On the eve of the Golden Globes, Dean and Phil got together via Zoom with the Best of 2025 very much on their minds. They discuss the recent Directors Guild and Screen Actors Guild award nominations. They discuss why the Writers Guild awards pale in significance compared to the DGA and SAG. That leads to a review of the multi-Golden Globe nominated, but WGA-ineligible South Korean dark comedy No Other Choice from writer-director Park Chan-wook, and his co-writer Don McKellar, as well as to a discussion of some Park Chan-wook movies from the past that Dean and Phil hope to track down. From one dark comedy to another, Phil and Dean then tackle Ari Aster’s Eddington before cleansing their palate with the utterly delightful Nouvelle Vague from Richard Linklater. Finally, the CNN documentary “I’m Chevy Chase and You’re Not” gets analyzed before Dean and Phil set aside fifteen bonus minutes to peek ahead to what IMDB considers ten of the “most anticipated” movies coming out this year.

Our first installment of 2026 finds your friends in podcasting discussing why the President of the United States is so insistent on there being another Rush Hour movie from director Brett Ratner. Then, Dean and Phil delve into the two final “Mission: Impossible” movies, both 2023’s Mission: Impossible – Dead Reckoning Part One and 2025’s Mission: Impossible – The Final Reckoning. Then, they delve deep into the strengths and weaknesses of Guillermo del Toro’s Netflix film version of Frankenstein. Finally, just in time for Twelfth Night, they go thru a whole lot of seasonal fare, both movies and television specials, including “Pee-wee’s Playhouse Christmas Special”, the Rankin-Bass “Frosty the Snowman”, The Muppets Christmas Carol, and Stanley Kubrick’s The Shining.

On Halloween in the USA (November 1 in Japan), Phil and Dean recorded this week’s show via zoom for a far out and far east installment of YOUR Chillpak Hollywood Hour. In it, you will hear accounts of Dean’s adventures in the Land of the Rising Sun. You will also hear the sad tale of Phil’s sister, and Phil’s full report on the big live show he hosted, and the show he was performing in that night. There will be deep dive discussions of several films, including two by director Brian G. Hutton and two somewhat overlooked horror films. The importance of Halloween as a time to discover, or re-discover unfairly maligned or outright ignored genre films gets celebrated as well. Finally, great stars Kris Kristofferson and Teri Garr, and legendary “Star Trek” writer, producer and show-runner Jeri Taylor get remembered in “Celebrity Deaths”.

Dean is in the process of re-examining the cinematic legacy of Roman Polanski, separate from his personal legacy. The timing is fortuitous as Phil re-watched Polanski’s 1976 cult favorite The Tenant, which also inspired thoughts about The Shining. Phil also re-watched two masterpieces by John Cassavetes in the wake of the great Gena Rowlands’ death: A Woman Under the Influence and Love Streams. Finally, Dean and Phil celebrate Paris, Texas at 40, discussing the role of the American Southwest in indie cinema of the early to mid 80s, and the way Paris, Texas points the way towards Wim Wenders’ next masterpiece, Wings of Desire. Dean had to leave for London, so he drops out a few minutes early, but not before the return of “Lawsuit in the Week”, and how Netflix might be in financial hot water over its “Baby Reindeer”. At that point, Phil welcomes Marc Hershon back to the show to discuss last month’s Emmy Awards and the possible forms the venerable awards show might take in the future. Such acclaimed current TV as “Shogun”, “Slow Horses”, “The Bear”, “Hacks”, “Reservation Dogs”, “Only Murders in the Building”, and the aforementioned “Baby Reindeer” get deep dive discussions.

