Dean is in the process of re-examining the cinematic legacy of Roman Polanski, separate from his personal legacy. The timing is fortuitous as Phil re-watched Polanski’s 1976 cult favorite The Tenant, which also inspired thoughts about The Shining. Phil also re-watched two masterpieces by John Cassavetes in the wake of the great Gena Rowlands’ death: A Woman Under the Influence and Love Streams. Finally, Dean and Phil celebrate Paris, Texas at 40, discussing the role of the American Southwest in indie cinema of the early to mid 80s, and the way Paris, Texas points the way towards Wim Wenders’ next masterpiece, Wings of Desire. Dean had to leave for London, so he drops out a few minutes early, but not before the return of “Lawsuit in the Week”, and how Netflix might be in financial hot water over its “Baby Reindeer”. At that point, Phil welcomes Marc Hershon back to the show to discuss last month’s Emmy Awards and the possible forms the venerable awards show might take in the future. Such acclaimed current TV as “Shogun”, “Slow Horses”, “The Bear”, “Hacks”, “Reservation Dogs”, “Only Murders in the Building”, and the aforementioned “Baby Reindeer” get deep dive discussions.

Birthday boy Dean Haglund has the week off, so Phil Leirness welcomes Marc Hershon to discuss the recent Emmy Awards nominations and all that is excellent right now in what we used to call “television”. Marc is a screenwriter, author, improv professor, comedy impresario, columnist, editorial cartoonist, and corporate branding expert. He is also responsible for Dean and Phil seeing many of the shows they have discussed over the past several years. Phil also welcomes Jeff Briggs to discuss China’s first female action star, “The Queen of Swords”, Cheng Pei-Pei, who died recently at the age of 78. Jeff is a lifelong archivist, a former magazine writer, and an expert on Asian Cinema. He is also Phil’s former college roommate! All in all, this week’s show is a globetrotting 73-minute epic!

Dean and Phil have thoughts about the recent assassination attempt on former President Trump and these thoughts bring back memories of John Lennon’s murder and of vigilante films of the 1970s, especially Taxi Driver as well as the American classic on which it was based, The Searchers. On this week’s show, you will hear all that before your friends in podcasting get down to remembering the great Bob Newhart and the singular Shelly Duvall, as well as Oscar-winning producer Jon Landau in “Celebrity Deaths”. The “Live Event of the Week” involves Disneyland on its 69th birthday, the invention of audio-animatronics and how Disney was denied toys as a kid. Two movies have Phil’s attention, one of whose story (Widow Clicquot) was written by a future guest of YOUR Chillpak Hollywood Hour and the other (Bodies Bodies Bodies) an A24 satire on both WiFi culture and Agatha Christie’s Ten Little Indians. Watching it was part of Phil’s efforts to see everything in which actress Rachel Sennott has appeared. Finally, the Emmy Awards nominations get discussed and Dean’s viewing habits get put to the test!

After traveling across the country (on Spirit Airlines), Phil has been laid up all week, sick as a dog. Dean has been avoiding the dazzling nighttime Aurora displays put on by the current solar storm. They both have a great deal of show biz news, views and reviews on their minds, however. First off, Dean previews the forthcoming Ryan Coogler-led “X-Files” reboot, hipping us to its premise. Then, he and Phil make sense of the Ryan Gosling-starring The Fall Guy, both appraising its merits and explaining its box office failure. The future of action as a genre on both the big and small screens gets analyzed. Jerry Seinfeld’s utterly silly, possibly sly Unfrosted and the seething reaction to it get dissected. Everybody’ seems to love Netflix’s new series “Baby Reindeer”, except for the possibly defamed subject of it! Dean and Phil come at this one from all angles. Finally, Phil explains what went wrong with Taika Waititi’s recent true-life sports comedy Next Goal Wins and expresses confusion over why Hulu’s “The Bear” is considered a comedy.

Because Phil is traveling, he and Dean pre-recorded this week’s show on Sunday morning BEFORE the Oscars, so there will be scant little Academy Awards conversation on the episode. Instead, Dean and Phil re-visit some of the more troubling aspects of the legacy of “The X-Files” and examine two other television series: The acclaimed “The Bear” and the divisive season 4 of “Star Trek: Discovery” (including friend of show Luke Y. Thompson’s hilarious review of season 4). Last week’s “Live Event of the Week” gets re-visited thanks to an email from the subject of that segment! We will learn more about the great dancer and teacher Fujima Kansuma and Dean and Phil will ponder the possibility of someday taking a “deep dive” into the art of Kabuki on the show! Two fascinating films get discussed: Wim Wenders’ 1993 Wings of Desire sequel, Faraway, So Close! and the 7th greatest film of all time according to the Sight and Sound Poll, Claire Denis’ 1999 masterpiece Beau Travail (which is having a 25th anniversary re-release). “Celebrity Deaths” includes a bit of a quiz for Dean about a legendary Japanese artist and Canada’s First Lady of Jazz, before a great Italian filmmaker, an influential and controversial British playwright, and a beloved “entertainer” all get their turn in the spotlight.