving of YOUR Chillpak Hollywood Hour, so they reward your patience with an extra 16 minutes of show!Phil and Dean follow up on last week’s conversation about empathy to analyze the ways we consume movies now and what those ways do for us, or TO us! They preview the forthcoming Joker and Doctor Sleep. They examine the use of de-aging technology in movies. They analyze the evolving differences between the DC vs. Marvel cinematic universes. They review the current theatrical releases Ready or Not and The Peanut Butter Falcon, the recent home video releases Long Shot, Gloria Bell and Men in Black: International. All that, plus they will celebrate the lives and legacies of two music icons, a best-selling novelist, a Broadway trailblazer and a television character actor.
Halloween is only eight weeks away, so your friends in podcasting thought it was the perfect time to reveal their Top Ten All-Time Horror Films! Such classics as the 1956 Invasion of the Body Snatchers, its 1978 remake, John Carpenter’s The Thing, The Devil’s Backbone from director Guillermo Del Toro, Abbott and Costello Meet Frankenstein and Cabin in the Woods all get discussed as “honorable mentions”. What films actually made Dean and Phil’s respective lists? Listen to find out! And keep those Netflix queues handy!