Dean and Phil have thoughts about the recent assassination attempt on former President Trump and these thoughts bring back memories of John Lennon’s murder and of vigilante films of the 1970s, especially Taxi Driver as well as the American classic on which it was based, The Searchers. On this week’s show, you will hear all that before your friends in podcasting get down to remembering the great Bob Newhart and the singular Shelly Duvall, as well as Oscar-winning producer Jon Landau in “Celebrity Deaths”. The “Live Event of the Week” involves Disneyland on its 69th birthday, the invention of audio-animatronics and how Disney was denied toys as a kid. Two movies have Phil’s attention, one of whose story (Widow Clicquot) was written by a future guest of YOUR Chillpak Hollywood Hour and the other (Bodies Bodies Bodies) an A24 satire on both WiFi culture and Agatha Christie’s Ten Little Indians. Watching it was part of Phil’s efforts to see everything in which actress Rachel Sennott has appeared. Finally, the Emmy Awards nominations get discussed and Dean’s viewing habits get put to the test!

Welcome to a truly great episode and it all starts with an alternately touching and hilarious cold open! In “Celebrity Deaths”, Dean and Phil remember a jazz music pioneer, an actor who was an important influence on Dean, and a versatile, prolific, Oscar-winning filmmaker. Last week’s Oscar nominations get analyzed, as does the ensuing anger surrounding supposed “snubs”. After the break, the great film critic Luke Y. Thompson joins the fun, discussing how critics, like performers, can get “pigeon-holed”. He offers up thoughts on the Oscar-nominated The Zone of Interest and the underrated Beau is Afraid, and hips you to a black and white sci-fi comedy that is well worth your 68 minutes! He even talks about toy reviews and toy photography! And trust us, this episode offers a lot of laughs! Find links to all of Luke’s articles and reviews at https://linktr.ee/lytrules. And learn about his work as a toy collector, photographer and reviewer at https://www.eql.com/media/adult-toy-collecting

 

Recorded late last week from a certain “historic building in downtown Los Angeles”, this episode begins with Phil doffing his cap about what Dean got right in discussing Sarah Polley’s Women Talking a few weeks back AND wagging his finger at what Dean got wrong while discussing Netflix’s “Wednesday” this past week. Phil then hails Joel de la Fuente (of “Man in the High Castle” and most recently “The Mysterious Benedict Society”) as his favorite actor. At that point, Dean and Phil switch gears for a show ten years in the making, analyzing the just-released, decennial Sight and Sound poll of all-time greatest films! What Dean and Phil were expecting and what surprised them leads to what promises to be an ongoing conversation about re-contextualization and the importance of learning how works of art resonate with different groups and different cultures.

A cold open about a … melon festival (?!) … inspires a story about racial hostility in Turlock in the early 20th century. From there, Phil is inspired to pick up on a brilliant observation Dean made last week about Mike Nichols’ Working Girl and apply that observation as a potential thru-line for this celebrated director’s career. Alec Baldwin gets into hot water for tweeting support for Anne Heche and Salman Rushdie gets stabbed on-stage right before hailing the USA as the last bastion of freedom of speech. Dean and Phil try to make sense of both of these events. The return of “What We’re Reading” sees Dean learning how to sketch people’s hands and Phil learning what the next World War will be like! In “Celebrity Deaths”, a good friend and frequent collaborator of Stanley Kubrick, a popular and inspiring painter, a legendary French movie star, and the composer of one of the most indelible theme songs of all time all get remembered. Finally, Dean and Phil discuss the finely-tuned instincts Marlon Brando possessed as a great entertainer, and Phil hails the allegorical storytelling on display in Jordan Peele’s Nope.

Dean and Phil compare hilarious notes on their Thanksgivings, Phil shares tales of his birthday adventures, updates on his sister’s medical status, and relays what a birthday card he received from a loyal listener and friend to the show inspired. Phil quizzes Dean on a few ad lines from movies to see if Dean can guess the films they describe. In “Celebrity Deaths”, a groundbreaking TV executive, a chart-topping doo-wop singer, a beloved voice actor, a civil rights trailblazer, a former mayor of New York, and a fascinating pop culture icon get remembered. David E. Kelley has a new television series mired in controversy and that controversy will lead to a discussion of “Law and Order” and Q Anon! Finally, Dean and Phil share a couple of their favorite all-time episodes of television, one from “Star Trek: Deep Space Nine” and the other from “Homicide: Life on the Street”.